Jeff Cole is a recent graduate of the Cincinnati police academy who dreams of working undercover. His wish is granted and through success is given the task of taking down state-wide crack ... See full summary »
Story of a promising high school basketball star and his relationships with two brothers, one a drug dealer and the other a former basketball star fallen on hard times and now employed as a security guard.
A bizarre series of murders begins in Los Angeles, where people start going bald and then become homicidal maniacs. But could the blame rest on a particularly dangerous form of LSD called Blue Sunshine the murderers took ten years before?
Tommy Brown and his friend Sincere are gangsters who have learned how to make a good living by dealing drugs and pulling armed robberies. Tommy and Sincere have been able to move out of the ghetto in Queens where they were raised and relocate to an upscale section of Manhattan; they would seem to have it made, but both realize that their lives are headed toward a dead end. Sincere begins getting in touch with his African roots and tries to convince his girlfriend Tionne that they should emigrate to the Motherland, while Tommy has a religious awakening and joins the Nation of Islam. Written by
"The Minister" seen in the last scenes of the film is portrayed by Dr. Benjamin Chavis who was the Executive Director of the National Association for the Advancement of Colored People (NAACP) from 1993 - 1994. Dr. Chavis was the youngest person ever to serve as the Executive Director of the NAACP. See more »
Performed by DMX, Sean Paul and Mr. Vegas
Written by Tony Kelly, DMX, Sean Paul and Mr. Vegas
Produced by Tony 'CD' Kelly
Published by Ruff Ryders/Dead Game Music, Tony Kelly Music/Songs of PolyGram Intn'l, Inc.,
Boomer X Publishing, Deadly Muzik, Greensleeves Publishing
Courtesy of K. Licious Music and Def Jam Records
Sean Paul appears courtesy of 2 Hard Records See more »
I really get p***ed off at movie critics sometimes. This is one of those times. I have insomnia, see what's on TV, check the rating (1 star out of 4) and almost pass it by, but decide to watch it for the camp value.
Why did critics hate this? Why do they in general hate movies like this? The film immediately reminded me of "The Harder They Come", "Pusher" (Nicolas Winding Refn's fantastic Danish film), "Laws of Gravity", "Kids", "Clerks", "Mean Streets", "Zebrahead", "The Killing of A Chinese Bookie", "Boogie Nights", "Rome, Open City" and "The Bicycle Thief". Why does it seem that film critics love neo-realism if its 'white', but usually hate it otherwise.
If you're a fan of these kinds of movies, give this one a chance. Unfortunately, with the unfavorable judgment from up on high that this film received, I doubt anyone will read these words. Darn critics. I don't usually insinuate things like this, but I have to wonder if a racial aspect is at play here, that maybe xenophobia deflected a lot of critics from giving this one a chance. Oh well, I loved it in any case.
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