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The Thomas Crown Affair (1999)

A very rich and successful playboy amuses himself by stealing artwork, but may have met his match in a seductive detective.

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(story) (as Alan R. Trustman), (screenplay) | 1 more credit »
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Cast

Cast overview, first billed only:
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Michael Lombard ...
Bill Ambrozy ...
Michael Bahr ...
Proctor (as Michael S. Bahr)
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Proctor (as Robert Novak)
Joe H. Lamb ...
Proctor (as Joe Lamb)
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Storyline

Self-made billionaire Thomas Crown is bored of being able to buy everything he desires. Being irresistible to women, he also does not feel any challenge in that area. But there are a few things even he can't get, therefore Thomas Crown has a seldom hobby: He steals priceless masterpieces of Art. After the theft of a famous painting from Claude Monet, the only person suspecting Thomas Crown is Catherine Banning. Her job is to get the picture back, no matter how she accomplishes her mission. Unfortunately, Catherine gets involved too deeply with Thomas to keep a professional distance to the case. Fortunately, Thomas seems to fall for her, too. Written by Julian Reischl <julianreischl@mac.com>

Plot Summary | Plot Synopsis

Taglines:

How do you get the man who has everything? See more »


Motion Picture Rating (MPAA)

Rated R for some sexuality and language | See all certifications »

Parents Guide:

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Details

Official Sites:

Country:

Language:

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Release Date:

6 August 1999 (USA)  »

Also Known As:

Afera Thomasa Crowna  »

Box Office

Budget:

$48,000,000 (estimated)

Opening Weekend:

$14,600,719 (USA) (6 August 1999)

Gross:

$69,304,264 (USA) (11 February 2000)
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Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

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Color:

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

Thomas Crown's suite of offices was actually the corporate headquarters of Lucent Technologies, and one of the boats in the race is identified as Lucent. See more »

Goofs

When Thomas steals the Monet in the first theft, he puts the painting with wooden canvas stretcher into his briefcase and folds it closed. When he opens the briefcase later, the canvas stretcher is not broken. = When Thomas "folds" the painting into the briefcase in the first theft he takes it out of the briefcase at his home. He then places it on the hidden shelf with rigid sides. If it had been folded in the briefcase the painting's backside frame would have been broken as well as the painting itself would have cracked. And he didn't have time to fix the canvas or the frame if it had been folded. = Someone already commented on the scene when Thomas Crown takes the Monet out of the brief case and puts it on the mantle with the wood frame backing. The same is true when he steals it and first puts it into the brief case. We see him take it off the wall, pull of the frame but not the the wood backing frame it's attached to. Naturally it would splinter being folded into the briefcase with it on but it all looks likes one continuous motion. = when Brosnan is stealing a painting and he slips a briefcase under the gate and slides under the gate and takes the painting off the wall and removes the painting from the frame you can clearly see that the painting is in a wooden frame but he places it into one side of the "fold up" briefcase and then literally folds the other side of the briefcase to enclose the painting, how does anybody fold wood without breaking it, I ask this because when he gets back to his house and takes the painting out of the "fold up" briefcase the painting, and the wooden frame, are magically intact, come on... See more »

Quotes

Catherine Banning: Men make women messy.
See more »

Crazy Credits

This motion picture was in no way authorized, sponsored or endorsed by any museum, nor was any portion of the motion picture filmed inside a museum. The events, characters and other entities (including the museum) depicted in this motion picture are fictitious, and any similarity to actual persons, events or other entities is purely coincidental. See more »


Soundtracks

UFO GET-GO
Written and Performed by Jamshied Sharifi
Courtesy of Shizuka, Ltd.
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Frequently Asked Questions

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User Reviews

 
Emotional Chess . . . updated
26 August 2007 | by See all my reviews

Firstly, it's not a cookie-cutter remake of the original staring Mr. McQueen and Ms. Dunaway - so no comparison required.

You might say Brosnan was typecast by Bond, and the idea of a suave player getting one over on yet another woman might be the obvious outcome, but not this time! Instead we're treated to a sophisticated game of cops and robbers, played out in this stylish and seductive entertainment. Mr. Brosnan (Thomas) is at the top of his game and may be involved in something illegal. Ms. Russo (Catherine) is called in to investigate, claiming an office and sharing confidences with the local police department looking for clues. Catherine epitomises sophistication with hair, makeup and fashions styled to perfection. She's an understatement of success; a woman playing a man's game, bounty-hunting life and sex on her own terms and 'enjoying the chase'.

Once Catherine is on the trail of Thomas Crown you'll join her in a hedonistic game of one-upmanship. She's done this kind of work before and must stay on her toes if she's going to implicate the wealthy Thomas Crown. The local cops and cultured community believe Mr. Crown to be beyond reproach; an untouchable pillar of wealth and good taste.

These two characters exist in their luxurious world through strange circumstance and have made it their own through hard work and some bluffing. The movie provides glimpses into their lifestyles, and at the same time, keeps them both just outside what you'd expect from a wealthy businessman and a woman working for an insurance company.

Supporting character Mr. Leary makes a cynical, yet caring detective attempting to save face by nabbing Thomas Crown - however it's quite obvious in a city the size of New York that a bored millionaire looking for thrills by staging a theft is not his priority. Mr. Leary is guilty of a bit of cussing and jaded police behaviour, but ya 'gotta hope he's still on the force.

The story races from one clue to the next, and we glimpse a world where time means nothing, and money is just, well, not an issue. The film really sets the tone for the lush life with ultra-posh, elegant sets, millionaire-hobbies and exotic locations. The soundtrack is perfect, giving the entire movie an upmarket, worldly feel that befits a modern romance.

This is really a love story for anyone who imagines being whisked away from the mundane into places that you've only read or heard about in glossy magazines. It's a film for any person out there who'd like to have the freedom to do what they want and damn the consequences. Well, either that or have enough money to do anything, then disappear.

There is some hot on-screen chemistry between Thomas and Catherine, making the love scenes, coupled with the sexy music and breathtaking backgrounds, erotic. They have a healthy appetite for each other so the love scenes in his apartment and 'island retreat' are the 'stuff that dreams are made of.'

Yes, there are little snafus, such as a painting being folded in a manner that would permanently ruin it, and the usual gaffes that serious film-goers will pick over - but heck, it's just a movie and a love story - let yourself go and imagine you're a woman who's just crashed a black tie event in a dress making every man in the room salivate, or that you're the man she's heading for on the dance floor - then have fun with it . . .

In the end, for all their cunning, Thomas and Catherine must decide if they can trust each other, just like most men and women must do in any love story. What you may find hard to decide though, is who to root for, and who really wins the game of cat and mouse at the end of this movie.


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