A young female embezzler arrives at the Bates Motel, which has terrible secrets of its own.

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Cast

Cast overview, first billed only:
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Dr. Simon
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Mrs. Chambers
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Mr. Lowery
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Patrolman
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Car Dealer (as James LeGros)
Steven Clark Pachosa ...
Police Guard
O.B. Babbs ...
Mechanic
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Storyline

Marion Crane steals a lot of cash from a man whom her boss is in business with. On the way to see her boyfriend, she stops off by an old motel, run by the odd Norman Bates. She is murdered in the shower. Her sister, boyfriend, and a private investigator try to find out where she is, while we learn more about Norman Bates. Written by Jordan Sharp <rainman88@earthlink.net>

Plot Summary | Plot Synopsis

Plot Keywords:

motel | house | money | secret | remake | See All (89) »

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A new vision of the classic nightmare. See more »


Motion Picture Rating (MPAA)

Rated R for violence and sexuality/nudity | See all certifications »

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Details

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Release Date:

4 December 1998 (USA)  »

Also Known As:

Psicosis  »

Box Office

Budget:

$20,000,000 (estimated)

Opening Weekend:

$10,031,850 (USA) (4 December 1998)

Gross:

$21,380,220 (USA) (22 January 1999)
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1.85 : 1
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Did You Know?

Trivia

The opening shot zooms into the Westward Ho Hotel just north of downtown Phoenix. The corresponding shot in the original Psycho (1960) shows the Heard Building, which at that time had a radio broadcast antenna atop it; but by the time of the remake, the tower had been removed, so Gus Van Sant used the Westward Ho, which still has one. See more »

Goofs

The bell on the office desk moves between when Marion Crane first arrives and when she and Bates enter the office together. (4:3 TV version only. In the wide-screen version, nothing is visible on the motel desk when Marion first enters the office upon arriving. The bell is only visible while Marion registers.) See more »

Quotes

[first lines]
Samuel 'Sam' Loomis: You never did eat your lunch, did you?
Marion Crane: I better get back to the office. These extended lunch hours give my boss excess acid.
Samuel 'Sam' Loomis: Why don't you call your boss and tell him you're taking the rest of the afternoon off? Its Friday, anyway - and hot.
Marion Crane: What do I do with my free afternoon? Walk you to the airport?
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Crazy Credits

The end credits show the police looking around the swamp. See more »

Connections

Featured in 'Psycho' Path (1999) See more »

Soundtracks

On the Sunny Side of the Street
Written by Jimmy McHugh and Dorothy Fields
Performed by Jo Stafford
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User Reviews

 
"If you don't jell, it's not Jello, and this just ain't jelling"
17 October 2006 | by (Chicago, Illinois) – See all my reviews

I know curiosity killed the cat, but I simply had to see the remake of Psycho, especially after being on such a Hitchcok journey recently and knowing his work. I've watched the original Psycho though since I was a kid, I knew how to respect it and not only that, it was an excellent movie! One of the best, in fact! The first thing I said when I heard about the remake was "How do you remake perfection?". I stuck to that as well, but I think I have a more open mind now and figured maybe it was a way of introducing Psycho to a new generation.

But this turned into a total insult and slap to the face of the original Psycho. I know this has been said, but I watched the making of this film, and the director was like "Oh, I just want to update it and shoot each scene shot by shot like the original"... what's the friggin' point?! OK, but I want to judge this movie on it's own, despite it's insulting blows the original. I mean, the acting wasn't up to par, but honestly, it looked like the actors just watched the original and just memorized the lines from there and made it their crappy own.

Watching the making of this film, I wanted to slap Anne Hasche, she said "I've never seen the original, I just wanted to work with Gus." Ooh, that made me angry, because frankly, it's not just that, she really sucked in this role as Marian, she wasn't convincing, not to mention her shower scene really was horrible. Vince Vaughn didn't make... let's just put it this way, the film was horribly miscasted. This was a sin against film and on it's own, this was actually a bad movie. It was too much and destroyed what could've been a new introduction for a new generation. But to Gus, leave the film making the one's who KNOW WHAT THEY'RE DOING!

1/10


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