Set in 1960 London, where a soon to retire caretaker convinces a glass-ceiling constrained American executive to help him steal a handful of diamonds from their employer, the London Diamond Corporation.
This Ken Loach film tells the story of a man devoted to his family and his religion. Proud, though poor, Bob wants his little girl to have a beautiful (and costly) brand-new dress for her ... See full summary »
A biography of the dancer Isadora Duncan, the 1920s dancer who forever changed people's ideas of ballet. Her nude, semi-nude, and pro-Soviet dance projects as well as her attitudes on free ... See full summary »
Ernest Borgnine plays Rex Page, an old man who is bitter about never becoming famous and having lived a life without any meaning. After suffering a stroke, he ends up in a nursing home ... See full summary »
A priest from the Vatican is sent to Sao Paulo, Brazil to investigate the appearance of the face of the Virgin Mary on the side of a building. While there he hears of a statue of the Virgin... See full summary »
Shortly before his death in ancient Israel King David has a vision from God telling him that his younger son Solomon should succeed him as king. His other son Adonijah is unhappy and vows ... See full summary »
Walt Koontz, a homophobic guy, ends up with paralyzed vocal cords because of an unfortunate stroke. His therapy includes receiving singing lessons from a neighbor who is not only openly flamboyant but also a pre-op transgenderist. Both of them are equally prejudiced; Koontz against homosexuals and the neighbor against close-minded straight people. Written by
Rob Reser - The Movie Kid - <firstname.lastname@example.org>
Philip Seymour Hoffman is good--if one-note--as a drag queen in New York who makes nice with the neighbor he hates, security officer and now stroke-victim Robert De Niro. The antagonistic relationship between the two might've used a bit more smoothing over (occasionally it feels like they're winging it, and De Niro's speech impediment tends to vary), but with two such fine actors running the scenes, there are compensations. De Niro himself looks fantastic, and he doesn't try to command the picture or any of his scenes with Hoffman; he's such a team player that you automatically respond to him. A drug-czar subplot is old hat, and the dancehall girl-with-the-pure-heart stuff is an obvious cliché, it has all been done before. But the real problem with the movie is that times have changed and perceptions are different, and not all gays are drag-queens and not all drag-queens want to have sex-change operations. It's a moldy movie myth that the filmmakers don't seem to get (perhaps they were brought up in an earlier era and believe the stereotype?). The continual foul language is a strain to listen to, but the growing camaraderie between the two leads proves to have some interesting give-and-take. **1/2 from ****
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