A rowdy woman is so forceful that she outdoes her husband in a loud cry against speculators who refuse poor people entrance to a block of new apartments, built after WW2. Without noticing ... See full summary »
A collection of sketches on prostitution through the ages. 1) "The Prehistoric Era": A caveman discovers that a cavewoman is more attractive when cave paint is applied to her face. And she ... See full summary »
Thanks to wartime smuggling Gioconda Perfetti, a roman fruit vendor, becomes very rich. She leaves her shop and moves to a magnificent villa which once belonged to a count. She also becomes... See full summary »
Vittorio De Sica,
Val Xavier, a drifter of obscure origins arrives at a small town and gets a job in a store run by Lady Torrence, a sex-starved woman whose husband Jabe M. Torrance is dying of cancer ... See full summary »
At the end of World War II, a French pacifist is arrested for refusing to fight. In prison, he befriends a German priest arrested for murder of a French Resistance fighter. They discuss morality, obedience, and religion.
This bucolic French comedy is a latter-day (but very minor) work by a renowned film-maker despite utilizing the services of his legendary in-house screen writing duo of Jean Aurenche and Pierre Bost as much adept at serious subjects as droll ones. The female lead here is an Italian shopkeeper played by a typically shrill Anna Magnani who is thought to be wealthy (even by her own crooked offspring living in Paris) due to her former association with a gangster, but is actually penniless (though she still contrives to present the local curate with a juke-box!). In fact, the boy conspires with another man (popular comic Bourvil, in his third and last film with the director) to fleece the woman of her money after the latter claims to have been involved in a car accident with Magnani's son!; needless to say, the indomitable lady will have nothing to do with Bourvil, so he turns for help to the Mayor (Pierre Brasseur, in his second of three films with Autant-Lara) who, as it happens, is the boy's real father even if Magnani cannot stand him! To complicate matters further, the woman has her hands full trying to keep rowdy, drunken patrons at bay which eventually leads to the most vociferous (and irritating) among them to incite the others to break into Magnani's shop while she is away and accidentally burn it down! Having confessed to Bourvil her predicament, the two become friends (she even forgives her son's impertinence on learning that he is a talented, if still struggling, lyricist with Bourvil supplying the music and vocals to the songs himself!) and, eventually, they leave town together. Ultimately, while the material at hand is clearly unworthy of its stars and director, the film emerges as a harmless (if rather dim) diversion for their fans.
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