| Kevin Pollak | ... | President Walter Emerson | |
| Timothy Hutton | ... | Marshall Thompson | |
| Sheryl Lee Ralph | ... | Gayle Redford | |
| Clotilde Courau | ... | Katie | |
| Badja Djola | ... | Harvey | |
| Sean Astin | ... | Ralph | |
| Mark Thompson | ... | Gerald Irvin | |
| Michael Mantell | ... | Taylor Woods | |
| Kathryn Morris | ... | Lizzie Woods | |
| Ryan Cutrona | ... | Agent Dexter | |
| Joe McCrackin | ... | Agent Williams | |
| Scoot Powell | ... | Noah | |
| J. Scott Shonka | ... | Captain Coddington | |
| Jim Curley | ... | Admiral Miller (as James Curly) | |
| Rigg Kennedy | ... | Howard | |
| James Handy | ... | Lancaster / President Buchanan | |
| Graham Galloway | ... | George Carvelli / Jeter | |
| John Cirigliano | ... | Martin Keller | |
| Amit Mehta | ... | Abu Hussein | |
| Steve Loglisci | ... | Nick Macario | |
| Kristen Shaw | ... | Alexandra | |
| Robert Harvey | ... | Agent Hunter | |
| June Lockhart | ... | Secretary of State Clift | |
| Sayed Badreya | ... | Omari | |
| Roger Steffens | ... | Daniel Golan | |
| Leslie Zemeckis | ... | Sylvia Charles (as Leslie Harter) | |
| Rod Lurie | ... | John Desimio | |
| Marc Frydman | ... | Gestaing | |
| Edward James Gage | ... | Riley (as E.J. Gage) | |
| Jack Angel | ... | Secretary of Defense | |
| Rosemary Lord | ... | Female Translator | |
| Buckley Norris | ... | Isaacson | |
| Fred Ornstein | ... | Rubenstein | |
| James Spies | ... | Mark Stone | |
| Uzi Gal | ... | Iraqi Ambassador |
Directed by | |||
| Rod Lurie | |||
Writing credits(WGA) | ||
| Rod Lurie | (written by) | |
Produced by | |||
| Paula M. Bass | .... | line producer (as Paula Hammerel) | |
| Marc Frydman | .... | producer | |
| Maurice Leblond | .... | executive producer | |
| Steve Loglisci | .... | executive producer | |
| James Spies | .... | producer | |
Original Music by | |||
| Larry Groupé | |||
Cinematography by | |||
| Frank Perl | |||
Film Editing by | |||
| Alan Roberts | |||
Production Design by | |||
| Whitney Brooke Wheeler | (as W. Brooke Wheeler) | ||
Set Decoration by | |||
| Laurie Scott | |||
Costume Design by | |||
| Matthew Jacobsen | (as Matt Jacobsen) | ||
Makeup Department | |||
| Diana Acrey | .... | hair department head (as Diana Acrey-Doyle) | |
| Felicia Linsky | .... | key makeup artist | |
| Janet Moore | .... | key hair stylist | |
| Kate Shorter | .... | key makeup artist | |
Production Management | |||
| Stacey Kosier Box | .... | production manager (as Stacey Kosier) | |
| Reinhard Schreiner | .... | post-production supervisor | |
Second Unit Director or Assistant Director | |||
| Bill Berry | .... | first assistant director | |
| Mark Demarais | .... | second second assistant director | |
| Paul Domick | .... | key second assistant director | |
Art Department | |||
| Mike R. Berman | .... | leadman (as Mike Berman) | |
| Bill Cancienne | .... | set dresser | |
| Lesley Guynes | .... | on-set dresser (as Lesley Levenburg) | |
| Lisa Kramer | .... | prop assistant | |
| David E. Leicester | .... | construction coordinator (as David Leicester) | |
| Dutch Merrick | .... | property master (uncredited) | |
Sound Department | |||
| Dario Biscaldi | .... | foley artist | |
| Barney Cabral | .... | supervising sound editor | |
| Patrick Cabral | .... | foley artist | |
| Rickley W. Dumm | .... | sound effects editor | |
| Mark Hollingsworth | .... | sound editor | |
| Peter V. Meiselmann | .... | production sound mixer | |
| Cynthia Merrill | .... | foley artist | |
| Hunter Moore | .... | additional boom operator | |
| Sterling Moore | .... | boom operator | |
| Nick Neutra | .... | adr mixer | |
| Nick Neutra | .... | foley mixer | |
| Perry Robertson | .... | sound editor | |
| Geoffrey G. Rubay | .... | sound re-recording mixer | |
| Peter Zinda | .... | sound re-recording mixer | |
Camera and Electrical Department | |||
| Trent Anderson | .... | first assistant camera: 'b' camera | |
| Joe Broderick | .... | steadicam operator | |
| Peter Chrimes | .... | key grip | |
| Vidal Cohen | .... | best boy grip | |
| Tim Collins | .... | dolly grip (as Timothy Collins) | |
| Anthony Donati | .... | lamp operator | |
| Camille Freer | .... | second assistant camera | |
| David Gottlieb | .... | lamp operator (as Dave Gottlieb) | |
| Douglas S. Johnson | .... | second assistant camera: 'b' camera (as Doug Johnson) | |
| Douglas S. Kennedy | .... | best boy electric (as Doug Kennedy) | |
| Gino Mifsud | .... | still photographer | |
| Michael G. Riba | .... | first assistant camera (as Mike Riba) | |
| Dan Robinson | .... | grip | |
| Chis Rountree | .... | grip (as Chris Roundtree) | |
| Roger Sassen | .... | gaffer | |
| Joann Sweiven | .... | grip (as JoJo Swieven) | |
| Larry Markart | .... | video playback (uncredited) | |
Casting Department | |||
| Debe Waisman | .... | extras casting | |
Costume and Wardrobe Department | |||
| Robert Gmuer | .... | costume supervisor | |
| Karen Vanderhorst | .... | on-set costumer | |
Editorial Department | |||
| David C. Whitten | .... | color timer | |
Music Department | |||
| Larry Groupé | .... | conductor | |
Transportation Department | |||
| Curt Larson | .... | transportation coordinator | |
Other crew | |||
| Veronique Bouedo | .... | intern | |
| Paul Cafferty | .... | production accountant | |
| Pam Leonte | .... | script supervisor | |
| Amit Mehta | .... | assistant: Mr. Lurie | |
| Rick Osako | .... | assistant accountant | |
| P.J. Sodaski | .... | production coordinator | |
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| Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb | Fail-Safe | The Peacekeeper | Fahrenheit 9/11 | Dreamcatcher |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb France section |
Got lucky and caught this little gem on cable without promo, hoopla or expectations. Had a little trouble seeing Kevin Pollak as the 'prez' until the story unfolded. On the surface it's a might makes right battle of good over evil ala Sid and Marty Kroft. (Hand puppets.) Then I settled in for the real story. Pollack is a weak, never-elected, mid-term veep come reticent-president called to task. The handlers try to handle, the president tries to preside and for a bit we believe he is without wits. We learn about our nation's security, the definition of security, and we are reassured while we recoil in horror. Only later do we get the second coming in Pollack and the necessity of his ultimate action. Only more relevant on the heels of the events of 9/11.