Norman Bates is still running his little motel, and he has kept the dressed skeleton he calls mother. One of his guests is a young girl who has left the convent where she lived. To get some... See full summary »
Norman Bates returns for this "prequel", once more having mommy trouble. This time around he is invited to share memories of mom with a radio talk show host, but the PYSCHO fears that he ... See full summary »
23-year-old Meera meets a guy in a bus on her way to work. A casual fun chat with him soon triggers off a series of unpleasant events and Meera realizes that she has become an obsession for... See full summary »
Marion Crane steals a lot of cash from a man whom her boss is in business with. On the way to see her boyfriend, she stops off by an old motel, run by the odd Norman Bates. She is murdered in the shower. Her sister, boyfriend, and a private investigator try to find out where she is, while we learn more about Norman Bates. Written by
Jordan Sharp <email@example.com>
In the original Psycho (1960), Alfred Hitchcock wanted his opening shot to be a long, complete pan/zoom over the city into Marion's hotel room. Sadly, the technology was not yet perfected, and he achieved his effect through a series of pans and dissolves. The new Gus Van Sant remake does a complete travelling shot, as Hitchcock had intended. See more »
When Lila first meets Sam in the hardware store, the flap on his left pocket moves between being tucked in the pocket and not. And once Arbogast enters the scene, a pen suddenly appears in the same pocket even tho Sam had not had a pen in his hand or pocket when he came out to meet Lila from the back room where he had been writing the letter to Marion. See more »
Samuel 'Sam' Loomis:
You never did eat your lunch, did you?
I better get back to the office. These extended lunch hours give my boss excess acid.
Samuel 'Sam' Loomis:
Why don't you call your boss and tell him you're taking the rest of the afternoon off? Its Friday, anyway - and hot.
What do I do with my free afternoon? Walk you to the airport?
See more »
Thanks to John Woo for use of his kitchen knife. See more »
So-so, until you compare it to the original then it's poor
Marion Crane steals $400,000 and is escaping to meet her boyfriend. When she gets tired during a stormy night she stops at the Bates motel. When she goes missing her sister, boyfriend and a private detective start to look for her. However the Bates motel run by Norman and his mother is a place of many secrets.
Remakes are regular things nowadays, but carbon copies are rare. This is a lift in terms of dialogue, shots almost everything at times. The big question is why? As a film in its own right it's not terrible but comparing it to the original it literally pales in comparison (despite the colour!). Why did we need this sure on some level it may reach those who haven't seen the original and don't want to watch an 'old' film. But really why should we indulge the multiplexers who refuse to watch anything made before 1991?
It's not bad it's poor a poor relation of the original. In the UK we often get 50th anniversary etc re-releases of old films nationwide (admittedly not in all cinemas), in fact Psycho was out a few years ago. So the idea that a cheap copy is good because it'll help open it up to new audiences.
The cast are all OK until you watch the original. Then Vaughn stands out as doing a poor imitation, Heche is nowhere near Leigh and Julianne Moore has too much 'strong woman' baggage from other roles to do well. Admittedly the all-star cast gives weight to the roles that were relatively minor Macy, Mortensen, Forster, James LeGros, Philip Baker Hall etc although really the question is why they all queued up to be in this toss!
Overall it's so-so as a film. However when you compare it to the original it's really a poor show and, because it's a carbon copy, you can't help but compare it line for line, scene for scene, actor for actor.
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