Early 20th century England: while toasting his daughter Catherine's engagement, Arthur Winslow learns the royal naval academy expelled his 14-year-old son, Ronnie, for stealing five ... See full summary »
A fateful event leads to a job in the film business for top mixed-martial arts instructor Mike Terry. Though he refuses to participate in prize bouts, circumstances conspire to force him to consider entering such a competition.
In the 1930s, Charles Lang invents an engine that runs using water for fuel. But when he tries to get it patented, he is first offered a ridiculously low amount. When he refuses, he is ... See full summary »
William H. Macy
Early 20th century England: while toasting his daughter Catherine's engagement, Arthur Winslow learns the royal naval academy expelled his 14-year-old son, Ronnie, for stealing five shillings. Father asks son if it is true; when the lad denies it, Arthur risks fortune, health, domestic peace, and Catherine's prospects to pursue justice. After defeat in the military court of appeals, Arthur and Catherine go to Sir Robert Morton, a brilliant, cool barrister and M.P., who examines Ronnie and suggests that they take the matter before Parliament to seek permission to sue the Crown. They do, which keeps Ronnie's story on the front page and keeps Catherine in Sir Robert's ken. Written by
Neil North, who played the First Lord of the Admiralty in the 1999 version of The Winslow Boy, played Ronnie Winslow in the 1948 version. See more »
At the beginning of the movie When Ronnie Winslow tears open the envelope and is about to remove the letter, the stamp and address are facing him, then in the reverse shot as he removes the letter the stamp and address are facing away from him. See more »
You don't behave as if you are in love.
How does one behave as if one is in love?
[Looks at the book Catherine is reading]
One doesn't read "The Social Evil and The Social Good." One reads Lord Byron.
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This is the rare film that could not be improved upon!
A series of absolutely perfect scenes...crisp, engaging dialogue...ordinary yet intriguing characters interwoven into a seamless web...flawless acting, even down to the boy...great costumes...the best ending lines I've heard in years! I've seen this movie twice and found it just as enchanting the second time. I would not change one thing about this movie!
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