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Pro urodov i lyudey (1998)

 -  Comedy | Drama | History  -  1998 (Russia)
7.2
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Ratings: 7.2/10 from 1,699 users  
Reviews: 28 user | 10 critic

Dariya the maid getting a boy to touch her large breast is just one incident that occurs when Yohan and Victor infiltrate two families, forcing young Liza and blind Ekaterina to appear in porn, but they are not so innocent themselves.

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Title: Pro urodov i lyudey (1998)

Pro urodov i lyudey (1998) on IMDb 7.2/10

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Cast

Cast overview, first billed only:
Sergey Makovetskiy ...
Yohan
Dinara Drukarova ...
Liza
Anzhelika Nevolina ...
Ekaterina Kirillovna (as Lika Nevolina)
Viktor Sukhorukov ...
Victor Ivanovich
Alyosha Dyo ...
Kolia (as Dyo Alyosha)
Chingiz Tsydendambayev ...
Tolia
Vadim Prokhorov ...
Putilov
Aleksandr Mezentsev ...
Doctor Stasov
Igor Shibanov ...
Engineer Radlov
Darya Yugrens ...
Grunia (as Darya Lesnikova)
Tatyana Polonskaya ...
Dariya
Olga Straumit ...
Nurse
Richard Bogutskii ...
Notary
Valeri Krishtapenko ...
Owner of photographic studio
Evgeniy Erokhin ...
Priest
Edit

Storyline

Dariya the maid getting a boy to touch her large breast is just one incident that occurs when Yohan and Victor infiltrate two families, forcing young Liza and blind Ekaterina to appear in porn, but they are not so innocent themselves.

Plot Summary | Add Synopsis

Genres:

Comedy | Drama | History

Certificate:

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Details

Country:

Language:

Release Date:

1998 (Russia)  »

Also Known As:

Of Freaks and Men  »

Filming Locations:

 »

Company Credits

Production Co:

,  »
Show detailed on  »

Technical Specs

Runtime:

|

Color:

Aspect Ratio:

1.66 : 1
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Did You Know?

Soundtracks

Din, Din, Din
Written by Evgenii Iur'ev
Arranged by Vladimir Radcenkov
Sung by Petia Ovchinnikov, Vitia Aliushin
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User Reviews

 
Of freaks and film
9 August 2003 | by (Saffron Walden, UK) – See all my reviews

Very odd Russian film, with a modern, almost postmodern theme (concerning Siamese twins and pornography), but set in the early years of the twentieth century and shot in a faux-naive style that one might almost believe was that of films from this period, if one was not aware of what they were really like. There's much to enjoy: the beautiful sepia photography (of the Russian winter, and of eyeballs); great facial acting; the downright oddness of plot, scene composition characterisation and movement; the sudden discontinuities, and the semi-random, peculiarly worded captions. Hardly a movie in the traditional sense, but still a work of art.


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