Flamboyant Glasgow hairdresser, Crawford Mackinzie, gets a letter from the World Hairdresser International Federation inviting him to its prestigious annual contest in L.A. Filmmaker Martin... See full summary »
The Niagara Motel and the attached Riverside Grill, located in Niagara Falls, are owned and operated by Serbian father and daughter, the always angry Boris and hard working Sophie. Through ... See full summary »
Flamboyant Glasgow hairdresser, Crawford Mackinzie, gets a letter from the World Hairdresser International Federation inviting him to its prestigious annual contest in L.A. Filmmaker Martin Samuels is making a fly-on-the-wall documentary about Crawford; he and the crew go too. After maxing out his credit card at the Century Plaza Hotel, Crawford discovers he's been invited to participate in the audience, not the contest; he tries every angle imaginable to get in the competition: he phones fellow Scot Sean Connery, he gets a union card, he asks the reigning champion for help, and he connects with Connery's publicist, who's having a bad hair day. Will he succeed, for the little people? Written by
Much of the inspiration for the character of Crawford Mackenzie came from a roommate of Craig Ferguson's during his rise to popularity as a comic. See more »
Crawford rents a car that was apparently stolen from a Korean cook named Chokko. When Crawford visits Chokko's house, the camera pans and reveals a sign above the doorway on the ground floor displaying what seems to be 'Asian' characters. However, it's neither Korean nor any other Asian language. The characters are entirely fictitious. See more »
At The River
Written by Andrew Cato (as A. Cato), Tom Findlay (as T. Findlay), C. Rothrock,
M. Yakus and A. Jeffrey
Performed by Groove Armada
Courtesy of Pepper/Zomba Records Ltd./Tummy Touch Records
Contains a Re-Recorded Sample from "Old Cape Cod"
Written by Claire Rothrock, Milton Yakus and Allan Jeffrey See more »
Different . . . but there's nothing wrong with that!
I found this film to be rather unique. It wasn't too 'mockumentary' but it wasn't exactly a beautifully edited screen play either. It took a while to get used to the pace, but then its merits shined through. I love subtle humour, and the thought that went into those adhoc comments and little facial expressions made it extremely funny. (Check out Martin's face when Crawford refuses to talk about his childhood) The storyline and ending maybe predictable, but aren't they all? Definitely worth a giggle. Oh . . .and any movie with a kilt scene can't be wrong now, can it?
4 of 4 people found this review helpful.
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