| Photos (See all 21 | slideshow) | Videos (see all 4) |
| Matthew Pidgeon | ... | Dickie Winslow | |
| Rebecca Pidgeon | ... | Catherine Winslow | |
| Gemma Jones | ... | Grace Winslow | |
| Nigel Hawthorne | ... | Arthur Winslow | |
| Lana Bilzerian | ... | Undermaid | |
| Sarah Flind | ... | Violet | |
| Aden Gillett | ... | John Watherstone | |
| Guy Edwards | ... | Ronnie Winslow | |
| Colin Stinton | ... | Desmond Curry | |
| Eve Bland | ... | Suffragette | |
| Sara Stewart | ... | Miss Barnes, Beacon Reporter | |
| Perry Fenwick | ... | Fred | |
| Alan Polonsky | ... | Mr. Michaels | |
| Jeremy Northam | ... | Sir Robert Morton | |
| Neil North | ... | First Lord | |
| Chris Porter | ... | MP | |
| Jim Dunk | ... | Colleague | |
| Duncan Gould | ... | Commons Reporter | |
| Ian Soundy | ... | Local Reporter | |
| rest of cast listed alphabetically: | |||
| John Grayson | ... | Various (voice) (uncredited) | |
Directed by | |||
| David Mamet | |||
Writing credits(WGA) | ||
| Terence Rattigan | (play) | |
| David Mamet | (screenplay) | |
Produced by | |||
| Sally French | .... | line producer | |
| Sarah Green | .... | producer | |
Original Music by | |||
| Alaric Jans | |||
Cinematography by | |||
| Benoît Delhomme | (director of photography) (as Benoit Delhomme) | ||
Film Editing by | |||
| Barbara Tulliver | |||
Casting by | |||
| John Hubbard | |||
| Ros Hubbard | |||
Production Design by | |||
| Gemma Jackson | |||
Art Direction by | |||
| Andrew Munro | |||
Set Decoration by | |||
| Trisha Edwards | |||
Costume Design by | |||
| Consolata Boyle | |||
Makeup Department | |||
| Maureen McGill | .... | makeup artist (as Maureen Mcgill) | |
| Peter Robb-King | .... | hair designer | |
| Peter Robb-King | .... | makeup designer | |
| Annie Townsend | .... | key hair stylist | |
Production Management | |||
| Michael Casey | .... | unit manager | |
| Martha Griffin | .... | post-production supervisor | |
Second Unit Director or Assistant Director | |||
| Phil Booth | .... | third assistant director (as Philip Booth) | |
| Richard Hewitt | .... | first assistant director | |
| Toby Sherborne | .... | second assistant director | |
Art Department | |||
| Bob Betis | .... | stand-by painter (as Robert Betis) | |
| John Booth | .... | dressing props | |
| Michelle Borg | .... | art department assistant (as Michell Borge) | |
| Mark Brady | .... | stand-by carpenter | |
| Barry Cahill | .... | painter | |
| Tristan Carlisle-Kitz | .... | stand-by props (as Tristan Carlisle Kitz) | |
| John Casey | .... | stand-by props | |
| Alan Chesters | .... | construction manager | |
| Ciaran Donnelly | .... | carpenter | |
| Bill Gower | .... | property master | |
| Elli Griff | .... | assistant art director | |
| Michael Gunner | .... | supervising painter (as Micky Gunner) | |
| David Ned Kelly | .... | chargehand carpenter (as Ned Kelly) | |
| Ben Munro | .... | art department trainee | |
| Bob Orr | .... | dressing props | |
| Jim Stanes | .... | graphic artist | |
| Michael Weaver | .... | painter | |
| Graham Caulfield | .... | drapes (uncredited) | |
Sound Department | |||
| John Lewis Aschenbrenner | .... | second boom operator (as John Lewis) | |
| Michael Barry | .... | sound re-recording mixer | |
| Eric A. Christoffersen | .... | stereo sound consultant: Dolby (as Eric A. Christofferson) | |
| Richard P. Cirincione | .... | sound editor (as Richard Cirincione) | |
| Laura Civiello | .... | sound editor | |
| Matthew Desorgher | .... | boom operator | |
| Jay Kessel | .... | assistant sound editor | |
| George A. Lara | .... | foley recordist (as George Lara) | |
| Barry Malawski | .... | assistant adr editor | |
| Jane McCulley | .... | adr editor (as Jane Mcculley) | |
| Eytan Mirsky | .... | sound editor | |
| Maurice Schell | .... | sound re-recording mixer | |
| Maurice Schell | .... | supervising sound editor | |
| Stuart Stanley | .... | foley editor | |
| Brian Vancho | .... | foley artist | |
| Clive Winter | .... | production sound mixer | |
| Jens Christensen | .... | adr recordist (uncredited) | |
Special Effects by | |||
| Richard Van Den Bergh | .... | special effects supervisor | |
Camera and Electrical Department | |||
| Lucy Bristow | .... | focus puller | |
| Richard Broom | .... | camera grip | |
| Ray Brown | .... | electrician | |
| Sonny Burdis | .... | best boy | |
| Neil Carr | .... | stand-by rigger | |
| Michael Chambers | .... | electrician (as Mike Chambers) | |
| Liam Daniel | .... | still photographer | |
| Brandon Evans | .... | generator operator | |
| Nick O'Dell | .... | camera trainee | |
| David Smith | .... | gaffer (as Dave Smith) | |
| Iain Struthers | .... | clapper loader (as Ian Struthers) | |
Costume and Wardrobe Department | |||
| Tristan Antoine Evanstovey | .... | wardrobe trainee | |
| Rosemary Lis | .... | wardrobe assistant (as Rosemary Worth) | |
| Michael Mooney | .... | wardrobe assistant | |
| Magdalen Rubalcava | .... | assistant costume designer | |
| Sue Wayne | .... | wardrobe supervisor | |
Editorial Department | |||
| Jason Brodkey | .... | second assistant editor: USA | |
| Valentina Giambanco | .... | first assistant editor: UK | |
| Mark Ginsberg | .... | color timer | |
| David Kaldor | .... | editing intern: USA | |
| Andrea Lelievre | .... | second assistant editor: USA | |
| Kate Mackenzie | .... | second assistant editor: UK | |
| Hilary Peabody | .... | first assistant editor: USA (as Hillary Peabody) | |
| John Rasmussen | .... | editing trainee: UK | |
| Jeff Robinson | .... | post-production coordinator | |
| Sara Thorson | .... | second assistant editor: USA | |
| Joe Violante | .... | color coordinator: Technicolor | |
| Daniel Weinreich | .... | post-production intern | |
Music Department | |||
| David Carbonara | .... | music editor | |
| Juliet Haffner | .... | musical contractor | |
| Sunnie Hikawa | .... | conductor | |
| Alaric Jans | .... | orchestrator | |
| Ronald Kolber | .... | music preparation | |
| Alan Silverman | .... | score mixer | |
| Alan Silverman | .... | score recordist | |
Transportation Department | |||
| Mark Bird | .... | driver | |
| Eddie Coleman | .... | driver | |
| Graeme Gordon | .... | driver | |
| Andrea Guard | .... | driver | |
| Wayne Mccoy | .... | driver | |
| Barry Newell | .... | driver | |
| Jeff Oldman | .... | driver | |
| Paul Thompson | .... | driver | |
| Ricky Titcombe | .... | driver (as Ricki Titcombe) | |
| Paul Venezia | .... | driver | |
Other crew | |||
| Fiona Baker | .... | stand-in | |
| Michelle Boston | .... | assistant: David Mamet, UK | |
| Carole Brooks | .... | assistant accountant | |
| Suzanne Ceresko | .... | assistant: Sarah Green | |
| Lisa Cofini | .... | post-production accountant | |
| Tom Cole | .... | assistant: David Mamet | |
| Karen Fayerty | .... | unit nurse | |
| Gary Finch | .... | security officer | |
| Alan Harris | .... | stand-in | |
| Paul Hughes | .... | caterer | |
| Ben Jeffery | .... | double: Guy Edwards (as Ben Jeffrey) | |
| Ben Jeffery | .... | stand-in: Guy Edwards (as Ben Jeffrey) | |
| Debbie Kaye | .... | animal supplier | |
| Sara Keene | .... | unit publicist: UK | |
| Jackie Lingard | .... | assistant: Sarah Green, UK | |
| Peter Lonergan | .... | security officer | |
| Richard Lonergan | .... | security officer | |
| Duncan Manning | .... | caterer | |
| Derek Murphy | .... | security officer | |
| Polly Nash | .... | assistant production coordinator | |
| Annie Penn | .... | script supervisor (as Annie Wotton) | |
| Rupert Phelps | .... | military advisor (as Captain Rupert Phelps) | |
| Rupert Phelps | .... | military liaison (as Captain Rupert Phelps) | |
| Joy Pollard | .... | tutor: Guy Edwards | |
| Ashton Radcliffe | .... | production trainee | |
| Reid Rosefelt | .... | unit publicist: USA (as Reed Rosefelt) | |
| Melissa Rubin | .... | executive assistant: Sarah Green | |
| Donald Sabourin | .... | production runner | |
| Maggie Scobbie | .... | fitter/maker | |
| Jonathan Scott | .... | floor runner | |
| Trevor Stanley | .... | production accountant | |
| Amanda Stevens | .... | location manager | |
| Eva Townson | .... | stand-in | |
| Harriet Voyt | .... | executive assistant: David Mamet | |
| Winnie Wishart | .... | production coordinator | |
| Maurice Schell | .... | adr loop group (uncredited) | |
Thanks | |||
| Richard S. Friedman | .... | very special thanks | |
| Tim Grafft | .... | special thanks: Massachusetts Film Office | |
| Bill Nisselson | .... | special thanks | |
| David Salz | .... | special thanks: Alfred Dunhill London | |
| Eve Williams | .... | special thanks | |
|
|
|
|
|
| Howards End | Evelyn | America, America | Becoming Jane | The New World |
|
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb UK section |
It seems the English are invading.....our cinemas. Last year it was Shakespeare in Love and Elizabeth and this year it is An Ideal Husband and The Winslow Boy. I also liked Lock, Stock, and Two Smoking Barrels but that's another story. Why our fascination with the English? I have some theories but I guess I shouldn't get into that here. The Winslow Boy is a terrific film because of its simplicity. A father defending his son's and thereby his own honor. There are no gimmicks, violence, and stunts, and everything and everyone is what and who they appear to be. As a result this film is driven by strong characters and strong, terse dialogue. I also enjoyed the use of newspaper clippings and caricatures from the editorial page to guide us thru the movie. The use of a scripture which appears a couple times dealing with feast and famine was a great metaphor for the father and the family's prospects. The performances were spectacular, especially Jeremy Northam playing Sir Robert Morton....what a "stage" presence. Rebecca Pidgeon as Kate as the strong willed suffragette daughter in the family was good as well. I must also mention Nigel Hawthorne, the father on whom the struggle took its toll, performed strongly as usual. I would recommend this to all members of the family from the very young for whom it could teach value lessons to the very old for whom it may awaken some feelings of nostalgia for at times it feels like a film from the 40's. Oh by the way the final lines in the film are super. Make sure you are listening. Three and half stars!!!