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A bizarre black-and-white film noir reworking of Shakespeare's 'Hamlet'. After the death of his father, young Hamlet inherits a seat on the board of a company controlled by his uncle that ... See full summary »
Director:
Aki Kaurismäki
Stars:
Pirkka-Pekka Petelius,
Esko Salminen,
Kati Outinen
Between two Thanksgivings, Hannah's husband falls in love with her sister Lee, while her hypochondriac ex-husband rekindles his relationship with her sister Holly.
In 1990, to protect his fragile mother from a fatal shock after a long coma, a young man must keep her from learning that her beloved nation of East Germany as she knew it has disappeared.
Director:
Wolfgang Becker
Stars:
Daniel Brühl,
Katrin Saß,
Chulpan Khamatova
Two men reaching middle age with not much to show but disappointment, embark on a week long road trip through California's wine country, just as one is about to take a trip down the aisle.
Director:
Alexander Payne
Stars:
Paul Giamatti,
Thomas Haden Church,
Virginia Madsen
It's night on a Paris bridge. A girl leans over Seine River with tears in her eyes and a violent yearning to drown her sorrows. Out of nowhere someone takes an interest in her. He is Gabor,... See full summary »
Director:
Patrice Leconte
Stars:
Vanessa Paradis,
Daniel Auteuil,
Frédéric Pfluger
Several lonely hearts in a semi-provincial suburb of a town in Denmark use a beginner's course in Italian as the platform to meet the romance of their lives.
Stars:
Anders W. Berthelsen,
Anette Støvelbæk,
Ann Eleonora Jørgensen
A former radio DJ, suicidally despondent because of a terrible mistake he made, finds redemption in helping a deranged homeless man who was an unwitting victim of that mistake.
A middle-aged artist obsessed with his pretty young assistant, a precocious 12 year old living in a hotel, and a neurotic lawyer with a possessive mother make up three stories.
Juha is the last silent film of the 20th century. And a truly great one, I might add. Adapting a Finnish literary classic (already brought to the screen three times), Scandinavian master Aki Kaurismäki (whose movies have always had limited dialogue, mind) tells a cruel, touching story of love, loss and revenge.
Weirdly for a Kaurismäki movie, Juha seems to open on a happy note: we witness the everyday life of the eponymous farmer (a never better Sakari Kuosmanen) and his wife Marja (the consistently astounding Kati Outinen). The two don't lead the easiest of lives, but somehow they manage to survive and keep an optimistic view on existence.
That's when Shemeikka (André Wilms, whose previous work with the director includes Bohemian Life and Leningrad Cowboys Meet Moses) enters the game. He comes from the big city, and is forced to spend the night at Juha's because of a lousy car. The following morning he returns home, only this time he's got company: he has seduced Marja, promising her a better life. Sadly, she'll come to regret her choice as it turns out that Shemeikka actually runs a brothel. All she can do is hope her husband will forgive her and come to the rescue.
The audacious aspect of Juha is not the fact that it's shot in black and white (Kaurismäki does that quite often), but the fact that there's no sound at all. Dialogue is shown through title cards, and the rest of the action is left to the strength of the performances: Kuosmanen shows a staggering intensity as the leading man, Outinen is at her most vulnerable playing his wife, and Wilms is perhaps the best villain the Finnish director has ever come up with. Utterly cold and repulsive, he really makes sure you won't like him.
Juha works thanks to its honesty and raw power: it's not a pastiche of silent movies, but a serious, endearing tragedy, and further proof of Kaurismäki's high rank among Scandinavian film-makers.
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Juha is the last silent film of the 20th century. And a truly great one, I might add. Adapting a Finnish literary classic (already brought to the screen three times), Scandinavian master Aki Kaurismäki (whose movies have always had limited dialogue, mind) tells a cruel, touching story of love, loss and revenge.
Weirdly for a Kaurismäki movie, Juha seems to open on a happy note: we witness the everyday life of the eponymous farmer (a never better Sakari Kuosmanen) and his wife Marja (the consistently astounding Kati Outinen). The two don't lead the easiest of lives, but somehow they manage to survive and keep an optimistic view on existence.
That's when Shemeikka (André Wilms, whose previous work with the director includes Bohemian Life and Leningrad Cowboys Meet Moses) enters the game. He comes from the big city, and is forced to spend the night at Juha's because of a lousy car. The following morning he returns home, only this time he's got company: he has seduced Marja, promising her a better life. Sadly, she'll come to regret her choice as it turns out that Shemeikka actually runs a brothel. All she can do is hope her husband will forgive her and come to the rescue.
The audacious aspect of Juha is not the fact that it's shot in black and white (Kaurismäki does that quite often), but the fact that there's no sound at all. Dialogue is shown through title cards, and the rest of the action is left to the strength of the performances: Kuosmanen shows a staggering intensity as the leading man, Outinen is at her most vulnerable playing his wife, and Wilms is perhaps the best villain the Finnish director has ever come up with. Utterly cold and repulsive, he really makes sure you won't like him.
Juha works thanks to its honesty and raw power: it's not a pastiche of silent movies, but a serious, endearing tragedy, and further proof of Kaurismäki's high rank among Scandinavian film-makers.