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Lady Snowblood (1973)

Shurayukihime (original title)
Not Rated | | Action, Drama, Thriller | 1 December 1973 (Japan)
A young girl is born and raised to be an instrument of revenge.

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Writers:

(story), (story) | 1 more credit »
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Drama | Thriller
    1 2 3 4 5 6 7 8 9 10 6.4/10 X  

Lady Snowblood is caught in the politics of early 20th century Japan.

Director: Toshiya Fujita
Stars: Meiko Kaji, Jûzô Itami, Kazuko Yoshiyuki
Crime | Drama | Thriller
    1 2 3 4 5 6 7 8 9 10 7.3/10 X  

After being used and betrayed by the detective she had fallen in love with, young Matsu is sent to a female prison full of sadistic guards and disobedient prisoners.

Director: Shun'ya Itô
Stars: Meiko Kaji, Rie Yokoyama, Yayoi Watanabe
Crime | Drama | Thriller
    1 2 3 4 5 6 7 8 9 10 7.2/10 X  

After spending a year in solitary confinement, Matsu escapes from prison with six more convicts, followed by the guards led by the vengeful warden who wants her dead at all costs.

Director: Shun'ya Itô
Stars: Meiko Kaji, Fumio Watanabe, Yukie Kagawa
Action | Drama | Horror
    1 2 3 4 5 6 7 8 9 10 6.7/10 X  

The head of a yakuza gang is being trailed by a mysterious, vengeful blind woman.

Director: Teruo Ishii
Stars: Meiko Kaji, Hoki Tokuda, Makoto Satô
Action
    1 2 3 4 5 6 7 8 9 10 7.9/10 X  

The story of a Ronin (i.e. a masterless samurai) who wanders the countryside of Japan with his small child, having various adventures.

Director: Kenji Misumi
Stars: Tomisaburô Wakayama, Fumio Watanabe, Tomoko Mayama
Action | Drama
    1 2 3 4 5 6 7 8 9 10 8.1/10 X  

Trailed by a clan of female ninja, Ogami is paid to assassinate a clan traitor accompanied by three killers known as the Gods of Death.

Director: Kenji Misumi
Stars: Tomisaburô Wakayama, Kayo Matsuo, Akiji Kobayashi
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Cast

Cast overview, first billed only:
...
Toshio Kurosawa ...
Masaaki Daimon ...
Gô Kashima
Miyoko Akaza ...
Sayo Kashima
Shinichi Uchida ...
Shirô Kashima
Takeo Chii ...
Tokuichi Shôkei
Noboru Nakaya ...
Banzô Takemura
Yoshiko Nakada ...
Kobue Takemura
...
Tajire no Okiku
Kaoru Kusuda ...
Otora Mikazuki
Sanae Nakahara ...
Kitahama, Okono
Hôsei Komatsu ...
Genzô Shibayama
Makoto Matsuzaki ...
Daikashi
Hiroshi Hasegawa ...
Daihachi Kachime
Takehiko Ono ...
(as Susumu Kuroki)
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Storyline

Yuki's family is nearly wiped out before she is born due to the machinations of a band of criminals. These criminals kidnap and brutalize her mother but leave her alive. Later her mother ends up in prison with only revenge to keep her alive. She creates an instrument for this revenge by purposefully getting pregnant. Though she dies in childbirth, she makes sure that the child will be raised as an assassin to kill the criminals who destroyed her family. Young Yuki never knows the love of a family but only killing and revenge. Written by Fred Cabral <ftcabral@hotmail.com>

Plot Summary | Add Synopsis

Genres:

Action | Drama | Thriller

Certificate:

Not Rated | See all certifications »

Parents Guide:

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Details

Country:

Language:

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Release Date:

1 December 1973 (Japan)  »

Also Known As:

Lady Snowblood  »

Company Credits

Production Co:

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Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

The role of Yuki Kashima was specifically written for Meiko Kaji to play. See more »

Goofs

The revolver that Gishiro fires at Yuki is a Webley, which is capable of holding but six rounds. Gishiro fired 7 rounds without reloading. See more »

Quotes

Yuki Kashima: Look at med closely. Do I look like someone you raped?
See more »

Connections

Referenced in Ban the Sadist Videos! Part 2 (2006) See more »

Soundtracks

Shura no Hana
Sung by Meiko Kaji
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User Reviews

 
opera, with blood instead of music
7 September 2012 | by See all my reviews

A big thing that strikes me about 70s Japanese trash cinema is how, well, cinematic it is. No cheap films from Hong Kong or even America looked or sounded much like this. It's like an opera of blood, complete with extremely broadly drawn characters, a mix of great locations and unnatural, painted setpieces, eerie pink lighting, baroque chapter titles and a symphonic pop theme song. If you're looking for literary substance you're in the wrong place, but as an exercise in style that juggles many different genres & moods (from noir to chambara) and flirts with the portrayal of Japan on the cusp of Western imperialist influence, there's a lot of meat here.

At times it's hard to tell if the film's trying to be serious or fun & over the top, and that's a certain ambiguity you won't get with Tarantino's stuff (yeah, I'm pretty sure I know why you're here). Obviously this was the main inspiration for Kill Bill, and while that movie's fairly fun for cheap pastiche, it should be regarded as the piece of curio to see after this rather than vice-versa.


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