In a ratty flat, a man is on his hands and knees, holding a shoe by its toe, trying to kill a bug of some sort that so far has managed to evade him. He keeps up the chase and whacks at it a... See full summary »
An older man listens to Bill's story about being a callow writer who likes to follow strangers around London, observing them. One day, a glib and self-confident man whom Bill has been following confronts him. He's Cobb, a burglar who takes Bill under his wing and shows him how to break and enter. They burgle a woman's flat; Bill gets intrigued with her (photographs are everywhere in her flat). He follows her and chats her up at a bar owned by her ex-boyfriend, a nasty piece of work who killed someone in her living room with a hammer. Soon Bill is volunteering to do her a favor, which involves a break-in. What does the older man know that Bill doesn't? Written by
Christopher Nolan came up with the idea for the film because he had his home broken into and wondered what the people thought as they went around looking at his belongings. See more »
When Bill goes through The Blonde's things at his place, the clock he picks from the bag shows 12:44. Moments later, he picks The Blonde's photos and sets them against the same clock, which is now showing 12:36. See more »
The following is my explanation. Well, more of an account of what happened. I'd been on my own for a while and getting kind of lonely... and bored... nothing to do all day. And that's when I started shadowing.
Shadowing - Following. I started to follow people
Anyone at first. Um,
you know, that was the whole point - somebody at random, someone who didn't know who I was.
And then nothing.
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Vital and inventive British film about a man who becomes obsessed with randomly picking people out in the street and following them
Bill becomes obsessed with picking people out in the street at random and following them. He is drawn into the criminal underworld when he chooses to follow a burglar, Cobb, who catches him in the act and encourages him to take things further...
This is a rare and inventive British film, one not concerned with being flavour of the month in the style mags. Its low budget is displayed like a badge of pride, which is refreshing rather than annoying. It runs out of steam before the end, but Nolan hints at something very special here.
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