Early 20th century England: while toasting his daughter Catherine's engagement, Arthur Winslow learns the royal naval academy expelled his 14-year-old son, Ronnie, for stealing five ... See full summary »
Gino, an Italian-American shoe-shiner with a remarkable similarity to a certain mafia don, is paid to take the rap for a murder. Jerry, a two-bit gangster on probation, is given a chance ... See full summary »
A fateful event leads to a job in the film business for top mixed-martial arts instructor Mike Terry. Though he refuses to participate in prize bouts, circumstances conspire to force him to consider entering such a competition.
Early 20th century England: while toasting his daughter Catherine's engagement, Arthur Winslow learns the royal naval academy expelled his 14-year-old son, Ronnie, for stealing five shillings. Father asks son if it is true; when the lad denies it, Arthur risks fortune, health, domestic peace, and Catherine's prospects to pursue justice. After defeat in the military court of appeals, Arthur and Catherine go to Sir Robert Morton, a brilliant, cool barrister and M.P., who examines Ronnie and suggests that they take the matter before Parliament to seek permission to sue the Crown. They do, which keeps Ronnie's story on the front page and keeps Catherine in Sir Robert's ken. Written by
Neil North, who played the First Lord of the Admiralty in the 1999 version of The Winslow Boy, played Ronnie Winslow in the 1948 version. See more »
At the beginning of the movie When Ronnie Winslow tears open the envelope and is about to remove the letter, the stamp and address are facing him, then in the reverse shot as he removes the letter the stamp and address are facing away from him. See more »
You don't behave as if you are in love.
How does one behave as if one is in love?
[Looks at the book Catherine is reading]
One doesn't read "The Social Evil and The Social Good." One reads Lord Byron.
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In the interest of full disclosure, I will admit right off that I have never read the Terence Rattigan play from which this film is derived. Therefore, my evaluation of it purely concerns the film itself. I saw the movie during its brief stint in American theaters, and I was very surprised. It is the sort of film that I was amazed made it into Anerican movie theaters at all. It is neither fast-moving nor action-packed, and it contains no sexual content or violence. It centers around a functional British family and has very little romance. It does, however, address many issues and has a great deal of sophisticated humor.
Rebecca Pidgeon's performance was particularly memorable. She had the perfect combination of restraint and sarcasm. I have heard complaints about her-that she was too stiff and lackluster, but I found her character very believable. Perhaps this is because I come from a close, sarcastic family myself. The Winslows came off as very attached to each other, but their Britishness prevented them from being mushy.
I would definitely not recommend this movie to everyone. It is a very specific type of film and probably would be enjoyed by someone who is a fan of slow-paced, dialogue-driven period pieces or by someone who is a bibliophile. It is an unusual film, but I personally think it is pure gold.
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