Béla Jenbach (libretto)
Mischa Mleinek (adaptation)
(more)
23 December 1971 (Hungary) more
For Unabashed Romantic Slobs more (1 total)
| Anna Moffo | ... | Sylva Varescu | |
| René Kollo | ... | Edwin Ronald | |
| Dagmar Koller | ... | Stasi | |
| Irén Psota | ... | Fürstin Marie-Louise | |
| Sándor Németh | ... | Boni | |
| László Mensáros | ... | Feri Bácsi | |
| Karl Schönböck | ... | Fürst Leopold | |
| Zoltán Latinovits | ... | Miska | |
| Péter Huszti | ... | Rohnsdorff | |
| László Keleti | ... | Közjegyzõ | |
| Márta Fónay | |||
| Lenke Lorán | |||
| László Kozák | ... | Kovács | |
| Anna Muszte | |||
| Kornél Gelley | ... | Lajos | |
| Ilka Petur | |||
| János Körmendi | |||
| Éva Schubert | |||
| Gellért Raksányi | ... | Géza | |
| Ottó Ruttkai | |||
| János Makláry | |||
| rest of cast listed alphabetically: | |||
| Éva Thury | ... | A táncosnõ (uncredited) | |
Directed by | |||
| Miklós Szinetár | |||
Writing credits(in alphabetical order) | ||
| Béla Jenbach | libretto | |
| Mischa Mleinek | adaptation | |
| Leo Stein | libretto | |
| Miklós Szinetár | adaptation | |
Produced by | |||
| András Németh | .... | producer | |
Cinematography by | |||
| Miklós Bíró | |||
Film Editing by | |||
| Sándor Zákonyi | |||
Production Design by | |||
| Tamás Vayer | |||
Set Decoration by | |||
| Boldizsár Simonka | |||
Costume Design by | |||
| Fanny Kemenes | |||
Makeup Department | |||
| Magda Orosz | .... | makeup artist | |
Production Management | |||
| György Falus | .... | production manager | |
| András Németh | .... | production manager | |
Second Unit Director or Assistant Director | |||
| László Bánk | .... | assistant director | |
| Desmond Glaiten | .... | assistant director | |
| Kurt Noack | .... | assistant director | |
Art Department | |||
| András Földes | .... | first assistant decorator | |
| Tibor Nell | .... | construction manager | |
Sound Department | |||
| Ferenc Csonka | .... | sound engineer | |
Camera and Electrical Department | |||
| Sándor Barcs | .... | camera operator | |
| Sándor Baros | .... | camera operator | |
| Béla Örsi | .... | chief lighting technician | |
| Rezsõ Tóth | .... | camera operator | |
Costume and Wardrobe Department | |||
| Magda Asztalos | .... | wardrobe assistant | |
| Mária Asztalos | .... | wardrobe | |
Editorial Department | |||
| Géza Dobrányi | .... | color consultant | |
| Zsuzsa Kondor | .... | assistant editor | |
| Irén Kun | .... | color consultant | |
Music Department | |||
| Bert Grund | .... | conductor | |
| Gabriella Kerényi | .... | music assistant | |
Other crew | |||
| József Áhel | .... | location manager | |
| Richárd Bogár | .... | choreographer (as Bogár Richárd) | |
| Zoltán Dudás | .... | location manager | |
| Balázs Fakan | .... | script editor | |
| Györgyné Kuczik | .... | location manager | |
Csárdáskirálynö (Hungary)
The Csardas Princess (UK)
more
Hungary:107 min
1.66 : 1 more
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| Wiener Blut | Die Csardasfürstin | Der Opernball | Die Zirkusprinzessin | Der Zigeunerbaron |
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| Full cast and crew | Company credits | IMDb Musical section |
| IMDb West Germany section | Add this title to MyMovies |
Czardasfurstin is a personal favorite even if it is more than a bit outdated. This DVD is descended more from the Broadway/Hollywood style more than from the Wiener Volksoper. The script was heavily rewritten but is far, far closer to the original than the horrible butcherings of Lustige Witwe, the best of all operettas of the era just before World War One. There is some rewriting of lyrics in the better known numbers, for example, the very popular "Let Me Dance and Let Me Sing". The changes are minor. Maybe Kallman had different versions.
The writers added the non-singing role Miska to move the plot along. It makes the story fall together. With the scene shifting that film made available, a ficelle like Miska helps a lot.
It is obvious that the singing is overdubbed. So what?
Anna Moffo is gorgeous both in face and voice. Rene Kollo, even though he is two years older than Moffo, looks a decade younger. An excellent voice for the role. How can you not love Dagmar Koller? (See her on the recent Andre Rieu Live in Vienna. Still lovely.) Sandar Nemeth as Boni is a bit over-matched by Moffo and Kollo's singing but his dancing with Koller (who is excellent) makes up for it. (Moffo fakes the stage dancing. Step left. Step right. Repeat. But, she was not hired for her dancing. Again, so what?) The rest of the cast do a creditable job. Wonder how long it took Peter Huszti (Rohnsdorff)to get that broomstick out of his butt.
The orchestration is a bit pinched. Instead of the big sound from a motion picture sound studio, we get the sound of a stage show pit band. Might even have been recorded in someone's garage. Considering that Kallman's writing is lush, almost gooey, we feel cheated.
The subtitles suffer from what so many subtitles do. They are paraphrases, not translations of the original. Since they do not scan poetically, why paraphrase?
Still, the pluses far outweigh the minuses. Considering some of the schlock given 8's and 9's here, this is easily a 9 or better. If you are, like I am, an Unabashed Romantic Slob, this is well worth watching.