A well-bred, lovely, spiritual, sad young woman marries an attentive physician who loves her. She feels affection but no love. Soon after, without design, she falls in love with Pedro ... See full summary »
Each day, Man must work around the clock to produce and acquire bread: throwing the seeds into earth, helping the breeding of the corn, the corn's recolt, transport to the mills - ... See full summary »
The early 1990's: 300,000 Danes are out of work. Viggo, a machinist with two grown children, is silent about feelings, scared he'll lose his job, loud about the value of trade unionism, ... See full summary »
José and Roberto are friends, and they decide to go hunting but without guns, so that no accident will happen. As they stroll and talk, one of them falls into a hole in a hidden marshland. ... See full summary »
Manoel de Oliveira
António Rodrigues Sousa,
João Rocha Almeida,
The film switches back and forth between the adventures of Pu on a summer holiday in Norrland in Sweden and and the adult Pu visiting his father who lives in an old people's home. Little Pu... See full summary »
On Avenida Paulista, two friends, Leon and Ricardo, meet each other. They try to talk, but either the cell phone belonging to one, or the cell phone belonging to the other rings, preventing... See full summary »
A well-bred, lovely, spiritual, sad young woman marries an attentive physician who loves her. She feels affection but no love. Soon after, without design, she falls in love with Pedro Abrunhosa, a poet and performance artist. He also loves her. She keeps her distance from him, confessing her love to a friend who is a nun and, later, to her husband. Hunger for her love and jealousy consume him; she attends him as he wastes away. With his death, she can marry and express her passion, but what she does and how she explains herself, particularly to her cloistered friend, is at the heart of the film. Glimpses of convent life and of Abrunhosa on stage give contrast and mute comment. Written by
If you are a maniac who watches movies constantly, you know that you have wasted some hours in your life by movies that have absolutely nothing to say, this debacle is such one....gone are 100 minutes of my life! The story is superthin. A rich girl Madame De Clèves (played by Chiara Mastroianni, and I never could imagine acting could be done in such a boring way) has been destinated by her mother to marry the boring (they definitely found each other!) François De Guise. But of course, our bourgeoisie-lady meets (huuuum) a popstar and falls in love.... Now excuse me and let me point out some critical things. a) the popstar, a certain Pedro Abrunhosa is a macho in Armanisuit who plays the most annoying Portugese rock you can imagine....his crapmusic is about 20 minutes from the movie! b) the popstar seems to be part of the high society of cultural life, so it happens that he plays for a few people who normally only watch pianoconcerts from Chopin. Since when is that cool??????????? c) Since when falls a bourgeoisie-woman for a popstar who is surrounded by groupies? I don't know if director Manoel De Oliviera wanted to be hip by using some popscenes but it only makes his movie ridiculous. And the worst is yet to come! Madame De Clèves cant decide and she asks the help of her friend who happens to be...a nun. The nun tells all philosophicalbullshit that can be told in four words "Do your own thing", but for this intelligent answer you have to see a picture from 100 minutes in where nothing happens. I absolutely don't wanna hear terms like "art cinema", this is just wasted money. God, even Woody Allen wouldn't like to see this garbage.
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