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The Thomas Crown Affair (1999)

A very rich and successful playboy amuses himself by stealing artwork, but may have met his match in a seductive detective.

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Writers:

(story) (as Alan R. Trustman), (screenplay) | 1 more credit »
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3,522 ( 172)

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From $2.99 (SD) on Amazon Video

ON DISC
3 wins & 2 nominations. See more awards »

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Cast

Cast overview, first billed only:
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Andrew Wallace
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Friedrich Golchan
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Heinrich Knutzhorn
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Michael Lombard ...
Bobby McKinley
Bill Ambrozy ...
Proctor
Michael Bahr ...
Proctor (as Michael S. Bahr)
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Proctor (as Robert Novak)
Joe H. Lamb ...
Proctor (as Joe Lamb)
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Paul Cheng
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Storyline

Self-made billionaire Thomas Crown is bored of being able to buy everything he desires. Being irresistible to women, he also does not feel any challenge in that area. But there are a few things even he can't get, therefore Thomas Crown has a seldom hobby: He steals priceless masterpieces of Art. After the theft of a famous painting from Claude Monet, the only person suspecting Thomas Crown is Catherine Banning. Her job is to get the picture back, no matter how she accomplishes her mission. Unfortunately, Catherine gets involved too deeply with Thomas to keep a professional distance to the case. Fortunately, Thomas seems to fall for her, too. Written by Julian Reischl <julianreischl@mac.com>

Plot Summary | Plot Synopsis

Taglines:

How do you get the man who has everything? See more »


Motion Picture Rating (MPAA)

Rated R for some sexuality and language | See all certifications »

Parents Guide:

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Details

Official Sites:

Country:

Language:

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Release Date:

6 August 1999 (USA)  »

Also Known As:

Afera Thomasa Crowna  »

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Box Office

Budget:

$48,000,000 (estimated)

Opening Weekend USA:

$14,600,719, 8 August 1999, Wide Release

Gross USA:

$69,304,264, 13 February 2000

Cumulative Worldwide Gross:

$55,000,000, 1 January 2001
See more on IMDbPro »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

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Color:

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

Pierce Brosnan performed his own stunts during the boat crash scene. See more »

Goofs

Just before Crown steals the painting, he tells the guard (looking at his watch) that it's quarter to five. But when Catherine and Michael are reviewing the security tape, the tape notes "the time of the robbery" as 5:54. See more »

Quotes

Detective Michael McCann: Can I drop you someplace? At your hotel?
Catherine Banning: One, I keep an apartment here, and two, I am going to your office.
Detective Michael McCann: [pause] She keeps an apartment. I keep goldfish.
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Crazy Credits

During the opening credits, the letters in the names of principal cast and crew switch same-letters (i.e., the "R's" in "Pierce Brosnan", the "E's" in "Dennis Leary"). See more »

Connections

Referenced in Focus (2015) See more »

Soundtracks

Sinnerman
Adapted by Nina Simone
Performed by Nina Simone
Courtesy of Mercury Records
Under license from Universal Music Special Markets
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Frequently Asked Questions

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User Reviews

 
Bang-Up Fun Fresh Re-Make
21 December 2005 | by See all my reviews

Hooray for Hollywood! The world may be falling apart so like we needed money spent on a remake of "The Thomas Crown Affair." But then heck if Tinseltown in all its unoriginality doesn't do a bang-up fun job of unreality with characters who have no place in the Unreel World, from the classy looking opening credits to Sting covering "Windmills of my Mind" over the closing credits.

In the opening scene I'm thinking, wait I know that woman's voice and voila it's Faye Dunaway from the original film as Crown's shrink - I cheered out loud (OK so I was the only one in the audience that got the joke).

Pierce Brosnan and Renee Russo are an age-appropriate couple with genuine fireworks and chemistry (with help from director John McTiernan and editor John Wright in the tango and copulation scenes).

There's unconventionally good music choices - that tango is from Three Penny Opera of all things and a terrific use of Nina Simone's "Sinner Man" in a marvelous Magritte-inspired ironically tense heist scene. Brosnan's trainer gets a credit, as there's plenty of skin. Russo laughs, a gorgeous belly laugh, unlike so many frozen femmes fatale.

The credits also say that no museum was used as a locale, so gosh they really recreated the Met amazingly accurately (and how much did that cost?), though it didn't seem crowded enough Crown goes in at 9 when the museum doesn't open until 11.

I would think this is a great date movie.

(originally written 8/22/1999)


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