7.6/10
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172 user 126 critic

Following (1998)

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1:30 | Trailer

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A young writer who follows strangers for material meets a thief who takes him under his wing.

Director:

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3,423 ( 61)
5 wins & 4 nominations. See more awards »

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Cast

Cast overview, first billed only:
...
Alex Haw ...
...
...
Dick Bradsell ...
The Bald Guy
Gillian El-Kadi ...
Home Owner
Jennifer Angel ...
Waitress
Nicolas Carlotti ...
Barman
...
Accountant
Guy Greenway ...
Heavy #1
Tassos Stevens ...
Heavy #2
Tristan Martin ...
Man at Bar
...
Woman at Bar
Paul Mason ...
Home Owner's Friend
David Bovill ...
Home Owner's Husband
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Storyline

An older man listens to Bill's story about being a callow writer who likes to follow strangers around London, observing them. One day, a glib and self-confident man whom Bill has been following confronts him. He's Cobb, a burglar who takes Bill under his wing and shows him how to break and enter. They burgle a woman's flat; Bill gets intrigued with her (photographs are everywhere in her flat). He follows her and chats her up at a bar owned by her ex-boyfriend, a nasty piece of work who killed someone in her living room with a hammer. Soon Bill is volunteering to do her a favor, which involves a break-in. What does the older man know that Bill doesn't? Written by <jhailey@hotmail.com>

Plot Summary | Plot Synopsis

Taglines:

You're Never Alone.


Motion Picture Rating (MPAA)

Rated R for language and some violence | See all certifications »

Parents Guide:

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Details

Country:

Language:

Release Date:

5 November 1999 (UK)  »

Also Known As:

A Csapda  »

Filming Locations:


Box Office

Budget:

$6,000 (estimated)

Opening Weekend:

$1,636 (USA) (2 April 1999)

Gross:

$43,188 (USA) (6 August 1999)
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Company Credits

Production Co:

,  »
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Technical Specs

Runtime:

Sound Mix:

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

Christopher Nolan came up with the idea for the film because he had his home broken into and wondered what the people thought as they went around looking at his belongings. See more »

Goofs

When Bill goes through The Blonde's things at his place, the clock he picks from the bag shows 12:44. Moments later, he picks The Blonde's photos and sets them against the same clock, which is now showing 12:36. See more »

Quotes

[first lines]
Bill: The following is my explanation. Well, more of an account of what happened. I'd been on my own for a while and getting kind of lonely... and bored... nothing to do all day. And that's when I started shadowing.
The Policeman: Shadowing?
Bill: Shadowing - Following. I started to follow people
The Policeman: Who?
Bill: Anyone at first. Um,
[sniffs]
Bill: you know, that was the whole point - somebody at random, someone who didn't know who I was.
The Policeman: And then?
Bill: And then nothing.
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Connections

References Reservoir Dogs (1992) See more »

Frequently Asked Questions

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User Reviews

 
High brains, low budget, nothing superfluous
23 July 2002 | by (Raleigh, North Carolina) – See all my reviews

Great film. No gratuitous gimmicks like in most Hollywood films. Everything supported the suspense of the plot. B&w gave it a basic, no-frills feel also. In short, it was visceral in its simplicity of cinematography and cast.

Following serves as an interesting contrast to Memento. Characters in both used manipulation and subterfuge extensively. In that sense, both reminded me somewhat of "In the Company of Men," also highly recommendable. One difference between Nolan's two films is that Memento was a little easier for me to follow, given that the b&w scenes progress in a constant chronological direction, and so do those in color. I don't think that was true of Following, where scenes seemed to be shown at random. If you have the choice between VCR and DVD, I'd highly recommend DVD, since that gives you the option of watching the movie a second time in chronological order, not just in the scrambled (albeit ingenuous) order presented by Nolan. It also makes it easier, upon a second viewing, to piece the order together for yourself, if you want to.

As another viewer noted, one of the best things about both this movie and Memento is that none of the cast were famous. They were characters, not big-name actors who brought in personas developed in other movies.

Given certain similarities in the plots, I wonder if Memento is sort of a remake of Following, but intended to reach a bigger audience, like Edward Burns made She's the One in the mold of -- and with largely the same cast as -- The Brothers McMullan.


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