Keep track of everything you watch; tell your friends.
If your account is linked with Facebook and you have turned on sharing, this will show up in your activity feed. If not, you can turn on sharing
here
.
A reporter is drawn to a small West Virginia town to investigate a series of strange events, including psychic visions and the appearance of bizarre entities.
Four teenagers at a British private school secretly uncover and explore the depths of a sealed underground hole created decades ago as a possible bomb shelter.
Director:
Nick Hamm
Stars:
Thora Birch,
Desmond Harrington,
Daniel Brocklebank
Anna Rydell returns home to her sister (and best friend) Alex after a stint in a mental hospital, though her recovery is jeopardized thanks to her cruel stepmother, aloof father, and the presence of a ghost in their home.
Directors:
Charles Guard,
Thomas Guard
Stars:
Emily Browning,
Arielle Kebbel,
David Strathairn
An imprisoned vampire, Barnabas Collins, is set free and returns to his ancestral home, where his dysfunctional descendants are in need of his protection.
Director:
Tim Burton
Stars:
Johnny Depp,
Michelle Pfeiffer,
Helena Bonham Carter
In Tokyo, a young woman (Tamblyn) is exposed to the same mysterious curse that afflicted her sister (Gellar). The supernatural force, which fills a person with rage before spreading to its next victim, brings together a group of previously unrelated people who attempt to unlock its secret to save their lives.
Director:
Takashi Shimizu
Stars:
Sarah Michelle Gellar,
Amber Tamblyn,
Arielle Kebbel
Eight unsuspecting high school seniors at a posh boarding school, who delight themselves on playing games of lies, come face-to-face with terror and learn that nobody believes a liar - even when they're telling the truth.
Director:
Jeff Wadlow
Stars:
Julian Morris,
Lindy Booth,
Jared Padalecki
Marion Crane steals a lot of cash from a man whom her boss is in business with. On the way to see her boyfriend, she stops off by an old motel, run by the odd Norman Bates. She is murdered in the shower. Her sister, boyfriend, and a private investigator try to find out where she is, while we learn more about Norman Bates. Written by
Jordan Sharp <rainman88@earthlink.net>
Gus Van Sant doesn't consider this film a copy of 'Alfred Hitchcock''s original. He remarked "If I hold a camera, even if it's in the same place, it will magically take on the character. Our "Psycho" showed you can't really appropriate. Or you can, but it's not going to be the same thing." See more »
Goofs
The opening scene is supposed to be 2:48 in the afternoon, but it's quite obvious that it was filmed at sunrise, probably on a Saturday or Sunday morning. There is no street activity, and the light from the right (east) is very weak and nearly horizontal. If it had been shot in mid-afternoon the sun would have been higher, the light stronger, and shadows pronounced and angled. See more »
Quotes
[first lines]
Samuel 'Sam' Loomis:
You never did eat your lunch, did you?
Marion Crane:
I better get back to the office. These extended lunch hours give my boss excess acid.
Samuel 'Sam' Loomis:
Why don't you call your boss and tell him you're taking the rest of the afternoon off? Its Friday, anyway - and hot.
Marion Crane:
What do I do with my free afternoon? Walk you to the airport?
See more »
Crazy Credits
Thanks to John Woo for use of his kitchen knife. See more »
Well, I have to agree with the critics on this one, who all said "leave it alone." Why they had to make this re-make of the 1960 "Psycho," I don't know. My guess is they wanted to reach a new audience and thought color and modern-day actors were the answer, since those were the main changes. The dialog was the same and the story the same.
On one hand, I applaud them for not making this over with a lot of profanity and nudity and making it a sleazy film. Yet, if they were going to keep everything the same, why bother when you weren't going to improve on Tony Perkins, Janet Leigh and the original cast?
Did they honestly think Vince Vaughn was going to be as good or better than Perkins? Are you kidding? Ann Heche, with her short mannish-haircut, is going to be better than Leigh? I don't think so!
Yes, the colors were pretty in here but it's the black-and-white photography that helped make the 1960 version so creepy to begin with. It's perfect for the story, not a bunch of greens and pinks! Once again, I guess the filmmakers were banking on an audience that never saw the original.
This was just a stupid project that never should have gotten off the ground.
47 of 69 people found this review helpful.
Was this review helpful to you?
Well, I have to agree with the critics on this one, who all said "leave it alone." Why they had to make this re-make of the 1960 "Psycho," I don't know. My guess is they wanted to reach a new audience and thought color and modern-day actors were the answer, since those were the main changes. The dialog was the same and the story the same.
On one hand, I applaud them for not making this over with a lot of profanity and nudity and making it a sleazy film. Yet, if they were going to keep everything the same, why bother when you weren't going to improve on Tony Perkins, Janet Leigh and the original cast?
Did they honestly think Vince Vaughn was going to be as good or better than Perkins? Are you kidding? Ann Heche, with her short mannish-haircut, is going to be better than Leigh? I don't think so!
Yes, the colors were pretty in here but it's the black-and-white photography that helped make the 1960 version so creepy to begin with. It's perfect for the story, not a bunch of greens and pinks! Once again, I guess the filmmakers were banking on an audience that never saw the original.
This was just a stupid project that never should have gotten off the ground.