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Quelli che contano (1974)

 -  Crime | Drama  -  1976 (USA)
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Ratings: 6.2/10 from 195 users  
Reviews: 12 user | 1 critic

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Title: Quelli che contano (1974)

Quelli che contano (1974) on IMDb 6.2/10

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Cast overview, first billed only:
Tony Aniante
Fausto Tozzi ...
Don Ricuzzo Cantimo
Vittorio Sanipoli ...
Don Cascemi
Mario Landi ...
Don Turi Scannapieco
Mauro Righi
Dada Gallotti ...
Santa Scannapieco
Patrizia Gori ...
Pier Maria Rossi ...
Paolo (as Piero Maria Rossi)
Alfredo Pea ...
Pietro Torrisi ...
Alfio Scannapieco
Armando Bottin
Giancarlo Del Duca ...
Don Ricuzzo Henchman
Carla Mancini ...
Maid of Margie
Orazio Stracuzzi


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"For a lousy twenty-five bucks some people think they can do anything!"


Crime | Drama


R | See all certifications »




Release Date:

1976 (USA)  »

Also Known As:

Cry of a Prostitute  »

Filming Locations:


Company Credits

Show detailed on  »

Technical Specs


| (video)

Sound Mix:



Aspect Ratio:

2.35 : 1
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User Reviews

Even more brutal and misogynist than usual
15 December 2008 | by (Denver, Colorado and Santiago, Chile) – See all my reviews

Leave it to Italian sleazemeister Andreas Bianchi (here co-directing with his brother)to take a brutally violent and borderline misogynist genre like the Italian "polizieschi" and actually up the ante considerably. This movie begins with drug dealers trying to smuggle drugs into Italy sewed up in the body of a dead child(!), and it only gets more gratuitously violent from there. A brutal gang war is going between a traditional Italian mafia family and an Americanized godfather who has been deported back to Italy. Injected into this conflict is another Italian-American gangster, the protagonist (Henry Silva), and he begins to play the two rivals off against each other in the style of "A Fistful of Dollars" or "Yojimbo".

Silva's character might seem like the good guy, or at least the kind of anti-hero Clint Eastwood played in "Fistful" and other Westerns (and later in "Dirty Harry" which was a big influence on the Italian polizieschi). But the Silva character himself is quite psychotic when it comes to women, specifically the masochistic prostitute/mistress of the American gangster (played by Barbara Bouchet). The first time they meet he violently sodomizes her. And when she comes back for more he beats her with a belt. Now I have to admit the description I read somewhere of a naked Bouchet being whipped by a belt did not exactly dissuade me from seeing this, but it's not an accurate one. She is not naked (at least in that scene) and he literally beats her to a bloody pulp. Even her boyfriend, who otherwise is content to throw the promiscuous girl at his erstwhile partner, is horrified by the brutal beating and vows revenge.

This scene squanders any goodwill toward Silva's character (which may have been the intention, I don't know), but also toward the film itself--it's pretty hard to take even for someone like me accustomed to the casual misogyny of the genre. It certainly doesn't help that the actress is Barbara Bouchet, who along with Edwige Fenech and Rosalba Neri, was (and still is) one of the most popular European exploitation actresses of the era (although this probably would have been only marginally more palatable if it had been some anonymous Euro-bimbo). To its credit this movie at least can't be accused of glorifying any of its gangster characters like some other "polizieschi" tended to do. Still it might be a little bit too much for many viewers.

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