Adam and Eva have been married for four years. But the romance has disappeared from their relationship and has been replaced by boredom and old routine. When Adam meets his brother's ... See full summary »
35-year old Magnus Edkvist hates class reunions as much as anyone and usually skip them. Still he accepts an invitation for a reunion for class he left over twenty years ago. But he has his... See full summary »
Every Other Week is a comedy drama about two brothers whose lives become very complicated. Jens's wife Tessan refuses to believe that her husband's friendship with stunning Johanna is ... See full summary »
Torsten Södergren lives in a normal house with his normal family in a completely normal city. Every morning he greets his normal neighbors before getting into his normal car and drives the ... See full summary »
Tomas von Brömssen,
Isabella is 30 and single. Her friends have fancy careers, getting married and so on. She is a freelance actor. In her CV, among other merits, she claims being an acrobat. One little lie will leads to another. Bigger.
Coming of age film that takes place in the Swedish archipelago during 70s about young Martin (Bill Skarsgård) who gets a summer job working at a hotel. The hotel manager Gösta (Peter Dalle)... See full summary »
Frank leads a respectable yuppie life working at a noted Stockholm law firm. He has also been married for eight years to his beautiful wife Nenne, who runs an upscale boutique. Yet Frank is... See full summary »
When the factory in Molkom shuts down, Robin leaves his beloved hometown to try his luck in Stockholm as a wedding photographer. This experience changes not merely his outlook on life but also his hairstyle.
Johan is a two-fisted Gothenburg cop who finds himself in a shoot-out with jewel robbers. After the smoke has cleared, one robber, shot by his accomplice, and an innocent bystander, are ... See full summary »
A young couple, Sophia (Josefin Nilsson) and Freddie (Jacob Ericsson) has just got their first baby, but this little thing makes their lives way to complicated and difficult for them to handle. They both have jobs, Sophia is an actress and Freddie a balloon-flier, which makes it tough to be home with the baby and such. They also have to deal with Sophia´s family, which includes a depressed dad, a close to senile mother, and two eccentric sisters. The family life is nothing what Sophia and Freddie expected.
This is Hannes Holm´s and Måns Herngren´s first big movie after the incredibly successful "Adam & Eva", which took the Swedish theaters by storm. Some people expected this to be a new "Adam & Eva", but since it´s not they got pretty disappointed. When "Adam & Eva" was a rather simple comedy, about marriage and stuff, this is more serious. It tells a story about family-life, and how to deal with your "old" family and "new" family at the same time. I suppose I´m rather alone with this opinion, but I have to say that "Det blir aldrig som man tänkt sig" was much better than "Adam & Eva".
The script is much tighter and contains funnier jokes than the "predecessor". It has lots of memorable one-liners and the acting is fantastic! The lovely Josefin Nilsson and funny Jacob Ericsson are totally believable as the young couple, and the rest of Sophia´s family is great as well. Especially Gösta Ekman and Bibi Andersson as her parents. There are lots of familiar faces in smaller roles, like Peter Dalle and Peter Wahlbeck. But my personal favorite is definitely Lennart Jähkel, as a sleazy director. He has some great moments here, even if nothing can budge his killer-performance he did in "Jägarna".
This is a beautiful movie in every sort of way. It has sad moments, but happy and funny ones as well. The ending would probably have been treated in a silly way if this was a Hollywood-production, but here it is just perfect. And I have to admit that I had tears in my eyes during the final scene. A great movie, which ranks as one of the best Swedish films I´ve ever seen. It made me really happy, so I will definitely be watching this if I´m feeling down some day.
* * * * ½
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