An American architect arrives in Italy, supervising an exhibition for a French architect, Boullée, who is famous for his oval structures. Through the course of 9 months he becomes obsessed ... See full summary »
Oliver Deuce, a successful doctor, is shattered when his wife is killed in a freak car accident involving the car being driven by Alba Bewick colliding with a very large rare bird. His twin... See full summary »
Tired of her husband's philanderous ways, the mother of two daughters drowns her husband. With the reluctant help of the local coroner, the murder is obscured. Her daughters are having ... See full summary »
The first of three parts, we follow Tulse Luper in three distinct episodes: as a child during the first World War, as an explorer in Mormon Utah, and as a writer in Belgium during the rise ... See full summary »
Raymond J. Barry,
An exiled magician finds an opportunity for revenge against his enemies muted when his daughter and the son of his chief enemy fall in love in this uniquely structured retelling of the 'The... See full summary »
The planet has been affected by a mysterious occurrence known as the Violent Unknown Event, or V.U.E. It has caused immortality and disability. Victims have learned new and peculiar ... See full summary »
Tulse Luper is a 20th century everyman whose collection of 92 suitcases intersects with every person, event and movement in history. Here in the second of a three part story, we find him ... See full summary »
Raymond J. Barry,
An 'essayistic' documentary in which Greenaway's fierce criticism of today's visual illiteracy is argued by means of a forensic search of Rembrandt's Nightwatch. Greenaway explains the ... See full summary »
After his wife dies, 55-year-old businessman Philip Emmenthal, at the prompting of his playboy son Storey, populates his Geneva villa with eight and a half concubines. Three are from Kyoto, where Storey manages Pachinco palaces. Each has a distinctive personality: a nun, a child bearer, a gambler, a student of Kabuki, a horsewoman with a pet pig, a maid. Philip throws off his strait-laced and repressed attitudes, immersing himself in pleasure. After about a year, the women begin to assert their own power. Side adventures pre-figure the household's breakup, and the women depart in one way or another, one at at time. Philip's fate is in the hands of Palmira, his favorite. Written by
Then she says: "How do you want to do it? From the front? Or from behind?" And I say: "A little from the front, and a lot from behind." "Do you want to do it in the garden or by the pool? Or do you want me to lie in the grass?" she says. I say: "Yes." "Or do you want me perhaps to stand?" she says. "Yes," I say. "Or do you want me to sit with my heels in the air?" "Yes," I say. "Yes to what?" she says. "Yes to every thing," I say. "Then I will," she says. And she does, just like that. My God!
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It seems that when Peter Greenaway lets his hair down, he automatically reverts back to adolescence. 8 1/2 WOMEN is visually striking and the dialogue has a rhythm and cadence to it that's a joy to listen. But the whole thing is simply infantile. I'm aware that the movie is not meant to be taken seriously and that the characters in the story are immature spoiled brats but that doesn't mean the movie itself has to feel like it was done by an immature, spoiled artist. The end product feels more like someone who's got too much time on his hands and creates movies from whatever pops in his head than something that comes from the heart or mind. Few of the characters are interesting, as people or as subjects for a movie. The dialogue was funny and caustic but the constant need to blurt out certain "shocking" words was really silly, and got only sillier by the end of the film. Only the brilliant visual and aural feast that usually typifies a Greenaway film made this worth watching.
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