A film comprised of three interconnected vignettes that depict women at three stages of life in Iran. The first part centers on a young girl on her ninth birthday who is told that she can ... See full summary »
On his fortieth birthday, a man engineers a revolt against himself. He telephones his lovers -- all four of them -- and arranges to meet them at his dance school that afternoon. The women ... See full summary »
After the earthquake of Guilan, the film director and his son, Puya, travel to the devastated area to search for the actors of the movie the director made there a few years ago, Khane-ye ... See full summary »
Pretending to be Mohsen Makhmalbaf making his next movie, Hossain Sabzian enters the home of a well-to-do family in Tehran, promising it a prominent part in his next movie. The actual ... See full summary »
The movie focuses on one of the events in Zendegi Edame Darad (1992), and explores the relationship between the movie director, and the actors. The local actors play a couple who got ... See full summary »
Mohamad Ali Keshavarz,
Irreverent city engineer Behzad comes to a rural village in Iran to keep vigil for a dying relative. In the meanwhile the film follows his efforts to fit in with the local community and how he changes his own attitudes as a result.
Roushan Karam Elmi
Mamo, an old and legendary Kurdish musician living in Iran, plans to give one final concert in Iraqi Kurdistan. After seven months of trying to get a permit and rounding up his ten sons, he... See full summary »
Makhmalbaf puts an advertisement in the papers calling for an open casting for his next movie. However when hundreds of people show up, he decides to make a movie about the casting and the ... See full summary »
A young girl zealously wants to go to school and learn to read and write. Almost everywhere she is met with hostility or indifference. The only young boy who takes her to his school is ... See full summary »
One of the great pleasures I get out of watching foreign films is that I get see a real culture, not tainted by the political or mythical stereotypes that we have put upon them. The Apple (a.k.a. Sib) is perfect example, as it is an Iranian made production that speaks nothing of terrorism, but only of the people.
The Apple walks a thin line between documentary and drama as it tells the story of two young girls who have never walked outside their home in all the 11 years they have been alive. As the film opens, neighbors have written a letter to the Child Welfare department, and a case worker comes to the home to take the children away. Their father, a fundamentalist muslim, and their blind mother protest this and are allowed to take them back only if they promise to treat them properly.
What is truly amazing about this film is that is was filmed by Massoumeh Naderi, a seventeen year old actress and director, and that it stars the actual children and their father. As I watched this film I wasn't aware of this fact and I recall thinking about the amateur acting, yet how these characters seemed so believable. All of this makes me want to see the film again.
The Apple is one of the few films that has left thinking long after the credits have rolled and I am sure I will be disecting it for weeks to come. A review I read after the film questioned how the American media might cover a story of two children being locked away. I, on the other hand, am pondering the films intent, (I gather it is about women's rights) and the state of affairs for the real people who live in Iran.
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