A comedic biopic focused on the life of fictional jazz guitarist Emmett Ray. Ray was an irresponsible, free-spending, arrogant, obnoxious, alcohol-abusing, miserable human being, who was also arguably the best guitarist in the world. We follow Ray's life: bouts of getting drunk, his bizzare hobbies of shooting rats and watching passing trains, his dreams of fame and fortune, his strange obsession with the better-known guitarist Django Reinhardt, and of course, playing his beautiful music. Written by
Martin Lewison <firstname.lastname@example.org>
Woody Allen pays a clever homage to Federico Fellini's The Road (1954). The characters of Emmet (Penn) and Hattie (Morton) correspond to Zampano (Quinn) and Gelsomina (Masina) including the final scene with Emmet's/Zampano's breakdown and repentance. See more »
Blanche and Bill drive past a modern Yield sign. See more »
Woody Allen has such control over the story telling tools of cinema that he can do whatever he wants. Mixing "documentary" comments about what is happening with the characters, and straightforward and yet superbly filmed feature sequences, Allen shows once again why he is one of the greatest film directors of our time. Good plot, great performances, skillfully constructed characters, excellent camera work... can you ask for more?
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