Norman Bates is still running his little motel, and he has kept the dressed skeleton he calls mother. One of his guests is a young girl who has left the convent where she lived. To get some... See full summary »
Norman Bates returns for this "prequel", once more having mommy trouble. This time around he is invited to share memories of mom with a radio talk show host, but the PYSCHO fears that he ... See full summary »
23-year-old Meera meets a guy in a bus on her way to work. A casual fun chat with him soon triggers off a series of unpleasant events and Meera realizes that she has become an obsession for... See full summary »
Marion Crane steals a lot of cash from a man whom her boss is in business with. On the way to see her boyfriend, she stops off by an old motel, run by the odd Norman Bates. She is murdered in the shower. Her sister, boyfriend, and a private investigator try to find out where she is, while we learn more about Norman Bates. Written by
Jordan Sharp <firstname.lastname@example.org>
When asked why he did a shot-for-shot, full colour remake of Psycho (1960), Gus Van Sant replied "So no one else would have to." See more »
The bundles of money Marion Crane has are of $1,000 bills (as clearly seen in one shot) when in actuality circulation of bills larger than $100 were halted by President Richard Nixon in 1969. See more »
Samuel 'Sam' Loomis:
You never did eat your lunch, did you?
I better get back to the office. These extended lunch hours give my boss excess acid.
Samuel 'Sam' Loomis:
Why don't you call your boss and tell him you're taking the rest of the afternoon off? Its Friday, anyway - and hot.
What do I do with my free afternoon? Walk you to the airport?
See more »
If you look closely at the swamp after the end credits, the water turns red, obviously to blood. See more »
Well, I have to agree with the critics on this one, who all said "leave it alone." Why they had to make this re-make of the 1960 "Psycho," I don't know. My guess is they wanted to reach a new audience and thought color and modern-day actors were the answer, since those were the main changes. The dialog was the same and the story the same.
On one hand, I applaud them for not making this over with a lot of profanity and nudity and making it a sleazy film. Yet, if they were going to keep everything the same, why bother when you weren't going to improve on Tony Perkins, Janet Leigh and the original cast?
Did they honestly think Vince Vaughn was going to be as good or better than Perkins? Are you kidding? Ann Heche, with her short mannish-haircut, is going to be better than Leigh? I don't think so!
Yes, the colors were pretty in here but it's the black-and-white photography that helped make the 1960 version so creepy to begin with. It's perfect for the story, not a bunch of greens and pinks! Once again, I guess the filmmakers were banking on an audience that never saw the original.
This was just a stupid project that never should have gotten off the ground.
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