Benjamin Barry is an advertising executive and ladies' man who, to win a big campaign, bets that he can make a woman fall in love with him in 10 days. Andie Anderson covers the "How To" beat for "Composure" magazine and is assigned to write an article on "How to Lose a Guy in 10 days." They meet in a bar shortly after the bet is made.
Melanie Parker, an architect and mother of Sammy, and Jack Taylor, a newspaper columnist and father of Maggie, are both divorced. They meet one morning when overwhelmed Jack is left ... See full summary »
Mary Fiore is San Francisco's most successful supplier of romance and glamor. She knows all the tricks. She knows all the rules. But then she breaks the most important rule of all: she falls in love with the groom.
A comedy-drama about best friends - one a straight woman, Abbie, the other a gay man, Robert - who decide to have a child together. Five years later, Abbie falls in love with a straight man and wants to move away with her and Robert's little boy Sam, and a nasty custody battle ensues. Written by
Its Been months since I've seen it, and I still can't get the rotten taste out of my mouth
Its been months since my wife dragged me to see this film, and I still can't get the rotten taste out of my mouth. Ten minutes into the movie she and I were looking at our watches, wondering how much more we were in for. At that point we knew we had a film that could surpass The Postman (the Costner movie, not the Italian one) in trite pompousness. The only positive thing I can say I gained from The Next Best Thing is that it has given me a new concrete reference for the term "Bad Movie" (it nudged Postman out by a nose).
I want to express, these feelings don't come from any bias I may have against Madonna or any of the other actor's involved in it(including TVs Doogie Hauser), in fact I have a great deal of respect for Madonna's business acumen and her ability to continually re-invent herself. A big part of her past success has come from her wisdom to surround herself with capable people, but that seems to have not made a difference this time. The usually engaging Rupert Everett walks woodenly through every scene. Julia Roberts' 'Squeeze' Benjamin Bratt stumbles through his poorly written lines. And as for Madonna herself--what accent is that you're affecting?
Stay Away, stay away in droves. Or better yet, watch it, and learn what real pain is.
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