7.5/10
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Faithless (2000)

Trolösa (original title)
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An imaginary woman recollects the painful experience of adultery to a storyteller.

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6 wins & 9 nominations. See more awards »

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Cast

Credited cast:
...
Marianne
...
...
David
Thomas Hanzon ...
Markus
Michelle Gylemo ...
Isabelle
Juni Dahr ...
Margareta
Philip Zandén ...
Martin Goldman
Thérèse Brunnander ...
Petra Holst (as Therese Brunnander)
...
Anna Berg
Stina Ekblad ...
Eva
Johan Rabaeus ...
Johan
Jan-Olof Strandberg ...
Axel
...
Gustav
Gertrud Stenung ...
Martha
Rest of cast listed alphabetically:
Åsa Lindström ...
Prompter 2
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Storyline

Marianne is a theatre actress married to an orchestra conductor, Markus. She becomes involved in an affair with their director friend, David, which leads to a painful divorce and battle for custody of their daughter, Isabelle. Although all of them are merely fictional characters created by Bergman, their experiences become very real and traumatic for him. Written by Yuhui <yuhui@email.com>

Plot Summary | Add Synopsis

Genres:

Drama | Romance

Motion Picture Rating (MPAA)

Rated R for sexual content, some nudity and language | See all certifications »

Parents Guide:

 »
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Details

Country:

| | | |

Language:

|

Release Date:

15 September 2000 (Sweden)  »

Also Known As:

Faithless  »

Box Office

Opening Weekend:

$292,450 (Sweden) (15 September 2000)

Gross:

$734,597 (USA) (6 July 2001)
 »

Company Credits

Show detailed on  »

Technical Specs

Sound Mix:

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Color:

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

The story is loosely based on experiences of adultery from Ingmar Bergman's own life. See more »

Soundtracks

Quartet for piano and string trio, Opus 60
(3rd movement)
By Johannes Brahms
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User Reviews

 
Bergman's beautiful melancholy lives
26 October 2000 | by (Cork, Ireland) – See all my reviews

Scripted by Ingmar Bergman and directed by his protege Liv Ullman, this film is much closer in spirit to Bergman realist dramas of the '70's than to his earlier expressionist work. Many of his characteristic themes are here: the responsibility of artists, and the hopelessness at the heart of modern relationships are prominent.

It's a deeply melancholy film, the only piece of comic relief is a scene where one of the protagonists is rehearsing a play which is hopelessly overwrought: if cinema is Bergman's mistress and theatre his wife, in this case, she's a wild, psychotic spouse. The movie as a whole is deeply theatrical, though, saved from being stagey by a few beautifully poetic cinematic touches. The acting is wonderful, bringing to a well-worn tale a deeply moving grandeur.


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