In the 1960s, a group of friends at an all girls school learn that their school is going to be combined with a nearby all boys school. They concoct a plan to save their school while dealing with everyday problems along the way.
A newcomer to a Catholic prep high school falls in with a trio of outcast teenage girls who practice witchcraft and they all soon conjure up various spells and curses against those who even slightly anger them.
When Berke Landers, a popular high school basketball star, gets dumped by his life-long girlfriend, Allison, he soon begins to lose it. But with the help of his best friend Felix's sister ... See full summary »
In a small Minnesota town, the annual beauty pageant is being covered by a TV crew. Former winner Gladys Leeman wants to make sure her daughter follows in her footsteps. Explosions, falling lights, and trailer fires prove that. As the Leemans are the richest family in town the police are pretty relaxed about it all. Despite everything, main rival (but nice) Amber Atkins won't be stopped. There could well be more death and disappointment to come. Written by
Jeremy Perkins <email@example.com>
The movie makes multiple references to traditional Minnesota food: The Mount Rose High cafeteria serves lutefisk for lunch, Jell-O salad is served at Tammy's funeral, and several scenes include people eating and offering "bars," considered an essential dessert for Minnesota potlucks. See more »
On the opening credits of the Region 1 DVD, the words read "...a documentary film crew film was sent to Mountrose Minnesota...." - it should obviously read "a documentary film crew was sent..." See more »
[wearing her old pageant outfit]
And can you believe it, they still fit!
She had a big ass then, she's got a big ass now.
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(referencing Hank's request to be freed from the car door) It is the policy of the documentary crew to remain true observers and not interfere with its subjects. See more »
Most smartest and funniest American film since The Producers
This is a seriously funny film, deeply subversive and a great piece of work. What it's not is a satire on the vacuousness of beauty pageants.
DDG aims at the emptiness of our whole materialistic culture and the way we have traded in the more valuable things in life for the pursuit of a perfect self image and will even cash in that perverted, limited objective for a few minutes of fame on TV. Life is a house of cards with hidden truths under every shiny surface.
The humour is so dense and the jokes are so profligately thrown around that it occasionally feels like an incarnation of The Simpsons, 54 episodes of which benefited from the efforts of DDG scriptwriter Lona Williams. She may have written your favourite. The performances are no less praiseworthy with outstanding leads and fabulous and memorable minor characters. Look out for the Sheriff. Amongst them all, I'll single out two which I think are pitch perfect, Sam McMurray as the ruthless father in thrall to his wife and daughter and Nora Dunn as the drunken 'has it come to this?' State Pageant organiser. There are lots of others to choose from.
Every you time you watch you get something new, enabling you to rejoice further in the fact that half the people who watch it don't get any of it at all. In fact it's so sharp that even people who like this type of thing can get cut to pieces by it. We are, after all, watching ourselves. Mind your fingers . . .
Most smartest and funniest American film since The Producers? Yes, it's THAT good.
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