Sweet and Lowdown (1999)

User Rating:

7.2/10   

Director:

Woody Allen

Writer (WGA):

Woody Allen (written by)

Release Date:

26 January 2000 (France)

Genre:

Comedy | Music

Plot:

In the 1930s, fictional jazz guitarist Emmet Ray idolizes Django Reinhardt, faces gangsters and falls in love with a mute.

Plot Keywords:

Jazz | Train | 1930s | Gangster | Rat

Awards:

Nominated for 2 Oscars. Another 1 win & 11 nominations

Cast

Woody Allen	...	Himself
Ben Duncan	...	Himself
Daniel Okrent	...	A.J. Pickman
Dan Moran	...	Boss
Tony Darrow	...	Ben
Chris Bauer	...	Ace - Pool Player
Sean Penn	...	Emmet Ray
Constance Shulman	...	Hazel - Hooker #1
Kellie Overbey	...	Iris - Hooker #2
Darryl Alan Reed	...	Don
Marc Damon Johnson	...	Omer
Ron C. Jones	...	Alvin (as Ron Cephas Jones)
Steve Bargonetti	...	Musician Friend
Benjamin Franklin Brown	...	Musician Friend
James Urbaniak	...	Harry

Also Known As:

Woody Allen Fall Project 1998 (USA) (working title)

MPAA:

Rated PG-13 for sexual content and some substance abuse.

Runtime:

95 min

Country:

USA

Language:

English

Color:

Color

Aspect Ratio:

1.85 : 1

Sound Mix:

Dolby Digital (Mono)

Certification:

Singapore:PG | Iceland:L | Australia:PG | Finland:S | France:U | Germany:12 | Netherlands:AL | Norway:11 | Portugal:M/12 | Spain:13 | Sweden:7 | Switzerland:12 (canton of Geneva) | Switzerland:12 (canton of Vaud) | UK:PG | USA:PG-13

Filming Locations:

Fresh Pond Rail Yards, Queens, New York City, New York, USA

Company:

Magnolia Productions

Trivia:

Rosie O'Donnell was offered the role of Hattie. She turned it down due to her disdain for Allen's relationship with Soon-Yi Previn.

Goofs:

Anachronisms: The steel grain bins seen on a car trip would not be found in that time era.

Quotes:

Emmet Ray: Now get dressed!

Movie Connections:

Referenced in This Filthy World (2006)

Soundtrack:

12th Street Rag

Great, small movie form the genius.

Woody Allen has such control over the story telling tools of cinema that he can do whatever he wants. Mixing "documentary" comments about what is happening with the characters, and straightforward and yet superbly filmed feature sequences, Allen shows once again why he is one of the greatest film directors of our time. Good plot, great performances, skillfully constructed characters, excellent camera work... can you ask for more?