Flamboyant Glasgow hairdresser, Crawford Mackinzie, gets a letter from the World Hairdresser International Federation inviting him to its prestigious annual contest in L.A. Filmmaker Martin...
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Craig Ferguson wants to tell a joke. And he'll try to finish the joke. But he may not remember to get to the punchline, because he's distracted by hysterical thoughts of fatherhood, Helen ... See full summary »
If you only know Craig Ferguson as host of The Late Late Show or as Drew Carey's sitcom boss, you're missing out. The gloriously ribald Scot takes to the stage in this all-new extended and ... See full summary »
In his second comedy special for EPIX, Craig Ferguson puts his sometimes cheeky, always irreverent spin on universal topics from sex and drugs to rock & roll-including his hilarious experiences with Mick Jagger and Kenny G.
Making a satire out of the entire Late Night Show concept Scotsman Craig Ferguson hosts his show with a robot skeleton and a "horse" as his sidekicks. The show features the stereotypical parts of a Late Show, but all in their own, raw way.
Josh Robert Thompson
Danny Marrs, a young huckster from small town America, arrives in Hollywood with a line of patter and a wannabe actress girlfriend.Things turn interesting when he meets Joe, a janitor who does great impressions and loves old movies.
Flamboyant Glasgow hairdresser, Crawford Mackinzie, gets a letter from the World Hairdresser International Federation inviting him to its prestigious annual contest in L.A. Filmmaker Martin Samuels is making a fly-on-the-wall documentary about Crawford; he and the crew go too. After maxing out his credit card at the Century Plaza Hotel, Crawford discovers he's been invited to participate in the audience, not the contest; he tries every angle imaginable to get in the competition: he phones fellow Scot Sean Connery, he gets a union card, he asks the reigning champion for help, and he connects with Connery's publicist, who's having a bad hair day. Will he succeed, for the little people? Written by
Crawford rents a car that was apparently stolen from a Korean cook named Chokko. When Crawford visits Chokko's house, the camera pans and reveals a sign above the doorway on the ground floor displaying what seems to be 'Asian' characters. However, it's neither Korean nor any other Asian language. The characters are entirely fictitious. See more »
[Crawford is showing off a new outfit]
Just something I threw together. I call it... Braveheart meets Liberace-Bravache!
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Unjustly obscure, this mock-umentary is certainly not revolutionary film making or Oscar material, but it does offer gentle laughs and some amusing performances and visuals. Ferguson stars (and appears in virtually every scene) as a Scottish hairdresser who gets a letter inviting him to an international hair styling competition in Los Angeles. This is cause for Langham to film a BBC documentary on him and much of the film is from that perspective (although Ferguson also narrates in blurbs filmed after the event.) Falling somewhere in between the lame "Drop Dead Gorgeous" and the sublime "Best in Show", the film is full of odd situations and the infectious charm of Ferguson as he sets out to win top honors. Needless to say, if Ferguson weren't entertaining the film would be sunk. Thankfully, he is delightful throughout. Fisher, though less endearing, also provides nice support for him. Several excellent comedic performers pop up along the way, notably the bizarre and side-splitting Miller as a harried hotel manager. Rasche sinks humorously into his role as Ferguson's chief competitor. McCormack, a very attractive young lady, perfectly captures the phony, insincere aspects of the contest organizer. And any film that even briefly utilizes the untapped charms of McGinley can't be all bad. Home video viewers may need to use subtitles to catch all of the remarks as the authentic Scottish accents are sometimes hard to completely understand. Some real life hair professionals appear, but star cameos are minimal. Carey inexplicably shows up as himself, but with a full head of hair. Hasselhoff comes off amusingly as himself. Crosby, an actress who always could have used a good stylist, appears briefly as a demonstration assistant. One quibble: If the film was going to be rated R anyway, why not show more of the lead's physical assets. What's shown is great, but all too brief. On it's own little terms, this is a charming and fun movie.
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