After the death of their loved ones in a tragic plane crash 'Harrison Ford' and Kristin Scott Thomas find each others keys in each others loved ones posessions and realize that they were ... See full summary »
Set in the south of the United States just after the Civil War, Laurel Sommersby is just managing to work the farm without her husband Jack, believed killed in the Civil War. By all ... See full summary »
A young man is plunged into a life of subterfuge, deceit and mistaken identity in pursuit of a femme fatale whose heart is never quite within his grasp. Remake of François Truffaut's 1969 film 'Mississippi Mermaid'
A retired legal counselor writes a novel hoping to find closure for one of his past unresolved homicide cases and for his unreciprocated love with his superior - both of which still haunt him decades later.
Juan José Campanella
Otto and Ana are kids when they meet each other. Their names are palindromes. They meet by chance, people are related by chance. A story of circular lives, with circular names, and a ... See full summary »
After the death of their loved ones in a tragic plane crash 'Harrison Ford' and Kristin Scott Thomas find each others keys in each others loved ones posessions and realize that they were having an affair and must figure out all the details. Written by
The bowling alley scene was filmed at Parkway Lanes in Elmwood Park, NJ. See more »
The news anchors delivering the news of the plane crash report that the airplane was a Boeing 737, and a short time later rescue boats and helicopters are seen surrounding the tail section of a 737 sticking out of the bay. However, in an earlier scene, a TV in the background shows a news report containing what we are led to believe is footage of the crash site, and the airplane in the news footage is a jet with rear-mounted engines and a horizontal stabilizer mounted at the top of the tail - not the 737 shown in the later scene but probably a McDonnell Douglas DC-9 or MD-80. See more »
Has there ever been a more dour, dreary and depressing movie romance than "Random Hearts," a film that drones on for 131 grueling minutes and traps two wonderful actors, Harrison Ford and Kristin Scott Thomas, in its diabolical clutches?
Ford is a police sergeant working in internal affairs and Thomas is a New Hampshire congresswoman whose paths cross when their spouses, who are having a secret affair with each other, die in a plane crash. Drawn together by both circumstance and grief, the two begin a tentative love affair despite the many complications it sets up.
The actors do their best given the stark limitations of portraying two people overcome with despair, but the audience is nevertheless subjected to more than two hours of unrelieved gloominess. In a sense, it is a bit of a relief to see a romantic film that is not all lightheartedness and carefree silliness, but a subject as profound as the study of grief and loss on the human psyche demands a less conventional, more imaginative and serious a format than this film provides. (The brilliant film, "Fearless," from 1993 is a startling case in point). The actions of the characters often ring false as when, for instance, the two grieving spouses, sitting in a car, suddenly begin grappling in a wild sexual frenzy, a moment that elicits giggles from the audience because it is so lacking in motivation and preparation. Moreover, the film pads out its narrative by constantly cutting away to an irrelevant and wholly underdeveloped subplot involving Ford's pursuit of a murderous cop - a sideshow that results in a completely ludicrous shooting scene that undercuts the seriousness of the film's purpose.
"Random Hearts" is an obvious and, perhaps, even admirable attempt to bring a more mature, adult-oriented love story to the screen. It's a shame, then, that all involved seem to have confused dreariness with profundity and gloominess with depth.
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