Can a young person in the South Bronx pursue a dream that isn't tied to crime, gang-banging, prostitution, violence, and racism? Tommy is a natural leader and a gifted artist. When Allen, a... See full summary »
Jeff Cole is a recent graduate of the Cincinnati police academy who dreams of working undercover. His wish is granted and through success is given the task of taking down state-wide crack ... See full summary »
New Orleans has the No. 1 per capita murder rating in the nation. A decade earlier the city was dubbed the "Murder Capital of the Country." Drugs and violence controlled the streets, taking... See full summary »
Frustrated with being broke, Beans (Sigel) decides that the only way to grasp the American Dream is to take it. The film follows Beans and his crew, the ABM, as they take over the city, ... See full summary »
How would you react if three years after the death of your father, you receive a letter signed by him inviting you to visit an abandoned house in the middle of nowhere in China? Curious in ... See full summary »
Tommy Brown and his friend Sincere are gangsters who have learned how to make a good living by dealing drugs and pulling armed robberies. Tommy and Sincere have been able to move out of the ghetto in Queens where they were raised and relocate to an upscale section of Manhattan; they would seem to have it made, but both realize that their lives are headed toward a dead end. Sincere begins getting in touch with his African roots and tries to convince his girlfriend Tionne that they should emigrate to the Motherland, while Tommy has a religious awakening and joins the Nation of Islam. Written by
I Wanna Live
Performed by Braveheart
Written by Nas, Nature, Tone and Braveheart
Produced by Tone & Poke for Track Masters Entertainment, Inc.
Published by Zomba Enterprises, Inc./Ill Will Music, Inc.
(Administered by Zomba Enterprises Inc.); Slam U Well Productions/Jelly's Jams, LLC/12 & Under Music/Jumping Bean Songs,
Courtesy of Def Jam Records
Nas and Nature appear courtesy of Columbia Records See more »
Please disregard the above review. Either the viewer likes being spoon-fed his films, or was not paying attention. Note that the viewer didn't even attempt an understanding of the title "Belly," which was the central theme of the film. The viewers others comments can stand for themselves.
In all honesty, the first time I watched this film, I actually turned the volume down -- I was enraptured by the way each scene was composed on the frame. Visually, this movie is stunning. The director has a striking style, and besides that, he is PRODIGIOUS -- there appears to be no end to the ways that he can make his compositions rich in visual entertainment and information. I can enumerate a list of techniques he used here, but that will be an exercise in boredom for today's cyber-nauts. Even more important, the compositions are never created for their own sakes, which was my initial criticism the first time I saw it -- they really do propel the film. The style is integral to the story. Get the film and you will see what I'm referring to; if you disagree, say so in your review.
80% of the film seems to be a riff on the hip-hop video aesthetic (never mind the fact that the director greatly defined the recent shape of this aesthetic) and myth. In it's third act, however, it uses the very same conventions -- outlaw figures, ostentatious style, and violence -- to confront and question these aesthetics. In the climactic ending, this criticism is embodied in the confrontation between one of the heroes of the film (DMX) and a figure symbolic of actual figures from black history. The director actually used an anachronism to face down a contemporary hero, and argues for the relic.
What the film argues for, as embodied by the final speech of the Minister character, is a message so powerful and relevant -- particularly to the very people who will associate themselves the most with this film -- that it will leave you breathless. It is a timeless message passed down from antiquity, framed by the most daring and contemporary of directors. It is an exhilarating juxtaposition.
What of the title, "Belly?" A belly is what a pregnant woman has; it is the external shape of soon-to-be-born child. It is the womb, the source of life. It is the promise of what is to be, as well as the origins of what is. If you abstract it, it's shape will be that of a circle - the symbol of wholeness, of the journey to individuation. It is the same difficult journey that the movies' anti-heroes take.
BELLY is a powerfully visual, yet simple tale about redemption. Not to be missed.
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