An exiled magician finds an opportunity for revenge against his enemies muted when his daughter and the son of his chief enemy fall in love in this uniquely structured retelling of the 'The... See full summary »
Tired of her husband's philandering ways, the mother of two daughters drowns her husband. With the reluctant help of the local coroner, the murder is covered up. Her daughters are having ... See full summary »
The first of three parts, we follow Tulse Luper in three distinct episodes: as a child during the first World War, as an explorer in Mormon Utah, and as a writer in Belgium during the rise ... See full summary »
Raymond J. Barry,
An American architect arrives in Italy, supervising an exhibition for a French architect, Boullée, who is famous for his oval structures. Through the course of 9 months he becomes obsessed ... See full summary »
Rejected by Hollywood and facing pressure to return to Stalinist Russia, filmmaker Sergei Eisenstein travels to Mexico to shoot a new film. Chaperoned by his guide Palomino, he experiences the ties between Eros and Thanatos, happy to create their effects in cinema, troubled to suffer them in life.
After his wife dies, 55-year-old businessman Philip Emmenthal, at the prompting of his playboy son Storey, populates his Geneva villa with eight and a half concubines. Three are from Kyoto, where Storey manages Pachinco palaces. Each has a distinctive personality: a nun, a child bearer, a gambler, a student of Kabuki, a horsewoman with a pet pig, a maid. Philip throws off his strait-laced and repressed attitudes, immersing himself in pleasure. After about a year, the women begin to assert their own power. Side adventures pre-figure the household's breakup, and the women depart in one way or another, one at at time. Philip's fate is in the hands of Palmira, his favorite. Written by
You aren't... gay, are you?
No... well, I love my own cock well enough, but I've never had enough enthusiasm for anyone else's.
[referring to the house]
I thought you had this re-decorated?
It was your mother's idea... but don't change the subject. How come you haven't got plans to marry?
Perhaps because I'm much in love with my prick to share it permanently. And that's probably your fault.
Since I was eight years old, you put that big mirror on my wardrobe's door; and I wanted to be ...
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Fans of Peter Greenaway will not be disappointed. This film seems to be following an on-going trend of a creating more subtle approach to subjects of sexualities. If Greenaway is maturing, it's by leaving even more unsaid about the various subjects he chooses for study. This may result in works which are even more inaccessible than previous works like "The Cook..." and "Prospero's Books". Patience is the key with Greenaway, and this film certainly demands it.
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