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Apartment 12 (2001)
"Life/Drawing" (original title)

R  |   |  Comedy, Romance  |  2005 (USA)
5.1
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Ratings: 5.1/10 from 465 users  
Reviews: 6 user | 7 critic

An L.A. artist with everything seemingly going for him suddenly finds a change in his life when an art curator cancels his upcoming one-man show. His model girlfriend immediately leaves him... See full summary »

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Title: Apartment 12 (2001)

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Cast

Cast overview, first billed only:
...
Alex
Beth Ulrich ...
Lori
Alan Gelfant ...
Ray
Manuel Cabral ...
Loverboy
Mary Coleston ...
Sylvia
Krystina Carson ...
Darlene - Parrot Girl
...
Gallery Owner
...
Lori's Bad Date
Timothy McNeil ...
Alex's Boss (as Tim McNeil)
Ralph Rangel ...
Alex's Co-Worker
Geoffrey Hughes ...
Marco
...
Coyote Date
Sheri Bagley ...
Ilene
Thea Constantine ...
Linda
Don Deforest Paul ...
Cop (as Don Paul)
Edit

Storyline

An L.A. artist with everything seemingly going for him suddenly finds a change in his life when an art curator cancels his upcoming one-man show. His model girlfriend immediately leaves him. Forced to move back to his old job at a pizza parlor and into a rundown tenement where a number of oddballs wander the hall including a lonely middle aged woman who makes spam casseroles for all the bachelors, a daffy prostitute, and a Spanish Don Juan who wanders the halls in his bathrobe. Then a young Colorado woman moves across the hall and things look up, until he learns that she has a total backwoods quality that he doesn't know how to handle. When he dumps her, the whole building turns on him. Written by John Sacksteder <jsackste@bellsouth.net>

Plot Summary | Add Synopsis

Genres:

Comedy | Romance

Motion Picture Rating (MPAA)

Rated R for language | See all certifications »
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Details

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Release Date:

2005 (USA)  »

Also Known As:

Apartment 12  »

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Did You Know?

Soundtracks

Top Floor Por Favor
Written by Joe Lervold
Performed by The Joel Evans Quartet
Courtesy of MasterSource
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User Reviews

 
Having fun with the great Ruffalo
12 March 2006 | by (Argentina) – See all my reviews

Recently I wrote about "Just like heaven" and talked about the great Mark Ruffalo; specifically about the comedies he's making these days so people can get to recognize him. I also said that I hoped he'd get back in track soon, to what he does best. "Life/Drawing" (or "Apartment 12") is a film every fan of the actor's got to watch. Ironically, it is a comedy (with a slice of drama), but it remains far away from the big studios.

Here they'll find Ruffalo at his best acting qualities; with the show all for himself, the camera right on his head, the simplicity in all its extension…An actor like Ruffalo looks for movies like this one, about frustrated artists and lonely human beings. This was four years before "Just like heaven", but his character also has a breakdown here, and stays in bed watching television and eating ice-cream.

Other than Ruffalo's fantastic character driven performance as Alex, there's nothing much interesting inside this picture. Directed by a now disappeared (did nothing after this) Dan Bootzin, the piece shows the lives of several person that inhabit the same building. Ray (independent figure Alan Gelfant), the manager who's a sexist scumbag; Sylvia, the crying neighbor who cooks and desperately seeks for love and the new girl Lori (Beth Ulrich), who captures Alex's heart.

A mysterious tall guy who speaks Spanish is always standing and wandering mumbling things in his own language that try to explain a lot. A prostitute who lives besides Alex goes out every night and does this with a different outfit (nurse, police officer). Bootzin observes quietly, slowly. His camera is omnipresent and not at all ambitious; it lays back, creates the environment, and moves faster in a very funny scene where every inhabitant does his thing rapidly. His edition is quick and easy; it leaves a lot to desire.

Bootzin's screenplay, which he wrote alongside a female colleague, is flexible as life itself. It allows us to watch his characters sitting down in the porch with a cup of hot coffee at 10 a.m. in the morning. It allows us to see how culture and education influence a relationship; because Lori went to the army and Alex paints, and Lori doesn't know how Jackson Pollack was. In fact, as Ray correctly observes: "Nobody knows who Jackson Pollack was".

This artistic side of the main character played by Ruffalo, which seems to be the core of the character piece, is not extensively developed. His painting is, as many say, "soulless"; or at least at the beginning, because then Alex finds the artistry inside his feelings.

Even when in the end every character has a big smile in their face, the music inspires happiness and the whole ride has been pleasant, there's a feeling of disappointment. A feeling related to things that could have been present but weren't; to a depth that was intended but didn't appeared.


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What's with Lori's wardrobe?? Gena_Beana
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