An 80's one-hit wonder band named The Suburbans reform for a special performance at one of the ex-member's wedding. At the wedding, a young record company talent scout happens to be in the ... See full summary »
A decade and a half after their seminal indie film launched meteoric filmmaking careers, Splick and Jason find themselves staring at their own individual, pre-midlife crises. Having not ... See full summary »
Donal Lardner Ward
Donal Lardner Ward,
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Jennifer Love Hewitt,
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An 80's one-hit wonder band named The Suburbans reform for a special performance at one of the ex-member's wedding. At the wedding, a young record company talent scout happens to be in the audience and decides to give the now 40-ish performers a comeback push. The film attempts to take a satirical look at the music business of the 90's and compare it to the simpler 80's scene. Written by
John Sacksteder <firstname.lastname@example.org>
Written by John Fields (as J. Fields), Rick Meyer (as R. Meyer)
Produced by John Fields with Rick Meyer
Performed by Bug!
Courtesy of Entomological Music (BMI)/October Records
By Arrangement with The Music Library, LLC See more »
Four guys Danny (Donal Lardner Ward), Rory (Tony Guma), Mitch (Craig Bierko), and Gil (Will Ferrell) are 30something friends who were once a big 80's one-hit band called The Suburbans. When they perform at Gil's wedding to help Mitch with a hot fan, a record company scout (Jennifer Love Hewitt) in the audience gets them a comeback show for their nostalgia showcase.
Donal Lardner Ward wrote/directed/star in this movie. Quite frankly, I don't know how he got so many then and future stars in this one movie. Ben Stiller and his dad try to ham it up as record studio suits. Will Ferrell is channeling an idiot bass player. However Will can't save this. The fact is the band doesn't have the comedic chops. Craig Bierko is fitting for the lead singer jerk. But the two writers Donal Lardner Ward and Tony Guma should not be lead actors. They really need to search for better comedians to do those roles. The writing is broadly unfunny, and the performances are generally flat.
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