Can a young person in the South Bronx pursue a dream that isn't tied to crime, gang-banging, prostitution, violence, and racism? Tommy is a natural leader and a gifted artist. When Allen, a... See full summary »
Jeff Cole is a recent graduate of the Cincinnati police academy who dreams of working undercover. His wish is granted and through success is given the task of taking down state-wide crack ... See full summary »
Frustrated with being broke, Beans (Sigel) decides that the only way to grasp the American Dream is to take it. The film follows Beans and his crew, the ABM, as they take over the city, ... See full summary »
New Orleans has the No. 1 per capita murder rating in the nation. A decade earlier the city was dubbed the "Murder Capital of the Country." Drugs and violence controlled the streets, taking... See full summary »
Flea was a basketball player, happy with his subtle hustle, until a Dominican connect introduced him to a new way to spread the work and make all the cake. Flea assembles his friends and ... See full summary »
A Miami real estate broker in a loving marriage with an older man, is unexpectedly seduced into an affair with a younger, charming playboy from Los Angeles, only to suffer the consequences as she ends up in a dangerous love triangle.
Tommy Brown and his friend Sincere are gangsters who have learned how to make a good living by dealing drugs and pulling armed robberies. Tommy and Sincere have been able to move out of the ghetto in Queens where they were raised and relocate to an upscale section of Manhattan; they would seem to have it made, but both realize that their lives are headed toward a dead end. Sincere begins getting in touch with his African roots and tries to convince his girlfriend Tionne that they should emigrate to the Motherland, while Tommy has a religious awakening and joins the Nation of Islam. Written by
I Wanna Live
Performed by Braveheart
Written by Nas, Nature, Tone and Braveheart
Produced by Tone & Poke for Track Masters Entertainment, Inc.
Published by Zomba Enterprises, Inc./Ill Will Music, Inc.
(Administered by Zomba Enterprises Inc.); Slam U Well Productions/Jelly's Jams, LLC/12 & Under Music/Jumping Bean Songs,
Courtesy of Def Jam Records
Nas and Nature appear courtesy of Columbia Records See more »
I really get p***ed off at movie critics sometimes. This is one of those times. I have insomnia, see what's on TV, check the rating (1 star out of 4) and almost pass it by, but decide to watch it for the camp value.
Why did critics hate this? Why do they in general hate movies like this? The film immediately reminded me of "The Harder They Come", "Pusher" (Nicolas Winding Refn's fantastic Danish film), "Laws of Gravity", "Kids", "Clerks", "Mean Streets", "Zebrahead", "The Killing of A Chinese Bookie", "Boogie Nights", "Rome, Open City" and "The Bicycle Thief". Why does it seem that film critics love neo-realism if its 'white', but usually hate it otherwise.
If you're a fan of these kinds of movies, give this one a chance. Unfortunately, with the unfavorable judgment from up on high that this film received, I doubt anyone will read these words. Darn critics. I don't usually insinuate things like this, but I have to wonder if a racial aspect is at play here, that maybe xenophobia deflected a lot of critics from giving this one a chance. Oh well, I loved it in any case.
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