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L'arrivée (1998)
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Peter Tscherkassky is an Austrian avant-garde filmmaker who works exclusively with found footage. All of his work is done with film and heavily edited in the darkroom, rather than relying on technological modes. The first of his Cinemascope trilogy of short films is a fragmented glimpse of images pulsating with chaotic rhythm as they fight white margins for room in Tscherkassky's palette. Mirrored frames being split by white margin and trying to reassemble again like the poles of a magnet, a train approaching station and colliding with itself in white-hot blistering chaos. There's not much else that can be said for the 2 minute short film other than it definitely shows an artist pursuing his unique vision. As a prelimary of things to come, I'd say Le Arrivee is an alluring watch, rough yet oddly compelling.