| Photos (See all 43 | slideshow) |
Directed by | |||
| Jay Russell | |||
Writing credits(WGA) | ||
| Willie Morris | (book) | |
| Gail Gilchriest | (screenplay) | |
Produced by | |||
| Marty P. Ewing | .... | executive producer | |
| John Lee Hancock | .... | producer | |
| Broderick Johnson | .... | producer | |
| Mark Johnson | .... | producer | |
| Andrew A. Kosove | .... | producer | |
| Jay Russell | .... | executive producer | |
Original Music by | |||
| William Ross | |||
Cinematography by | |||
| James L. Carter | |||
Film Editing by | |||
| Harvey Rosenstock | |||
| Gary Winter | |||
Casting by | |||
| Mindy Marin | |||
| Marshall Peck | |||
Production Design by | |||
| David J. Bomba | |||
Set Decoration by | |||
| Tracey A. Doyle | |||
Costume Design by | |||
| Edi Giguere | |||
Makeup Department | |||
| Bridget Bergman | .... | makeup artist: LA unit | |
| Bryan Ewing | .... | period hair consultant | |
| Whitney Goss | .... | assistant hair stylist | |
| Debbie Newberry | .... | assistant makeup artist (as Debra Newberry) | |
| Maria Pappas | .... | assistant makeup artist | |
| K.G. Ramsey | .... | department head hair | |
| Pamela Roth | .... | head makeup artist | |
| Terri Ewton | .... | hair stylist: press tour Austin (uncredited) | |
| Terri Ewton | .... | makeup artist: press tour Austin (uncredited) | |
Production Management | |||
| Brad Arensman | .... | post-production supervisor | |
| Marty P. Ewing | .... | unit production manager | |
| Sheridan Thayer | .... | production supervisor | |
Second Unit Director or Assistant Director | |||
| Pamela Cederquist | .... | second assistant director | |
| Joan Cunningham | .... | first assistant director: LA | |
| Chris Stoia | .... | first assistant director | |
Art Department | |||
| David Adams | .... | swing gang | |
| John Bankson | .... | property master | |
| Terry Bryant | .... | assistant greens | |
| Lee Cunningham | .... | set decorator: Los Angeles | |
| Diane Duncan-Corey | .... | lead painter | |
| Lyn Duncan-Corey | .... | property maker | |
| Paul Gore | .... | sign painter | |
| Wylie Griffin | .... | art department coordinator | |
| Michael Hendrick | .... | set dresser | |
| Chris Kubin | .... | general foreman | |
| E.J. Levron Jr. | .... | swing gang | |
| Michael S. Martin | .... | assistant props | |
| Mel Newman | .... | greensman | |
| Jorin Ostroska | .... | assistant props | |
| Jody Pitts | .... | set dresser | |
| Kathleen Rosen | .... | assistant set decorator | |
| Rob Simons | .... | draftsman | |
| Noah Smith | .... | mural artist | |
| Jack Stevens | .... | lead man | |
| David Weathers | .... | set dresser | |
| David A. Weinman | .... | construction coordinator | |
| Lyn Williams | .... | propmaker | |
| Jerry T. Harris | .... | props (uncredited) | |
Special Effects by | |||
| Stephen Bourgeois | .... | special photographic effects | |
| Matthew Zeringue | .... | special photographic effects | |
Stunts | |||
| Jeff Habberstad | .... | stunt coordinator | |
Casting Department | |||
| Stephanie Corsalini | .... | additional casting | |
| Xanthia Decaux | .... | casting assistant | |
| Sierra French-Myerson | .... | casting assistant | |
| Jennifer Madeloff | .... | casting associate | |
Costume and Wardrobe Department | |||
| Linda Gardar | .... | set costumer | |
| Linda Gardner | .... | key costumer | |
| Gail McCullen | .... | costumer: Los Angeles | |
| Ángela Núñez | .... | costumer | |
| Nomi Shichor | .... | key costumer | |
| Barbara Marko | .... | costumer (uncredited) | |
Editorial Department | |||
| Richard Alderete | .... | second assistant film editor | |
| Laura Lee Bong | .... | second assistant film editor | |
| Matthew Cassel | .... | first assistant film editor | |
| Sandra Grubb | .... | first assistant editor | |
| Bob La Rossa | .... | color timer | |
| David Lurie | .... | second assistant film editor | |
| Judd H. Maslansky | .... | second assistant film editor | |
| Theresa Repola Mohammed | .... | negative cutter | |
| Laura Weiss | .... | post-production assistant | |
| Julian Lopez Jr. | .... | post-production assistant (uncredited) | |
Music Department | |||
| Deva Anderson | .... | music supervisor | |
| Matthew Della Polla | .... | music scoring consultant | |
| Vic Fraser | .... | music preparation | |
| Isobel Griffiths | .... | orchestra contractor | |
| Jim Harrison | .... | supervising music editor | |
| Harry James | .... | musician: trumpet, "I'm Beginning to See the Light" | |
| Milton Nelson | .... | orchestrator | |
| Don Nemitz | .... | orchestrator | |
| Van Dyke Parks | .... | composer: additional music | |
| Delphine Robertson | .... | music coordinator | |
| William Ross | .... | conductor | |
| William Ross | .... | orchestrator | |
| Scott Stambler | .... | music consultant | |
| Sherry Whitfield | .... | music editor | |
| Johnny Caruso | .... | music editor (uncredited) | |
Transportation Department | |||
| William Henry Bell | .... | driver | |
| Dennis Bolton | .... | driver | |
| Andy Boyd | .... | driver | |
| Walter Chaney | .... | driver | |
| Jerry Drake | .... | driver | |
| Joshua Hancock | .... | picture vehicle coordinator | |
| Brian Kay | .... | driver | |
| Josie Kay | .... | driver | |
| Andrew McMillin | .... | driver | |
| Dennis Milliken | .... | transportation coordinator | |
| David Nance | .... | driver | |
| J.B. Nance | .... | driver | |
| Justin Nance | .... | driver | |
| Ralph W. Page | .... | driver | |
| Willie D. Partin | .... | driver (as Willie David Parton) | |
| Hall Prewitt | .... | driver | |
| Sam Seccomb | .... | driver | |
| Lee Stepp | .... | driver | |
| Marshall Taylor | .... | transportation captain | |
Thanks | |||
| Sid Davis | .... | thanks | |
| Ward Ewing | .... | thanks | |
| Joanne Gordon | .... | thanks | |
| Willie Morris | .... | in memory of | |
| Isis Mussenden | .... | thanks | |
| Joanne Pritchard | .... | thanks | |
| Eleanor Ramsey | .... | thanks | |
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| House of D | Giant | Persepolis | Lackawanna Blues | The Reader |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb USA section |
Anybody who had a close friend during childhood who happened to be a canine should go for this one. Like most of the pooch films it was corny in spots, but at least Skip wasn't endowed with human intelligence. Of course, the mean men were around to cause trouble for the dog and boy; can't get by without them. Fun movie, but be sure to bring along a crying towel.