Suffering from writer's block and eagerly awaiting his writing award, Harry Block remembers events from his past and scenes from his best-selling books as characters, real and fictional, come back to haunt him.
A director is forced to work with his ex-wife, who left him for the boss of the studio bankrolling his new film. But the night before the first day of shooting, he develops a case of psychosomatic blindness.
A comedic biopic focused on the life of fictional jazz guitarist Emmett Ray. Ray was an irresponsible, free-spending, arrogant, obnoxious, alcohol-abusing, miserable human being, who was also arguably the best guitarist in the world. We follow Ray's life: bouts of getting drunk, his bizzare hobbies of shooting rats and watching passing trains, his dreams of fame and fortune, his strange obsession with the better-known guitarist Django Reinhardt, and of course, playing his beautiful music. Written by
Martin Lewison <email@example.com>
Woody Allen pays a clever homage to Federico Fellini's La Strada (1954). The characters of Emmet (Penn) and Hattie (Morton) correspond to Zampano (Quinn) and Gelsomina (Masina) including the final scene with Emmet's/Zampano's breakdown and repentance. See more »
Blanche and Bill drive past a modern Yield sign. See more »
What do you think of when you play? What goes through your mind?
Yeah, that I'm underpaid. I think about that sometimes.
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This is a very enjoyable movie. It has many touches in it that are classic Woody Allen, so it should appeal to his many fans. It is also so strong on the jazz material that it should appeal to jazz afficianados even if they are not Woody Allen fans.
The biographical / documentary styles keep this movie away from Woody's worst excesses (I am a fan, but not a blinkered one)and provide momentum. There are one or two scenes that migrate towards farce, such as the hold-up scene(s) and the "moon seat".
This film is well worth seeing.
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