An eccentric scientist working for a large drug company is working on a research project in the Amazon jungle. He sends for a research assistant and a gas chromatograph because he's close ... See full summary »
A man, having fallen in love with the wrong woman, is sent by the sultan himself on a diplomatic mission to a distant land as an ambassador. Stopping at a Viking village port to restock on supplies, he finds himself unwittingly embroiled on a quest to banish a mysterious threat in a distant Viking land.
Self-made billionaire Thomas Crown is bored of being able to buy everything he desires. Being irresistible to women, he also does not feel any challenge in that area. But there are a few things even he can't get, therefore Thomas Crown has a seldom hobby: He steals priceless masterpieces of Art. After the theft of a famous painting from Claude Monet, the only person suspecting Thomas Crown is Catherine Banning. Her job is to get the picture back, no matter how she accomplishes her mission. Unfortunately, Catherine gets involved too deeply with Thomas to keep a professional distance to the case. Fortunately, Thomas seems to fall for her, too. Written by
Julian Reischl <firstname.lastname@example.org>
The final conversation between Detective McCann and Banning in which he essentially excuses her from the investigation so she can chase down Thomas Crown was not in the original script, but added about halfway through filming. See more »
When Banning has taken Crown's keys, and her people are making duplicates, a close-up is shown on the machine cutting the duplicate key. They are gliding the head across the grooves to cut the slug into the same shape. This is how many keys are duplicated, but not the Medeco high-security model that is shown in the movie. The Medecos are cut one groove at a time, because each groove can be angled in one of three positions. See more »
Hooray for Hollywood! The world may be falling apart so like we needed money spent on a remake of "The Thomas Crown Affair." But then heck if Tinseltown in all its unoriginality doesn't do a bang-up fun job of unreality with characters who have no place in the Unreel World, from the classy looking opening credits to Sting covering "Windmills of my Mind" over the closing credits.
In the opening scene I'm thinking, wait I know that woman's voice and voila it's Faye Dunaway from the original film as Crown's shrink - I cheered out loud (OK so I was the only one in the audience that got the joke).
Pierce Brosnan and Renee Russo are an age-appropriate couple with genuine fireworks and chemistry (with help from director John McTiernan and editor John Wright in the tango and copulation scenes).
There's unconventionally good music choices - that tango is from Three Penny Opera of all things and a terrific use of Nina Simone's "Sinner Man" in a marvelous Magritte-inspired ironically tense heist scene. Brosnan's trainer gets a credit, as there's plenty of skin. Russo laughs, a gorgeous belly laugh, unlike so many frozen femmes fatale.
The credits also say that no museum was used as a locale, so gosh they really recreated the Met amazingly accurately (and how much did that cost?), though it didn't seem crowded enough Crown goes in at 9 when the museum doesn't open until 11.
I would think this is a great date movie.
(originally written 8/22/1999)
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