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The Apple (1998)
"Sib" (original title)

 -  Drama  -  19 February 1999 (USA)
7.2
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Ratings: 7.2/10 from 1,543 users  
Reviews: 16 user | 33 critic

After twelve years of imprisonment by their own parents, two sisters are finally released by social workers to face the outside world for the first time.

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Title: The Apple (1998)

The Apple (1998) on IMDb 7.2/10

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Cast

Cast overview:
Massoumeh Naderi ...
Massoumeh
Zahra Naderi ...
Zahra
Ghorban Ali Naderi ...
Father
Azizeh Mohamadi ...
Azizeh
Zahra Saghrisaz
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Storyline

After twelve years of imprisonment by their own parents, two sisters are finally released by social workers to face the outside world for the first time.

Plot Summary | Add Synopsis

Genres:

Drama

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Details

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Release Date:

19 February 1999 (USA)  »

Also Known As:

The Apple  »

Box Office

Opening Weekend:

$15,207 (USA) (19 February 1999)

Gross:

$116,758 (USA) (25 June 1999)
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Company Credits

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Technical Specs

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Did You Know?

Trivia

Samira Makhmalbaf makes her directorial debut at the tender age of just 17. She is not however the youngest director on record - that accolade belongs to Sydney Ling who was just 13 when he made Lex, the Wonder Dog (1973). See more »

Connections

Featured in Cinema Iran (2005) See more »

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User Reviews

 
A slice of contemporary Iranian life
6 July 2000 | by (Sydney, Australia) – See all my reviews

_Sib_ offers a glimpse inside Iranian society that is rarely available to Western audiences. It looks and feels like a documentary, and apparently contains actual footage of the freeing of the twin girls who had been confined to the family home for their entire lives.

The blossoming of the two girls, which begins almost the moment that they are chased from the yard by a well-meaning but rather overbearing social worker, is a joy to behold. The scene in which the recently-freed twins steal ice creams from a young street vendor stands out as an example of the comedy that lightens a film that could, given a different treatment, have been relentlessly depressing. As the narrative develops, the father may be seen as a prisoner in his own right, trapped by his traditionalist religious beliefs, his fears for his daughters' safety and by the surprisingly domineering influence of his blind wife. Ultimately, _Sib_ shows that the forced release of the twins is also a release for their father, the nominal villain of the piece.


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