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|Index||39 reviews in total|
If you are looking for a slasher or a monster movie, you will be
disappointed. If you are looking for a moody, humorous, beautifully-shot B
movie, this is it. As in his previous film, Nadja, Michael Almereyda's
"monster" has human frailties and desires. He manages to find humor in his
characters' constant drunkenness (why did they come to Ireland to try to
out!?) and conveys this drunken feeling in the way the scenes cut from one
to the next. The inventive cinematography leaves several scenes etched in
your memory, and the sometimes-trip-hop soundtrack is very hip and lends
the dark mood. The pacing starts out slow but becomes engrossing and
In the end Trance/Eternal/Kiss of the Mummy is a fun film and merits multiple viewings. My sole complaint is that the visuals and the soundtrack really deserve and would benefit from large-screen presentation.
For the art house crowd comes this critically panned film never released
theatrically in the U.S. `Nadja' director Michael Almareyda comes up with
his skewed version of The Mummy, complete with hip characters, fun
surprises, a great alternate music soundtrack, Christopher Walken doing a
Irish accent but otherwise being his quirky old self, brilliant
cinematography from Jim Denault and a flair for the unexpected.
The perfectly enjoyable heroes are Allison Elliott and Jared Harris, as a cheerfully drunken couple going to Ireland to dry out. The movie acknowledges the "alcoholic" problem by having them not deal with it or call attention to it, and it's to the movie's credit that it's never an "issue" or makes them into completely awful or unbelievably irresponsible parents (they're just normally irresponsible, like most parents.)
* * * for The Eternal, an imperfect gem.
Saw a trailer for this on another video, and decided to rent when it came out. Boy, was I disappointed! The story is extremely boring, the acting (aside from Christopher Walken) is bad, and I couldn't care less about the characters, aside from really wanting to see Nora's husband get thrashed. Christopher Walken's role is such a throw-away, what a tease!
A good cast and they do their best with what they're given, but the story makes no sense, the characters' actions are inexplicable, and there are too many moments of unintentional humor, as when a man is killed by being pierced with pieces of a phonograph record or when they get the witch drunk to a hip hop beat and then hit her over the head with a bottle and she grabs her hostage and pouts off. The scene when the two witch and her victim (played by the same actress) are in the house together sets up like a 3 Stooges routine, and the plot begs the question: if the witch wants to possess this other woman's soul, why doesn't she just do it instead of leading these people on this elaborate chase? Not to be missed is Christopher Walkin's eyeglasses and his automotive explanation of the afterlife (paraphrased): "The ancient Egyptianas - they wee materialists. They expected the body to last through eternity, like a used car that you souped up. But the Druids, they knew you couldn't drive in the afterlife. You had to get out and walk." Huh? The ending is absolutely indecipherable. Seems like they just ran out of film.
A very interesting story. I think this film could have been so much more with a bigger budget. In my opinion, this was a very marketable movie idea with not enough financial backing. I would have liked to have seen more of Christopher Walken and even more chilling special effects throughout. The dialogue was a little dry, but was saved by the great cast. This movie is worth seeing at least once. It would have been better to see on the big screen but was only released direct-to-video in the U.S.
This film seems to be completely pointless. There is no reason why anything that happens in it happens, as if it was written by a small child who got bored halfway through and thought "how can I wrap this up?". And what were Jared Harris and Christopher Walken thinking? Did they do it for a bet? I couldn't tell you the plot, I'm not entirely sure there is one to be quite frank, but if there is it didn't register. Jared and his bird go to Ireland after she falls down the stairs while lashed up, as you do. They go to a house with a very annoying small girl in it, meet Christopher Walken who has dug up some ancient woman preserved in peat. He brings her back to life for no other reason than it continues the story and she shows her gratitude by immediately icing him. From then on it all gets a bit silly. A couple of hours of my life that I'd like back!
Beautiful looking and sedately handled, but immensely muddled
independent art house horror feature by writer / director Michael
Almereyda. Kind of similar in style to his film "Najda" four years
earlier, which I don't think so highly of (other than the excellent
soundtrack that accompanied it).
Nora and Jim (who are alcoholics) along with their son leave America and head to Ireland to visit Nora's grandmother. Despite the advice of their doctor not to go, as Nora one night with Jim got on the drink and she ended up falling down some stairs leaving her with a minor concussion. When getting there, she meets her uncle where he takes her down the basement to show her a decomposed body which he believes to a centuries old druid witch. Could this be the connections to the headaches and visions plaguing Nora's mind, as she'll find out when the witch is revived.
"Trance" is a touch better, but still engulfed by similar problems and nonetheless keeps the same positives. Again this atypically brooding fable is not for everyone, but it managed to hold my attention and I found the direction less concerned with its distracting artsy mechanics (than say in "Nadja") although they're still evident. There are some delirious images, consisting of jaded visions rocking the main protagonist's mind. These stylised passages hold a certain arresting, if haunting charge. However this is when it's not in its nauseating head spin of mangled ideas. While the plot has a slight structure and little narrative drive, it's stretched out by its unfocused fabricated episodic developments with its dry, upfront and moody trimmings. Every one of these characters / including the witch / monster of the piece are damaged, but still humane vessels in the search of something to make them complete. Secrets are buried, to only be awoken.
It's messy and meanders, but strangely alluring like caught in a drunken, abstract state. I put it down to the performances. A breathtaking Alison Elliot (in dual roles) and narky Jared Harris acquit themselves to their lead roles. Lois Smith holds strong. Christopher Walken looking rather weary goes about things in a sober, but underlining twisted manner. Also Jason Millar's inclusion is merely a throwaway cameo with an amusing line. Almereyda's slickly calculative direction is switched on, making good use of the lush backdrop consisting of a stunning beach line and the Gothic interiors of mansion that the enclosed action mostly takes place in. Intimate photography is sharply engineered and well-intended. The brilliant soundtrack is notable with it tunes (that are perfect choices), and the music score is clinically alienating but whimsical in flight.
Here we have a great horror movie, presented in a very down-to-earth manner. Reminds me of classic English movies, combined with excellent acting skills of Christopher Walken, and a story line that keeps your ass tight on a sofa till the dramatic end. For people who don't necessarily need fancy special effects, and million dollar explosions to enjoy a good movie with an idea!
This is one of the worst movies I have ever seen. However, the little slave girl, Alice and Jared Harris imitating Christopher Walken is what makes this movie entertaining. Alice's smoking, drinking and uncanny way of showing up when her name is called is strange and interesting. I have to applaud Jared for his Christopher Walken imitation, and Christopher Walken for allowing this to be in the movie.
*** This review may contain spoilers ***
In yet another dull & unscary Mummy movie, a woman returns to her
homeland with her son & husband to stay with her uncle (Played by the
ever so wonderful CHRISTOPHER WALKEN) after a series of mysterious
black outs & soon discovers that a Mummy that was found by her uncle &
that now lies dormant in the basement has awakened & assumed her
identity & has set out to kill people. I read a really good review of
this film from an old FANGORIA magazine, so I decided to check this
out, by the time I was finished watching it I said to myself, "Is it
really that difficult to make a truly scary & memorable Mummy picture?"
I guess so, because the Mummy pictures I've seen thus far, THE MUMMY
(With BRENDAN FRASER) TALE OF THE MUMMY, LEGEND OF THE MUMMY & this one
are down right boring, thrilless & have nothing memorable happening
whatsoever to make them a recommendation, I mean this one has the upper
hand on most of them since it's better acted & directed, but it's to
slow moving, with nothing really of interest happening & the climax is
far to confusing. CHRISTOPHER WALKEN despite being top billed, isn't in
this very much. Save your money & rent something else, because this
Mummy picture ain't worth discovering.
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