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Sweet and Lowdown (1999)
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Overview
Plot:
In the 1930s, fictional jazz guitarist Emmet Ray idolizes Django Reinhardt, faces gangsters and falls in love with a mute. full summary | add synopsisAwards:
Nominated for 2 Oscars. Another 1 win & 11 nominations moreUser Comments:
Wonderful moreCast
(Cast overview, first billed only)| Woody Allen | ... | Himself | |
| Ben Duncan | ... | Himself | |
| Daniel Okrent | ... | A.J. Pickman | |
| Dan Moran | ... | Boss | |
| Tony Darrow | ... | Ben | |
| Chris Bauer | ... | Ace - Pool Player | |
| Sean Penn | ... | Emmet Ray | |
| Constance Shulman | ... | Hazel - Hooker #1 | |
| Kellie Overbey | ... | Iris - Hooker #2 | |
| Darryl Alan Reed | ... | Don | |
| Marc Damon Johnson | ... | Omer | |
| Ron C. Jones | ... | Alvin (as Ron Cephas Jones) | |
| Steve Bargonetti | ... | Musician Friend | |
| Benjamin Franklin Brown | ... | Musician Friend | |
| James Urbaniak | ... | Harry |
Additional Details
MPAA:
Rated PG-13 for sexual content and some substance abuse.Parents Guide:
Add content advisory for parentsRuntime:
95 minCountry:
USALanguage:
EnglishColor:
ColorAspect Ratio:
1.85 : 1 moreSound Mix:
Dolby Digital (Mono)Certification:
Singapore:PG | Australia:PG | Iceland:L | Finland:S | France:U | Germany:12 | Netherlands:AL | Norway:11 | Portugal:M/12 | Spain:13 | Sweden:7 | Switzerland:12 (canton of Geneva) | Switzerland:12 (canton of Vaud) | UK:PG | USA:PG-13MOVIEmeter: 
No change since last week
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Fun Stuff
Trivia:
In the scene where Emmet Ray sees Django Reinhardt for the first time at the gas station and faints, right behind the trees is the Nyack High School Football team. They were asked to be quiet during the filming of the scene and had a stop their practice a number of times. moreGoofs:
Continuity: When he arrives at the train station with Ellie, Emmet stops the car just in time to avoid slamming into a utility pole. When they get out of the car a second later, the pole is not there any more. moreSoundtrack:
There'll Be Some Changes Made moreFAQ
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A slow, rich movie. Though it lags in places, the three lead performances are indelibly written in my memory. And the great jazz soundtrack and warm colors made this movie go down like a glass of bourbon.
Embodying the archetypal difficult genius, Emmet Ray is an almost cartoonishly dislikable guy. But Sean Penn keeps him just this side of sympathetic; we loathe his actions, we curse his self-destructiveness, and yet we're compelled to keep watching in the increasingly futile hope he'll turn himself around. His last scenes are heartrending.
As Hattie, Samantha Morton strikes a perfect, almost Chaplinesque, balance of comedy and tragedy. The line separating the two is razor-thin; she dances gracefully upon it. I could say more, but perhaps appropriately, it's difficult to find words that capture the beauty of her silent performance. Half the joy is in watching her reactions naturally unfold anyway.
Like Penn, Uma Thurman portrays a pretty unlikeable character. Her Blanche is overly intellectual, questions incessantly and is in some ways just as emotionally alienated as Emmett. Though her character is grating at first (particularly in contrast to Morton), Thurman does not shrink from the less flattering aspects of her character. It's a brave performance in a thankless role.
Woody Allen has constructed a thoughtful meditation on the nature of artistry. Not on celebrity -- we all know how that film turned out -- but on the rights and responsibilities of the true artist. Emmett, Hattie and Blanche represent the axis of artists, fans and critics respectively. As their relationships play out -- naturally, inexorably and poignantly -- the viewer gets a rare treat: a film that plucks at the mind and at the heart as gracefully as Emmett picking his guitar strings.