A director is forced to work with his ex-wife, who left him for the boss of the studio bankrolling his new film. But the night before the first day of shooting, he develops a case of psychosomatic blindness.
Suffering from writer's block and eagerly awaiting his writing award, Harry Block remembers events from his past and scenes from his best-selling books as characters, real and fictional, come back to haunt him.
A comedic biopic focused on the life of fictional jazz guitarist Emmett Ray. Ray was an irresponsible, free-spending, arrogant, obnoxious, alcohol-abusing, miserable human being, who was also arguably the best guitarist in the world. We follow Ray's life: bouts of getting drunk, his bizzare hobbies of shooting rats and watching passing trains, his dreams of fame and fortune, his strange obsession with the better-known guitarist Django Reinhardt, and of course, playing his beautiful music. Written by
Martin Lewison <email@example.com>
The guitar that 'Sean Penn' plays in the movie is a Selmer Maccaferri of about 1932 (though it seems likely that it's a reproduction of the rare instrument and not an original) This is the same kind of guitar played and made famous by Django Reinhardt. See more »
The guitar that Emmett destroys at the end of the movie is (thankfully) not a genuine Selmer Maccaferri. The shattered fragments clearly show a bolt-on neck. The genuine instruments used a bolt during construction, but this bolt was removed before the guitar was completed, leaving an empty hole. (The instrument actually destroyed was a disposable prop created by Michael Dunn.) See more »
I didn't ask your opinion. I'm just telling ya how it's gonna go.
See more »
The two movies that come to mind when I think about Sean Penn and his acting ability are not Mystic River and Fast Times at Ridgemont High. They are Carlito's Way and Sweet & Lowdown. In both of these movies, he immerses himself in the characters, while in most of his other movies, including the art house hits like 21 Grams and Hurly Burly, he plays more or less the same type of person. Sweet and Lowdown has Penn playing a self-absorbed classical guitarist who obsesses over a world-renowned guitarist much in the way Woody Allen obsesses over things in his other movies. Woody himself shows up as a commentator (this, like Zelig, is presented in mock documentary fashion). It is amusing, if slight (and a sign of things to come in 2000-2002, with Small Time Crooks, Curse of the Jade Scorpion and Hollywood Ending). Samantha Morton won a justified Oscar nomination, but Uma Thurman and Gretchen Mol are wasted (Uma got second billing over Sean Penn, and is hardly in the movie!) Not a Woody Allen masterpiece, but fans could do worse.
17 of 26 people found this review helpful.
Was this review helpful to you?