2 Seconds
(1998)
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2 Seconds
(1998)
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| Cast overview, first billed only: | |||
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Charlotte Laurier | ... |
Laurie
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Dino Tavarone | ... |
Lorenzo
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Jonathan Bolduc | ... |
Jeune Lorenzo
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| Suzanne Clément | ... |
La Bella
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Yves Pelletier | ... |
Steff
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Louise Forestier | ... |
Mere de Laurie
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André Brassard | ... |
Gasket
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Pascal Auclair | ... |
Lebland
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JiCi Lauzon | ... |
Willie
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France Galarneau | ... |
Marcia
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Alexis Bélec | ... |
Tom
(as Alexis Belec)
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Jude-Antoine Jarda | ... |
Grolo
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Marie-Hélène Gagnon | ... |
Mme Blackburn
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Ginette Boivin | ... |
Receptionniste #1
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Mireille Naggar | ... |
Receptionniste #2
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Laurie, a professional downhill racer gets fired because of her slight overindulgence in irresponsibility. She returns to Montreal where she is welcomed by her geeky but cute brother. She meets Lorenzo, a cranky, ex-racer who owns a bike shop. The two become friends. Laurie gets a job with a local bicycle courier company, but a member of the group is intent on shutting her out of their circles, making her life difficult and sad. After a bonding truth-revealing discussion between Laurie and Lorenzo, Laurie begins to see what she has to do to make things better for herself. Written by kwedgwood@hotmail.com
This is a sweet & simple French-Canadian film about an ex-racing cyclist (played by Charlotte Laurier in that weird & aloof way that French actresses use to express nearly all their emotions) who finds herself working as a courier just so she can ride her bike. I found some of the acting (especially by the English-speakers in the first ten minutes) to be stiff & high-schooly, but once everyone's able to speak French, it goes much more smoothly.
The plot, as above, might be dull if there weren't an amazing character like Lorenzo, the ex-racer from Italy (played with all the requisite gruff & creaks by Dino Tavarone) who runs the bicycle shop that Laurier has to take her bike to. He's able to put her life in perspective & the long scene in the middle of the film in which he talks about his "big race" is some of the finest one-on-one filmmaking I've seen in ages.
The film has some nice, adrenalin-filled moments but the heart of the story is more sedate, involving relativity & finding out what is important in one's life. It's not sappy or saccharin, but it's not something you'll entirely relate to, either. You'll enjoy the performances & forgive the eccentricities (the revelation about the main character's sexuality, thrown in somewhere in the middle, seemed woefully out of place) &, if you're like me, you'll want to go out & ride a bike for a while.