| Photos (See all 80 | slideshow) | Videos (see all 4) |
| Pierce Brosnan | ... | Thomas Crown | |
| Rene Russo | ... | Catherine Banning | |
| Denis Leary | ... | Michael McCann | |
| Ben Gazzara | ... | Andrew Wallace | |
| Frankie Faison | ... | Detective Paretti | |
| Fritz Weaver | ... | John Reynolds | |
| Charles Keating | ... | Friedrich Golchan | |
| Mark Margolis | ... | Heinrich Knutzhorn | |
| Faye Dunaway | ... | The Psychiatrist | |
| Michael Lombard | ... | Bobby McKinley | |
| Bill Ambrozy | ... | Proctor | |
| Michael Bahr | ... | Proctor (as Michael S. Bahr) | |
| Robert D. Novak | ... | Proctor (as Robert Novak) | |
| Joe H. Lamb | ... | Proctor (as Joe Lamb) | |
| James Saito | ... | Paul Cheng | |
| Esther Cañadas | ... | Anna Knudsen | |
| Mischa Hausserman | ... | Jimmy | |
| Daniel Oreskes | ... | Petru | |
| Dominic Chianese Jr. | ... | Dimetri | |
| Ritchie Coster | ... | Janos | |
| Gregg Bello | ... | Iggy | |
| John P. McCann | ... | Senior Detective | |
| Gino Lucci | ... | Freight Truck Driver | |
| George Christy | ... | Senior Museum Guard | |
| Mike Danner | ... | Forklift Operator | |
| James J. Archer | ... | J.J. the Security Guard | |
| John Elsen | ... | New York City Cop | |
| Robert Spillane | ... | Crown Acquisitions Security Officer | |
| Daniel Jamal Gibson | ... | Sam | |
| Cynthia Darlow | ... | Daria, Crown's Secretary | |
| Sherry Koftan | ... | Crown Acquistions Employee | |
| Jane DeNoble | ... | Crown Acquisitions Employee | |
| Gene Bozzi | ... | Crown Acquisitions Employee | |
| Ryan Hecht | ... | Crown Acquisitions Employee | |
| Paul Simon | ... | Crown Acquisitions Employee | |
| Tom Tammi | ... | Businessman | |
| Mark Zeisler | ... | Bulldog | |
| Mark Zimmerman | ... | Bulldog | |
| Daniel Southern | ... | Crown Acquisitions Executive (as Dan Southern) | |
| James Yaegashi | ... | Crown Acquisitions Executive | |
| Ira Wheeler | ... | Old Man | |
| David Adkins | ... | Son | |
| John McKay | ... | Company Lawyer (as John A. MacKay) | |
| Melissa Maxwell | ... | Teacher | |
| Colleen Hamm | ... | Schoolgirl | |
| Timothy Wheeler | ... | Museum Security Technician | |
| John Thrall Bush | ... | Museum Security Guard | |
| Dominic Marcus | ... | Museum Security Guard | |
| Robert Lewis Stephenson | ... | Museum Security Guard (as Robert Stephenson) | |
| David Toney | ... | Museum Security Guard | |
| Phillip Douglas | ... | Museum Security Guard | |
| Jeffrey Dreisbach | ... | Junior Proctor | |
| R.J. Remo | ... | Smoking Kid | |
| Caleb Archer | ... | Smoking Kid | |
| Dennis Creaghan | ... | Museum Director Jim Lenox | |
| Randy Phillips | ... | National Art Club Guest | |
| Gloria Barnes | ... | National Art Club Guest | |
| Mimi Weddell | ... | National Art Club Guest | |
| Pat Friedlander | ... | National Art Club Guest | |
| Gary L. Catus | ... | National Art Club Guest | |
| Jeremy Nagel | ... | Tommy, Crown's Caddy | |
| John C. Havens | ... | Museum Operating Technician | |
| Annie Rose Murray | ... | Woman Spectator | |
| Bill Tatum | ... | Gentleman Yachtsman | |
| Teddy Coluca | ... | Detective in Restaurant | |
| Michael Charles | ... | Detective in Restaurant | |
| Orlando Carafa | ... | Cipriani Waiter | |
| Ben Epps | ... | Male Associate | |
| Kim D. Cannon | ... | Cleaning Man | |
| Douglas Kahelemauna Nam | ... | Cleaning Man | |
| Richard Russell Ramos | ... | Dr. Cornelius | |
| John Seidman | ... | Forensics Expert George French | |
| Robert Ian Mackenzie | ... | Jeweler | |
| Yusef Bulos | ... | Second Jeweler | |
| Ray Virta | ... | Museum Detective | |
| Thomas Michael Sullivan | ... | Museum Special Police | |
| J. Paul Boehmer | ... | Museum Detective | |
| Tony Cucci | ... | Watching Cop | |
| Paul Geoffrey | ... | Another Cop | |
| R.E. Rodgers | ... | Uniform Cop | |
| Tom Bloom | ... | Crown Imposter (as Thomas Richard Bloom) | |
| Kim Craven | ... | Ticket Agent | |
| Marion McCorry | ... | Stewardess | |
| Sean Haberle | ... | Ramp Manager | |
| Mikel Sarah Lambert | ... | Wealthy Woman | |
| Angelo Fraboni | ... | Featured Dancer | |
| Melanie LaPatin | ... | Featured Dancer | |
| Jodi Ellen Melnick | ... | Featured Dancer (as Jodi Melnick) | |
| Tony Meredith | ... | Featured Dancer | |
| Michael Terrace | ... | Featured Dancer | |
| rest of cast listed alphabetically: | |||
| Courtney Bennett | ... | Bit Part (uncredited) | |
| Diana Berry | ... | Museum Patron (uncredited) | |
| Steve Bilich | ... | Taxi Driver (uncredited) | |
| Kimberly Evan | ... | Model (uncredited) | |
| Charles Gemmill | ... | Detective (uncredited) | |
| Simon Jones | ... | The Accountant (uncredited) | |
| Mark A. Langston | ... | Thief (uncredited) | |
| Andy Redmond | ... | Precinct Detective (uncredited) | |
| Victoria Rong | ... | Model #2 (uncredited) | |
| Eliot Sash | ... | Dancer (Black & White Ball) (uncredited) | |
Directed by | |||
| John McTiernan | |||
Writing credits(WGA) | ||
| Alan Trustman | (story) (as Alan R. Trustman) | |
| Leslie Dixon | (screenplay) & | |
| Kurt Wimmer | (screenplay) | |
Produced by | |||
| Pierce Brosnan | .... | producer | |
| Bruce Moriarty | .... | associate producer | |
| Roger Paradiso | .... | co-producer | |
| Beau St. Clair | .... | producer | |
| Michael Tadross | .... | executive producer | |
Original Music by | |||
| Bill Conti | |||
Cinematography by | |||
| Tom Priestley Jr. | (director of photography) (as Tom Priestley) | ||
Film Editing by | |||
| John Wright | |||
Casting by | |||
| Pat McCorkle | |||
Production Design by | |||
| Bruno Rubeo | |||
Art Direction by | |||
| Dennis Bradford | |||
Set Decoration by | |||
| Leslie E. Rollins | |||
Costume Design by | |||
| Kate Harrington | |||
Makeup Department | |||
| Enzo Angileri | .... | hair stylist: Ms. Russo | |
| Lynn Campbell | .... | makeup artist | |
| Jane Choi | .... | additional makeup artist | |
| Romaine Greene | .... | hair stylist | |
| Michele Paris | .... | makeup artist (as Michele Paris-Catanzarite) | |
| Rosanne Puchal | .... | additional makeup artist | |
| Bron Roylance | .... | makeup artist: Mr. Brosnan | |
| Scott Hersh | .... | assistant makeup artist (uncredited) | |
Production Management | |||
| Eddy Collyns | .... | production supervisor | |
Second Unit Director or Assistant Director | |||
| Mischa Hausserman | .... | second unit director: additional aerial photography | |
| Neil Lewis | .... | additional second assistant director | |
| Jamie Miller | .... | key second assistant director: second unit | |
| Bruce Moriarty | .... | first assistant director | |
| Michael Pitt | .... | second second assistant director | |
| Peter Soldo | .... | second assistant director | |
| John E. Sullivan | .... | second unit director | |
| Jonathan Watson | .... | first assistant director: second unit | |
Art Department | |||
| David Alan Bean | .... | tool man | |
| Teresa Carriker-Thayer | .... | art director: second unit | |
| Frances Catalano | .... | shop grip | |
| Phil Devonshire | .... | shop electric | |
| Daniel Dietrich | .... | shop craftsman | |
| Jay Durrwachter | .... | assistant art director | |
| Ray Fisher | .... | set dresser | |
| Joseph Garzero | .... | lead scenic artist | |
| Randal R. Groves | .... | propmaker | |
| Julia G. Hickman | .... | art department coordinator | |
| Warren Jorgensen | .... | camera scenic | |
| Paul D. Kelly | .... | assistant art director | |
| Steven E. Lawler | .... | construction foreman | |
| Eric Lewin | .... | set dresser | |
| Christine Moosher | .... | assistant set decorator | |
| Ken Nelson | .... | construction coordinator | |
| John Ralbovsky | .... | scenic artist | |
| Mick Rossman | .... | scenic | |
| Michael Saccio | .... | property master | |
| Cheryl Stewart | .... | painter | |
| Peter Wilcox | .... | carpenter | |
| Joan Winters | .... | graphic designer | |
| Federico Castelluccio | .... | artist (uncredited) | |
| Daniel Geary | .... | carpenter (uncredited) | |
| Steve A. Stephenson | .... | carpenter (uncredited) | |
Sound Department | |||
| David A. Arnold | .... | dialogue editor | |
| James Ashwill | .... | foley mixer | |
| Marc Deschaine | .... | adr assistant | |
| Teri E. Dorman | .... | supervising dialogue editor | |
| Juno J. Ellis | .... | supervising adr editor | |
| Sean England | .... | sound re-recordist | |
| Matthew Harrison | .... | foley editor | |
| Tom Lalley | .... | sound re-recording engineer | |
| Linda Lew | .... | foley recordist | |
| Melissa Lytle | .... | assistant sound editor | |
| Michael Minkler | .... | sound re-recording mixer | |
| Tom Nelson | .... | production sound mixer | |
| R.J. Palmer | .... | sound effects editor | |
| Karen Spangenberg | .... | dialogue editor | |
| Daniel W. Victor Jr. | .... | stereo sound consultant: DTS | |
| George Watters II | .... | supervising sound editor | |
| James Wright | .... | stereo sound consultant: Dolby | |
| John Soukup | .... | recordist (uncredited) | |
| Carl D. Ware | .... | additional adr mixer (uncredited) | |
Special Effects by | |||
| Harold McConnell Jr. | .... | special effects technician | |
| Allen Stillman | .... | special effects technician | |
Visual Effects by | |||
| Jamie Clay | .... | digital compositor | |
| Tyler Foell | .... | digital artist | |
| Jim Gorman | .... | digital compositor | |
| Reid Paul | .... | digital artist | |
| Ray Scalice | .... | executive producer: Pixel Magic | |
| John E. Sullivan | .... | visual effects (as John Sullivan) | |
| Juan Carlos Vargas | .... | visual effects (as Juan Vargas) | |
| Ken Lam | .... | digital artist (uncredited) | |
Stunts | |||
| Chris Cenatiempo | .... | stunts | |
| John Cenatiempo | .... | stunt player (as Johnny 'C') | |
| John Copeman | .... | stunt player | |
| Frank Ferrara Jr. | .... | stunt player | |
| Frank Ferrara | .... | stunt coordinator | |
| Ralph Ferrara | .... | stunt player | |
| Tomás F. Gonzalez | .... | boat stunts | |
| Doris F. Grove | .... | boat stunts | |
| Tony Guida | .... | stunt player | |
| Andrew Phillips | .... | boat stunts | |
| Keith Siglinger | .... | stunt player | |
| Steve Bilich | .... | stunt driver (uncredited) | |
| Peter Bucossi | .... | stunts (uncredited) | |
| John Copeman | .... | stunt double: Pierce Brosnan (uncredited) | |
| Cheryl Wheeler Duncan | .... | stunt double: Rene Russo (uncredited) | |
| Jonathon Prandi | .... | stunt double: Pierce Brosnan (uncredited) | |
| Adam Vignola | .... | stunts (uncredited) | |
Casting Department | |||
| Barbara Harris | .... | voice casting | |
| John Mabry | .... | casting assistant | |
| Sarah Spearing | .... | casting assistant | |
Costume and Wardrobe Department | |||
| Susan Carrano | .... | assistant costume designer | |
| Marta Font | .... | key costumer | |
| Chris Ann Pappas | .... | costume assistant | |
| Monica Russell | .... | costumer: Mr. Brosnan | |
| Hartsell Taylor | .... | wardrobe supervisor | |
Editorial Department | |||
| Melissa Carter | .... | assistant editor (as Melissa J.T. Carter) | |
| Barbara Dunning | .... | first assistant editor | |
| Eric M. Eskenazi | .... | editing production assistant | |
| Phil Hetos | .... | color timer | |
| Mark Livolsi | .... | assistant editor | |
| Jon Patrick Ruff | .... | post-production assistant (as Patrick Ruff) | |
| Kyle Ann Stokes | .... | assistant editor | |
| Joe Violante | .... | dailies advisor | |
| Todd Zongker | .... | assistant editor: avid | |
Music Department | |||
| Bob Bornstein | .... | music preparation | |
| Gloria Cheng | .... | musician: piano | |
| Jim Dunbar | .... | original music producer | |
| Jack Eskew | .... | orchestrator | |
| Ashley Irwin | .... | music producer: electronic score | |
| Nathan Kaproff | .... | orchestra manager | |
| Jamie Lowry | .... | assistant music editor: temp mix | |
| Chris McGeary | .... | music editor | |
| Randall Poster | .... | music consultant | |
| Dan Wallin | .... | score mixer | |
| Tommy Lockett | .... | music editor (uncredited) | |
| Jamshied Sharifi | .... | composer: additional music (uncredited) | |
Transportation Department | |||
| Mark Dolce | .... | driver | |
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| The Thomas Crown Affair | The Good Thief | Entrapment | The Wisdom of Crocodiles | Ocean's Twelve |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Crime section | IMDb USA section |
Well, what can I say after watching this film, being a fan of the original. To begin with, I enjoyed it as it was almost a 90's play by play remake, and I am always pleased to see how a 60's or 70's classic would have looked 20 something years later. The early scenes in the film were very close to the original, with the business deal going through, and then Crown going to observe the heist; although participating this time around, and so, with what I saw I saw a hell of a lot of promise to shine up to the original. The heist seems in both are superbly conceived and very well filmed, with just the right amount of tension about the problems arising. Good stuff.
Enter Russo, dressed as a total Dunaway clone (Remember the headscarf?) and with some scenes of total over acting which could have worked well but on the whole didn't. Where Russo seems to let go and enjoy herself is a slip mistake that the character would never have done; Dunaway ALWAYS kept her cool in the original.
Enter the cat and mouse thriller element of the film. I have seen a few reviews here that say that this dragged the film along, slowing it down considerably. However, this film, in both versions, is not about a robbery, it is about the chase. The point of the film is the exchanges between the two protagonists, each trying to catch the other out; and this is the brilliance of the film, because it isn't a visual action plot with little in it that so many films are today. This makes you watch, this makes you observe and it makes you think.
Moving on to the character of Crown by Brosnan. Some people have said that Brosnan was hollow and one dimensional, with no background to his motivation to the robbery. This is EXACTLY the point and this is why the ending of the 1999 version does NOT work. Thomas Crown only has two things that he cares about: Greed and acquisition. The scene in both versions with the business deal at the beginning is the evidence at this, with the corporate suits joking about "Thomas Crown actually selling something" then we find out that he only sold it because, unknown to them, they were offering 30 million more than anyone else. All Crown cares about is possessing as much as he can, this is why he has been alone all this time. And, with this being the point of the character, that is why the ending of the film is so disappointing and unbelievable compared to the original. Crown desired to own the painting and he would not have given this up for the love of a woman, because, although it is obvious he wants a woman to love him, he cannot love women, because he can only love what he owns, and he wants to own everything. The original version, with McQueen deceiving Dunaway, after she betrayed him and then leaving her on the plane is a much more convincing ending.
Another unconvincing aspect is the comparison between the McQueen/Dunaway and Brosnan/Russo relationships. Firstly, the dance scene comes nowhere near comparison to the chess scene of the original; and the dance scene is very poorly filmed as well. The chess scene showed both characters attempts at dominance over each other, their lust to win over each other, and they sexual tension between them as they play with the chess pieces, slowly and seductively. The dance scene is a quick montage of unclear movement with the only piece of sexual tension being Brosnan laying his hands on Russo. All the dominance that Dunaway had in the original was disposed of and Russo caved into to sleeping with Crown very easily. Then, there is the Brosnan/Russo sex scene; which in my opinion was HIGHLY unnecessary. McQueen and Dunaway never needed to do a nude scene together, as the sexual tension between the two was so obvious that it could be cut with a bread knife. However, Brosnan and Russo do not have that touch, the spark was nowhere near as big, and the inclusion of a nude scene still does not bring it anywhere near the status of attraction that the original couple had.
This film could have been a classic remake if it didn't try to be so politically correct. The only reason why the remake switched from a bank heist to art theft is because, in today's world, armed robbery cannot be presented as an elegant theft. This is ridiculous, as the reason that the original's heist was so smooth was because of the planning, timing and element of no one of the criminals meeting until midway through the heist; all goes on while McQueen watches from across the road. Where was the planning and recruitment in this remake? Oh yes, Russo mentioned it so quickly, it would have been dismissed faster than one of Brosnan's butler's lines. And the idea of a happy ending, with both of the characters, now definitely lovers, flying off into the sunset with plans for happiness together. Garbage. These two characters are selfish and greedy because they only look at for number one in a dog eats dog world. McQueen's Crown saw this, knowing to drop Dunaway or go to jail; and this PC happy ending is just not compatible with this film; as with a cat and mouse thriller, someone has to lose.