Tired of her husband's philanderous ways, the mother of two daughters drowns her husband. With the reluctant help of the local coroner, the murder is obscured. Her daughters are having ... See full summary »
A woman's lover leaves her, and she tries to contact him to find out why he's left. She confronts his wife and son, who are as clueless as she. Meanwhile her girlfriend is afraid the police... See full summary »
After his wife dies, 55-year-old businessman Philip Emmenthal, at the prompting of his playboy son Storey, populates his Geneva villa with eight and a half concubines. Three are from Kyoto, where Storey manages Pachinco palaces. Each has a distinctive personality: a nun, a child bearer, a gambler, a student of Kabuki, a horsewoman with a pet pig, a maid. Philip throws off his strait-laced and repressed attitudes, immersing himself in pleasure. After about a year, the women begin to assert their own power. Side adventures pre-figure the household's breakup, and the women depart in one way or another, one at at time. Philip's fate is in the hands of Palmira, his favorite. Written by
When I was young I hated my body because it was so thin... now I try not to look at it too much because it's so old. There perhaps might have been just six months when I felt comfortable with it; when I discovered alcohol for the first time and learnt to drive and was fattening out and had just met your mother.
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It seems that when Peter Greenaway lets his hair down, he automatically reverts back to adolescence. 8 1/2 WOMEN is visually striking and the dialogue has a rhythm and cadence to it that's a joy to listen. But the whole thing is simply infantile. I'm aware that the movie is not meant to be taken seriously and that the characters in the story are immature spoiled brats but that doesn't mean the movie itself has to feel like it was done by an immature, spoiled artist. The end product feels more like someone who's got too much time on his hands and creates movies from whatever pops in his head than something that comes from the heart or mind. Few of the characters are interesting, as people or as subjects for a movie. The dialogue was funny and caustic but the constant need to blurt out certain "shocking" words was really silly, and got only sillier by the end of the film. Only the brilliant visual and aural feast that usually typifies a Greenaway film made this worth watching.
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