David Merrill (Robert De Niro), a fictitious 1950s Hollywood director, returns from filming abroad in France to find that his loyalty has been called into question by the House Committee on... See full summary »
Robert De Niro,
A comedy about a screenwriter (Wuhl) whose old movie script is read by a producer (Landau) and the search for financial backers begins. But it seems that each money source (Aiello, DeNiro, ... See full summary »
Set in 1960 London, where a soon to retire caretaker convinces a glass-ceiling constrained American executive to help him steal a handful of diamonds from their employer, the London Diamond Corporation.
The year is 1750. Europe is in a ravaged state following a plague. Victor Moritz and Rufolf de Sevre are gamblers, frequenters of elegant casinos and fashionable brothels. Rudolf is a young... See full summary »
Walt Koontz, a homophobic guy, ends up with paralyzed vocal cords because of an unfortunate stroke. His therapy includes receiving singing lessons from a neighbor who is not only openly flamboyant but also a pre-op transgenderist. Both of them are equally prejudiced; Koontz against homosexuals and the neighbor against close-minded straight people. Written by
Rob Reser - The Movie Kid - <firstname.lastname@example.org>
While the film itself certainly has it's shortcomings, Philip Seymour Hoffman's performance embodies the film's title. While a lesser actor would have taken the role of Rusty as a caricature of gay and transgender stereotypes, Hoffman performs the role with deep sensitivity and respect for the trials of someone living a misunderstood life. Robert De Niro is also believable as a gritty police officer recovering from a stroke.
The most powerful thing about this film is that it doesn't gloss over stereotypes, but still makes the viewer feel compassion for both characters. Deniro's cop goes through a huge transformation from homophobe to someone who learns the value of people whom he may not fully understand, and does so with a delicate, nuanced touch.
I love this movie, even if only for the scene with Hoffman talking to the Log Cabin Republican about their own bias against more flamboyant gays. It's powerful and true, and one of the only films to address the issue, even if only briefly.
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