| Photos (see all 8 | slideshow) |
| Stephen Dorff | ... | Jake Walsh | |
| Judith Godrèche | ... | Stella (as Judith Godreche) | |
| Kelly Macdonald | ... | Pia | |
| Lauren Holly | ... | Claire | |
| Jon Tenney | ... | Kevin | |
| Frank Vincent | ... | Sal | |
| Paul Guilfoyle | ... | Andy | |
| Hector Elizondo | ... | The Chairman | |
| Bray Poor | ... | Wyatt | |
| Kathryn Erbe | ... | Evan (as Katheryn Herbe) | |
| Shannon Fiedler | ... | Isabelle | |
| Zach Tyler | ... | Lukas (as Zachary Tyler) | |
| Jim Gaffigan | ... | Bucky | |
| Dominic Hawksley | ... | Pierre | |
| Drena De Niro | ... | Waitress | |
| Bono | ... | Himself | |
| The Edge | ... | Himself (as Edge) | |
| Larry Mullen Jr. | ... | Himself | |
| Adam Clayton | ... | Himself | |
| Craig A. Emanuel | ... | Jake's Lawyer (as Craig Emanuel) | |
| Shaun Duke | ... | Todd Smith (as Duke Moosekan) | |
| Brad Epstein | ... | Claire's Manager | |
| Richard Livingston | ... | Claire's Agent | |
| Kurt Loder | ... | Himself | |
| Julie Nathanson | ... | Blind Date #1 | |
| Miriam Shor | ... | Blind Date #2 | |
| Kate Miller | ... | Blind Date #3 | |
| Meghan Strange | ... | Blind Date #4 | |
| Charlene Blaine | ... | Stewardess | |
| Betty Blunch | ... | Chapel Owner | |
| Tyde Kierney | ... | Priest | |
| Norm Jones | ... | Elvis | |
| Mark S. Porro | ... | Maitre d' (as Mark Porro) | |
| Andy Fowle | ... | Contractor | |
| Cheryl Alexander | ... | Nurse | |
| Billy the Cat | ... | Puddy Tat | |
| rest of cast listed alphabetically: | |||
| Sean Crouse | ... | Saul (uncredited) | |
| Steve Nuke | ... | Boom Op (uncredited) | |
Directed by | |||
| Phil Joanou | |||
Writing credits(WGA) | ||
| Phil Joanou | (written by) | |
Produced by | |||
| Ashok Amritraj | .... | executive producer | |
| Ray Angelic | .... | line producer | |
| Robert De Niro | .... | producer | |
| Brad Epstein | .... | producer | |
| Phil Joanou | .... | producer | |
| Ned O'Hanlon | .... | line producer: Dublin | |
| Jane Rosenthal | .... | producer | |
| Elie Samaha | .... | producer | |
| Andrew Stevens | .... | executive producer | |
Original Music by | |||
| George Fenton | |||
| Dave Lawson | |||
| Mr. Dan | |||
| Andrew Phillpott | (co-composer) | ||
| Toy | (co-composer) | ||
Cinematography by | |||
| Carolyn Chen | |||
Film Editing by | |||
| John Galt | |||
Casting by | |||
| Pat McCorkle | |||
Production Design by | |||
| Lisa Albin | |||
Art Direction by | |||
| Harry Darrow | |||
Costume Design by | |||
| David C. Robinson | (as David Robinson) | ||
Makeup Department | |||
| Phyllis Bond | .... | hair stylist: Las Vegas | |
| Phyllis Bond | .... | makeup artist: Las Vegas | |
| Diann Bethone Cable | .... | assistant makeup artist/hair | |
| Judy Chin | .... | makeup artist: New York | |
| Lukas Crouse | .... | hair stylist: Cape Town | |
| Lukas Crouse | .... | makeup artist: Cape Town | |
| Lorraine Glynn | .... | hair stylist: Dublin | |
| Annie Gribbins | .... | makeup artist: Dublin | |
| Cynthia Hernandez | .... | assistant makeup artist: Los Angeles | |
| Helen Jeffers | .... | assistant makeup artist: Los Angeles | |
| John Phelan | .... | additional makeup artist: Dublin | |
| Sharon Rivera | .... | assistant hair stylist: Los Angeles | |
| Lizz Scalice | .... | key hair stylist | |
| Edward St. George | .... | hair stylist: Los Angeles | |
| Anne Sweeting | .... | makeup artist: Los Angeles | |
Second Unit Director or Assistant Director | |||
| Luke Johnston | .... | first assistant director: Dublin | |
| Bailey Marks | .... | trainee assistant director: Dublin | |
| Molly M. Mayeux | .... | assistant director: Los Angeles (as Molly Mayeux) | |
| Christo Morse | .... | second assistant director | |
| Julian Petrillo | .... | first assistant director | |
Art Department | |||
| Pamela Berkeley | .... | scenic artist: New York | |
| Daniel Brisson | .... | set dresser: Los Angeles | |
| Andromache Chalfant | .... | art department assistant: New York | |
| Robbie Freed | .... | art director: Los Angeles | |
| Darryl Ganious | .... | art department coordinator: New York | |
| Gina Hendricks | .... | assistant property master: New York | |
| Dierdre Kane | .... | on-set dresser | |
| Julian King | .... | art director: Dublin | |
| Elizabeth Schlitten | .... | property master: New York | |
| Bella Serrell | .... | art director: Los Angeles | |
| Jimmy Stapp | .... | art department assistant: New York | |
| Shawn Veal | .... | constructor: Los Angeles | |
| Dominic Wymark | .... | leadman: Los Angeles | |
Visual Effects by | |||
| Lyndon Barrois | .... | CG animator | |
| Dawn Bowery | .... | 2D compositing supervisor | |
| Megan Bryant | .... | scanning and recording supervisor | |
| Tom Capizzi | .... | visual effects lighting | |
| Shannon Casey | .... | visual effects producer | |
| Jeffrey Castel De Oro | .... | digital artist | |
| Amy Christensen | .... | match mover | |
| Lisa Clarity | .... | visual effects lighting | |
| Daniel Aristoteles Collins | .... | systems/operations: Rhythm & Hues | |
| Kerry Colonna | .... | lighting animator | |
| Kerry Colonna | .... | visual effects supervisor | |
| Melanie Cordan | .... | CG animator | |
| Bridget A. Gaynor | .... | key CG animator (as Bridget Gaynor) | |
| Phil Holland | .... | scanning & recording operator | |
| Jongo | .... | visual effects lighting technical director | |
| Bill Kroyer | .... | visual effects supervisor | |
| Joe Mancewicz | .... | character rigging | |
| Felix Mendoza | .... | visual effects lighting | |
| Thuc Nguyen | .... | visual effects lighting (as Thug Nguyen) | |
| Scott O'Brien | .... | CG animator | |
| Glenn Ramos | .... | CG animator | |
| Joanne Shinohara | .... | visual effects production coordinator | |
| Suponwich Juck Somsaman | .... | digital compositor | |
| Patrick Shearn | .... | visual effects consultant (uncredited) | |
Stunts | |||
| Brian Smyj | .... | stunt coordinator | |
Casting Department | |||
| Johnny Alvarez | .... | casting: Los Angeles | |
| Marilee Lear | .... | casting: Las Vegas | |
| Sarah Spearing | .... | casting assistant | |
Costume and Wardrobe Department | |||
| Sonya M. Andonov | .... | set costumer | |
| Frank Avanzo | .... | key costumer | |
| Sharon Blankson | .... | costumer: U2, Dublin | |
| Jessica Fasman | .... | costumer: Los Angeles (as Jessica Fassman) | |
| Helen Kane | .... | wardrobe supervisor: Dublin | |
| Stephanie S. Kim | .... | assistant costume designer | |
| Meg Matthews | .... | wardrobe supervisor: Los Angeles (as Marguerite Matthews) | |
| Carole Mich'l | .... | wardrobe supervisor: Las Vegas | |
| Kim Wilcox | .... | assistant costume designer | |
Editorial Department | |||
| Don Capoferri | .... | color timer | |
| Bob Fredrickson | .... | color timer | |
| Scott Kelly | .... | associate editor | |
| Philip Pucci | .... | assistant editor | |
Music Department | |||
| Peter Afterman | .... | executive music supervisor | |
| Margaret Yen | .... | associate music director | |
| Joanie Diener | .... | music editor (uncredited) | |
Transportation Department | |||
| Sophie Giraud | .... | driver: Las Vegas | |
| Geno Hart | .... | transport coordinator: Los Angeles | |
| Mikal Kartvedt | .... | driver: Los Angeles | |
| Steve Larson | .... | transportation dispatcher: Los Angeles | |
| Mark McDermott | .... | driver: Los Angeles | |
| Hardy Ophuls | .... | transport captain: Los Angeles | |
| Bradley Sackin | .... | driver | |
| Bradley Sacks | .... | driver: Los Angeles | |
| Peter Sebring | .... | driver: Los Angeles | |
| David Vaccaro | .... | driver: Los Angeles | |
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| The Bad and the Beautiful | Valentino | Children of the Revolution | Ma femme est une actrice | Thank You for Smoking |
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It's refreshing to see a movie like this get made instead of some of the farces we seeing studio heads giving the green light to, today. Kudos to those who both greenlighted it and who made it.
Entropy had it all for me because it was funny, tragic (funny tragic) and dramatic. I felt good throughout the movie and I actually don't know why I didn't know more about it or Phil Joanou. I blame this on the modern day movie machine not being able to properly promote movies that are both creative and eye catching. The scenes from New York's waterfront are in bold and contrasting colors, and it enlivened me further during a recent visit there. Joanou did the right thing film makers are supposed to do, he inspired us to see more into life and art and be entertained in the process. Such is the personal story that is being told in Entropy. After all, I don't think there is a single soul out there that hasn't felt some sort of incident or disaster in our romantic lives, and can't look back at it and laugh at in jest. We are not the most perfect of people, us humans, and all the better we can share the experience!
I give Entropy an "8" just because it was so entertaining and visual, and while there will be many that will call this plainly over-rating, I don't care, I just really enjoyed the movie and could watch it again and again.