In April, 1975, civil war breaks out; Beirut is partitioned along a Moslem-Christian line. Tarek is in high school, making Super 8 movies with his friend, Omar. At first the war is a lark: ... See full summary »
A married couple are faced with a difficult decision - to improve the life of their child by moving to another country or to stay in Iran and look after a deteriorating parent who has Alzheimer's disease.
In April, 1975, civil war breaks out; Beirut is partitioned along a Moslem-Christian line. Tarek is in high school, making Super 8 movies with his friend, Omar. At first the war is a lark: school has closed, the violence is fascinating, getting from West to East is a game. His mother wants to leave; his father refuses. Tarek spends time with May, a Christian, orphaned and living in his building. By accident, Tarek goes to an infamous brothel in the war-torn Olive Quarter, meeting its legendary madam, Oum Walid. He then takes Omar and May there using her underwear as a white flag for safe passage. Family tensions rise. As he comes of age, the war moves inexorably from adventure to tragedy. Written by
'Mohammad Chamas' who played Omar in the movie was discovered by accident. At one time while the crew was preparing the set and not having found an actor to play Omar, Mohammed was passing by and he had a fight with one of the crew members. The director noticed him and immediately asked him to play the character. After having lived in an orphanage most of his life, becoming a lead in a motion picture was an important change of pace. See more »
Chevrolet M1008 Commercial Utility Cargo Vehicles - a militarized 5/4 ton version of the third generation Chevrolet C/K pickup - are seen in the movie, which was supposed to have taken place in 1975. The Chevrolet M1008 did not enter production until 1984. See more »
rarely does one see a film that represent what is real behind a war. This movie takes a strikingly real look on what war is to the poeple that surround it, to the students that grow during it, and to the neighbourhoods that survive it. It vivaviously captures the hopeful streak of taking pleasure in existing no matter what the odds. Coming from a Lebanese director; it is a non-indulgent petite masterpiece that may just rescusitate a form of cinema with an honesty only yearned for in that part of the world.
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