After the earthquake of Guilan, the film director and his son, Puya, travel to the devastated area to search for the actors of the movie the director made there a few years ago, Khane-ye ... See full summary »
The movie focuses on one of the events in Zendegi Edame Darad (1992), and explores the relationship between the movie director, and the actors. The local actors play a couple who got ... See full summary »
Mohamad Ali Keshavarz,
An elderly couple go about their routine of cleaning their gabbeh (a intricately-designed rug), while bickering gently with each other. Magically, a young woman appears, helping the two ... See full summary »
A girl in traditional female clothing, with her arm in plaster, comes out of school one day and doesn't find her mother meeting her. She decides to travel home herself though she doesn't ... See full summary »
Mina Mohammad Khani,
Pretending to be Mohsen Makhmalbaf making his next movie, Hossain Sabzian enters the home of a well-to-do family in Tehran, promising it a prominent part in his next movie. The actual ... See full summary »
A powerfully subtle, highly intelligent and compassionate film, visually stunning.
I can't add much to the review by Bob the Moo from Birmingham, who pretty much sums up the strengths of this film. However, as an illustration of the skill of the film-maker I would like to mention one scene that stands out in my memory, not in detail so as not to 'spoil', where a sense of incipient menace is subtly hinted at - one is almost expecting something horrible to go wrong to prove that it was right to keep the girls imprisoned for their own safety and this looks like being the moment when it happens; one hardly dares hope that it will have a happy and positive outcome - but it doesn't. It turns out there is nothing to worry about at all. This sounds like a non-event, but I found the subtlety with which this point was made quite outstanding.
The film is a pure delight, more powerful than any heavy diatribe against repressive regimes. The compassion with which all participants are presented in their own contexts, particularly the father who could have been demonised but isn't, is also outstanding. No judgements are made, and the lessons are all the more clear and convincing for that.
This is a film that stands out in my mind, both visually and symbolically, as clearly today as when I saw it several years ago.
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