| Photos (See all 19 | slideshow) | Videos (see all 3) |
| Jeremy Theobald | ... | The Young Man | |
| Alex Haw | ... | Cobb | |
| Lucy Russell | ... | The Blonde | |
| John Nolan | ... | The Policeman | |
| Dick Bradsell | ... | The Bald Guy | |
| Gillian El-Kadi | ... | Home Owner | |
| Jennifer Angel | ... | Waitress | |
| Nicolas Carlotti | ... | Barman | |
| Darren Ormandy | ... | Accountant | |
| Guy Greenway | ... | Heavy #1 | |
| Tassos Stevens | ... | Heavy #2 | |
| Tristan Martin | ... | Man at Bar | |
| Rebecca James | ... | Woman at Bar | |
| Paul Mason | ... | Home Owner's Friend | |
| David Bovill | ... | Home Owner's Husband | |
| John Bengue | |||
| Ivan Cornell | |||
| Jane Hunter | |||
| Matthew Jones | |||
| David Julyan | |||
| David Lloyd | |||
| Alberto Mattiussi | ... | Bitter Man in Cafe (as Alberto Matiussi) | |
| Brendan Nolan | |||
| Barbara Stepansky | |||
| Emma Thomas | |||
| Diane Zack |
Directed by | |||
| Christopher Nolan | |||
Writing credits(in alphabetical order) | ||
| Christopher Nolan | written by | |
Produced by | |||
| Peter Broderick | .... | executive producer | |
| Christopher Nolan | .... | producer | |
| Jeremy Theobald | .... | producer | |
| Emma Thomas | .... | producer | |
Original Music by | |||
| David Julyan | |||
Cinematography by | |||
| Christopher Nolan | (shot by) | ||
Film Editing by | |||
| Gareth Heal | |||
| Christopher Nolan | |||
Production Design by | |||
| Tristan Martin | (uncredited) | ||
Art Direction by | |||
| Tristan Martin | |||
Makeup Department | |||
| Miranda Gunning | .... | special makeup | |
Sound Department | |||
| Ivan Cornell | .... | sound | |
| Robin Fellows | .... | dubbing editor | |
| David Julyan | .... | sound | |
| David Lloyd | .... | sound | |
| James Wheeler | .... | sound | |
Visual Effects by | |||
| Dan Winthrop | .... | opticals | |
Camera and Electrical Department | |||
| Ivan Cornell | .... | grip | |
| Ivan Cornell | .... | lighting technician | |
| Jonathan Nolan | .... | grip | |
| Barbara Stepansky | .... | clapper loader | |
| Barbara Stepansky | .... | lighting technician | |
| Barbara Stepansky | .... | loader | |
Editorial Department | |||
| Burt Andrews | .... | negative cutter | |
| Syd Cole | .... | negative cutter: Magic Film & Video | |
| Mark Stolaroff | .... | post-production consultant: Next Wave Films | |
| Tara Veneruso | .... | post-production consultant: Next Wave Films | |
Other crew | |||
| Paul Brennan | .... | legal services: Sloss Law Office | |
| Len Brown | .... | laboratory services: Metrocolor | |
| Chuck Kemmerer | .... | laboratory services: Fotokem | |
| Darren Ormandy | .... | fight choreographer | |
| Michael Schenkman | .... | legal services: Bloom, Hergott, Cook, Diemer, Klein L.L.P. | |
| John Sloss | .... | legal services: Sloss Law Office | |
| Steve Van Anda | .... | laboratory services: Fotokem | |
| Dan Winthrop | .... | titles: designer/director (uncredited) | |
Thanks | |||
| Adrian Belic | .... | thanks | |
| Roko Belic | .... | thanks | |
| Tim Bevan | .... | thanks | |
| Dick Bradsell | .... | thanks | |
| Gwenda Cornell | .... | thanks | |
| Jimmy Cornell | .... | thanks | |
| Eric Fellner | .... | thanks | |
| Sophie Fumey | .... | thanks (as Sophie Fumey at Detroit Bund) | |
| Nicky Gavron | .... | thanks | |
| Lynda Hansen | .... | thanks | |
| Kirk Harris | .... | thanks | |
| Rebecca James | .... | thanks | |
| Lorraine Jensen | .... | thanks | |
| Matthew Jones | .... | thanks | |
| David Lloyd | .... | thanks | |
| Fry Martin | .... | thanks | |
| Brendan Nolan | .... | thanks | |
| Christina Nolan | .... | thanks | |
| Stephanie Reuler | .... | thanks | |
| Dave Savva | .... | thanks | |
| Todd Schulkin | .... | thanks | |
| Jonathan Sehring | .... | thanks | |
| Shannon Treusch | .... | thanks | |
| Mark Wolfe | .... | thanks | |
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| Layer Cake | Freeway | Bon voyage | Breaking and Entering | Rear Window |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Crime section | IMDb UK section |
I just finished watching Following and I thought it was great. I rated it 8 out of 10. I plan on watching it again with the director's commentary and then again in chronological order.
I rented this movie because of my fascination of Christopher Nolan's more recent movie Memento. Following has some similarities; this movie was probably the blueprint for Memento. Even the music in some parts is very similar.
Shooting the movie in black and white gives it a mysterious feel. The story and dialogue is really good. The performance of the actors is believable.
Christopher Nolan made this movie on a really low budget. I look forward to his next release Insomnia, a big budget movie with my favourite actor Al Pacino.