Anna Rydell returns home to her sister (and best friend) Alex after a stint in a mental hospital, though her recovery is jeopardized thanks to her cruel stepmother, aloof father, and the presence of a ghost in their home.
In Tokyo, a young woman (Tamblyn) is exposed to the same mysterious curse that afflicted her sister (Gellar). The supernatural force, which fills a person with rage before spreading to its next victim, brings together a group of previously unrelated people who attempt to unlock its secret to save their lives.
Marion Crane steals a lot of cash from a man whom her boss is in business with. On the way to see her boyfriend, she stops off by an old motel, run by the odd Norman Bates. She is murdered in the shower. Her sister, boyfriend, and a private investigator try to find out where she is, while we learn more about Norman Bates. Written by
Jordan Sharp <firstname.lastname@example.org>
The opening shot zooms into the Westward Ho Hotel just north of downtown Phoenix. The corresponding shot in the original Psycho (1960) shows the Heard Building, which at that time had a radio broadcast antenna atop it; but by the time of the remake, the tower had been removed, so Gus Van Sant used the Westward Ho, which still has one. See more »
As Marion waits at a traffic light in downtown Phoenix, a lady carrying a package tied with red ribbon (string in Psycho (1960)) followed by a man with a jacket over his left arm cross the street directly in front of Marion's car as Lowry and Cassidy enter the frame on the left. Unlike the 1960 film, after Lowry and Cassidy have passed by Marion's car left-to-right, the same lady with the package and man with the jacket are seen crossing from the right again. See more »
Samuel 'Sam' Loomis:
You never did eat your lunch, did you?
I better get back to the office. These extended lunch hours give my boss excess acid.
Samuel 'Sam' Loomis:
Why don't you call your boss and tell him you're taking the rest of the afternoon off? Its Friday, anyway - and hot.
What do I do with my free afternoon? Walk you to the airport?
See more »
The logo for Imagine[inc.] drips in blood instead of water See more »
Yes, why? Among the filmmakers that came out in the 80's and 90's Gus Van Sant is one of my idols. There are others, a few. Steven Sodebergh, PT Anderson, Tim Hunter, Danny Boyle, Martin Donovan, Harmony Korine, Wes Anderson. Idiosyncratic, infuriating some times, but consistent, surprising, unpredictable. Their names make me switch on the TV, go to a video store or even buy a ticket and go to a movie theater. Van Sant's "Psycho" however, gives me pause. Why? I wonder. A shot by shot massacre of one of the perennial classics. The color was jarring, the performances, atrocious. What was Vince Vaughn doing? Was it a parody? A bad joke? What the hell was it? Anne Heche as Janet Leigh? Who dressed her? Viggo Mortensen with a cowboy hat. Viggo is a superb actor but in this case he couldn't make us forget John Gavin and if Julianne Moore had been introduced to the world through this performance there wouldn't have been any "The Hours" for her, "The Minutes" maybe. So, here I am, bad mouthing the work of one of my idols. The crashing question remains: Why, Mr. Van Sant? Maybe, in the words of President Clinton, because he could. I'm afraid that's no excuse.
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