A film director and a script writer (performed by Lars von Trier and Niels Vørsel themselves) write a screenplay, in which an epidemic spreads about the whole world. Like the protagonist ... See full summary »
A woman on the run from the mob is reluctantly accepted in a small Colorado town. In exchange, she agrees to work for them. As a search visits town, she finds out that their support has a price. Yet her dangerous secret is never far away...
Medea is in Corinth with Jason and their two young sons. King Kreon wants to reward Jason for his exploits: he gives the hand of his daughter, Glauce, to Jason as well as the promise of the... See full summary »
A group of perfectly intelligent young people decide to react to society's cult of an aimless, non-creative and non-responsible form of intelligence by living together in a community of "idiots". Their main activity becomes going out into the world of "normal" people and pretending to be mentally retarded. They take advantage of this situation to create anarchy everywhere they go and try by every possible means to make people annoyed, disturbed, miserable, ridiculous, angered, and shocked. The films start as they recruit a new lost soul and introduced her to their megalomaniac leader. Written by
Part of the Canon of Danish Art and Culture. See more »
This is a film that adheres to the 'Dogme 95' manifesto, so the usual goof rules do not necessarily apply. This includes shots of the crew, microphones and other equipment, as well as continuity errors. See more »
[Susanne puts a "spastic" Ped behind the van's steering wheel]
Guide at Factory:
Who... is he driving?
Responsibility does them good.
[Ped drives off recklessly]
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This movie is very explicit, and definitely not for the faint hearted - if you have a problem with nudity etc. you should stay away (unless off course you want and eye opener)
The idiots was the second film made under the influential "dogma" rules (E.g. Spielberg (and others) has taken it up) and just as nr. 1 (T. Vinterberg's "Festen") and nr. 3 (S. Kragh Jakobsen's "Mifunes sang") the acting is superb, and almost too realistic. The shaking camera and the documentary feel really hits the viewer right in solar plexus. You want to cry, you want to scream!
In my opinion the theme is self realisation, modern man etc. If one wants to it can even bee seen as a comment to Hitler, manipulation, group thinking, the power of the mass etc.
It's not quite as tightly pulled of as "Festen", i.e. the idiots is maybe five or ten minutes to long. However: I claim that contrary to "festen" this movie is much more an art movie. It wants something more; it wants to constantly make the viewer aware of himself as a social individual with prejudice and more.
I wouldn't want to label this film social criticism, rather individual awareness.
As such it is the opposite of Von Triers "Breaking the waves" which was a very good movie as it made a very good impression of having a lot of depth that it just didn't. (which is a good achievement - I mean this)
(Breaking The waves and Mifunes sang: 8/10 Festen and Idiots: 10/10)
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