In this 2003 remake of the classic 1952 French film, Fanfan la Tulipe is a swashbuckling lover who is tricked into joining the army of King Louis XV by Adeline La Franchise, who tells Fanfan that by doing so, he will eventually marry one of the king's daughters.
Jose Luis is an executive at his parents underwear factory where his girlfriend Sylvia works on the shop floor. When Sylvia falls pregnant, Jose Luis promises her that he will marry her, ... See full summary »
An intimate story of the enduring bond of friendship between two hard-living men, set against a sweeping backdrop: the American West, post-World War II, in its twilight. Pete and Big Boy ... See full summary »
A fourteen year old lad discovers his first love at the point of his pencil whilst drawing the portrait of a sickly but coquettish fifteen year old girl. In the neighbourhood an old ... See full summary »
Cultural critic David Kepesh finds his life -- which he indicates is a state of "emancipated manhood" -- thrown into tragic disarray by Consuela Castillo, a well-mannered student who awakens a sense of sexual possessiveness in her teacher.
Escaping gangsters trying to kill her because of being witness to a crime, Gloria (Victoria Abril), a young woman of lower class, comes back to Madrid, Spain and to her family. There she ... See full summary »
Agustín Díaz Yanes
Corren los años 40. Una modesta compañía de cineastas españoles abandona la España de Franco trasladándose a la Alemania de Hitler, para realizar una película coproducida entre ambos países. Se trata de un musical de ritmos andaluces protagonizado por la actriz Macarena Granada y dirigido por Blas Fontiveros. El contraste de ideologías entre españoles y alemanes es bastante marcado, y ello no tarda en hacerse notar... Written by
Miguel Ángel Díaz González
One may wonder if "La niña de tus ojos" really deserves all the nominations and awards it got. It is not "Belle époque" and there are some obvious clichés but it's still a very enjoyable film. The colours are vibrant and the black humour is piquant though not everyone (especially the English-speaking audience, and Asian audiences not exposed to this sort of humour) may appreciate it. Of course, the fabulous Penelope Cruz will make one overlook whatever faults there are in the film. As usual, she's brilliant. The interplay of dialogue in Spanish, German and Russian is hilarious. Liked it very much.
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