The Jews of Poland (invaded by Germany in 1939) are depicted as filthy, evil, corrupt, and intent on world domination. Street scenes are shown prejudicially, along with clips from Jewish ... See full summary »

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Cast

Credited cast:
...
Himself (archive footage)
...
Himself (1931) (archive footage)
...
Einstein (archive footage)
...
Himself - Speaking at Reichstagssitzung (archive footage)
Fritz Kortner ...
Dimitri Karamasoff (archive footage)
...
Hans Beckert (archive footage)
...
Himself (archive footage)
Rosa Luxemburg ...
Herself (archive footage)
...
Herself (archive footage)
Rest of cast listed alphabetically:
Léon Blum ...
Himself (archive footage)
Kurt Gerron ...
(archive footage)
Leslie Hore-Belisha ...
Himself (archive footage)
Emil Ludwig ...
Himself (archive footage)
Richard Oswald ...
Himself (archive footage)
Walther Rathenau ...
Himself (archive footage)
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Storyline

The Jews of Poland (invaded by Germany in 1939) are depicted as filthy, evil, corrupt, and intent on world domination. Street scenes are shown prejudicially, along with clips from Jewish cinema of the day and photos of Jewish celebrities, while the narrator "explains" the Jewish problem. The climax and resolution of the film is Hitler's 1939 announcement that the Jewish race will meet its "annihilation" (Vernichtung). Written by Jamie McCarthy <jamie@mccarthy.org>

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Release Date:

28 November 1940 (Germany)  »

Also Known As:

Ein Filmbeitrag zum Problem des Weltjudentums  »

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1.37 : 1
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Did You Know?

Trivia

The scene at the end of M (1931) in which Peter Lorre, as a child murderer, is judged by a jury of other criminals was added to this film because Lorre is Jewish and Adolf Hitler felt that this "proved" the criminal mind of the Jew. See more »

Goofs

This film states that Charlie Chaplin was a Jew. In reality, he was raised Anglican and later professed to be Agnostic. When asked if he was Jewish, he reportedly said, "I do not have such an honor". See more »

Quotes

Narrator: The Torah scroll is rolled to the place to be read. What sort of "truths" does it teach?
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Connections

Featured in Swing Kids (1993) See more »

Soundtracks

Toccata und Fuge in D-Moll
BWV 565
by Johann Sebastian Bach
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User Reviews

Shocking, to say the least.
23 October 2016 | by (Omaha, NE USA) – See all my reviews

This would-be documentary is one of the most outrageous and dangerous pieces of propaganda ever conceived. At just over an hour, this indictment of the Jewish people fails at almost every level. It is biased, factually incorrect, cheaply thrown together, poorly structured and edited, and just plain hateful. About the only thing it has going for it is the shock value that the presentation creates. In other words, its like a terrible car crash you can't help but take a look at and thank your lucky stars you weren't involved in. The sheer brutality of WWII and the 40 million or so lives it took are the reason that films like this, and those who made them cannot and must not be forgotten. Every now and then we have to look, no matter how terrible the sights may be.

The Eternal Jew was thrown together by Fritz Hippler, a crony of Dr. Goebbels, and it doesn't pull any punches regarding the Nazis' feeling toward Jews, not only in Europe, but world wide. It starts out by showing Jewish daily life in the Polish ghettos. The narrator starts with some truly ridiculous claims. Since I have only seen an English language version, you wonder if anything was lost in translation. The narrator states that "Jews have not suffered from the chaos of war like the native Pole." Huh?? So the Nazis didn't put them in those ghettos after stealing their possessions? We are shown footage of dirty, possibly starving Jews haggling in the streets, while urgent music is playing like Jews doing business is akin to the most terrifying moment in a horror film or something. The narrator sounds almost snarky as we see footage of Jews being forced to clear rubble. He says something along the lines of "These Jews aren't used to working... and don't like it either!" That's just the first few minutes, and it sets the tone for the rest of the picture.

The film goes on to try and explain how Jews have wandered from place to place "mercilessly looting the rightful inhabitants" and other allegations of wrongdoing. The film goes to great lengths to warn that Jews who are surrounded by non-Jews will always attempt to hide their appearance, and that this is "the greatest danger" and such. The middle of the film lists various Jewish political figures and tries to explain how they have intermingled into royal families and exerted global political and financial interest through illegitimate means. It also attempts to blame Jews for corrupting the arts and sciences. It even claims Charlie Chaplin was a Jew which he most likely was not. The final segments are equally repulsive, with graphic footage of the Kosher slaughter of cows. True, this is hard to watch, but honestly is there a truly humane way to kill an animal and eat it? The final moments of the film proclaim Hitler and the Nazis as the only solution to the "Jewish plague". We all know how that turned out.

Who is this film for? I guess people like myself who are curious about such tragic events in history and are maybe trying to somehow understand them. But a film like this probably leaves more questions than answers. Neo-Nazis may find this film entertaining, and may even get off to it. Persecution of Jews did not begin in Nazi Germany, nor has it ended with their defeat. Interesting that Nazi filmmakers like Hippler and Riefenstahl were not severely punished for their works and both lived into this century. I can't really even rate this film due to its incompetent style and shocking niche material.

The Hound.


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