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The Idiots (1998)
"Idioterne" (original title)

 -  Comedy | Drama  -  17 July 1998 (Denmark)
6.9
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Ratings: 6.9/10 from 20,230 users   Metascore: 47/100
Reviews: 138 user | 81 critic | 15 from Metacritic.com

The group of people gather at the house in Copenhagen suburb to break all the limitations and to bring out the "inner idiot" in themselves.

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(uncredited)

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Title: The Idiots (1998)

The Idiots (1998) on IMDb 6.9/10

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Cast

Cast overview, first billed only:
Bodil Jørgensen ...
Karen
...
Anne Louise Hassing ...
...
Henrik
...
Jeppe
...
Josephine
Henrik Prip ...
Ped
Luis Mesonero ...
Miguel
Knud Romer Jørgensen ...
Axel
Trine Michelsen ...
Anne-Grethe Bjarup Riis ...
Katrine
...
High Class Lady
Erik Wedersøe ...
Stoffer's Uncle
Michael Moritzen ...
Man From Municipality
...
Josephine's Father
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Storyline

A group of perfectly intelligent young people decide to react to society's cult of an aimless, non-creative and non-responsible form of intelligence by living together in a community of "idiots". Their main activity becomes going out into the world of "normal" people and pretending to be mentally retarded. They take advantage of this situation to create anarchy everywhere they go and try by every possible means to make people annoyed, disturbed, miserable, ridiculous, angered, and shocked. The films start as they recruit a new lost soul and introduced her to their megalomaniac leader. Written by Matthieu Navarro

Plot Summary | Add Synopsis

Taglines:

Society is the mother of all Idiots See more »

Genres:

Comedy | Drama

Motion Picture Rating (MPAA)

Rated R for strong sexuality and nudity, and for language | See all certifications »

Parents Guide:

 »
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Details

Official Sites:

Language:

Release Date:

17 July 1998 (Denmark)  »

Also Known As:

Dogma 95 - Idioterne  »

Filming Locations:


Box Office

Budget:

$2,500,000 (estimated)

Opening Weekend:

$7,235 (USA) (28 April 2000)

Gross:

$339,768 (Sweden) (3 November 2000)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

| (cut)

Sound Mix:

Color:

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

Part of the Canon of Danish Art and Culture. See more »

Goofs

This is a film that adheres to the 'Dogme 95' manifesto, so the usual goof rules do not necessarily apply. This includes shots of the crew, microphones and other equipment, as well as continuity errors. See more »

Quotes

[Susanne puts a "spastic" Ped behind the van's steering wheel]
Guide at Factory: Who... is he driving?
Susanne: Responsibility does them good.
[Ped drives off recklessly]
See more »

Connections

Referenced in Det danske dogmeri (2005) See more »

Soundtracks

Vi Er Dem De Andre Ikke Må lege Med
by Kim Larsen & Erik Clausen
See more »

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User Reviews

 
this movie defies criticism
16 July 2002 | by (Chicago, USA) – See all my reviews

I just got to see it for a first time, in our Film Center, on a big screen, in 35mm. Then I hung around for the movie about its making, "The Humiliated"/"De Ydmygede". I ranked it a 10, and the movie about it was very good to see, too, and on a large screen, and in quick succession.

I was very saddened by the only idiotic thing about this movie: the black censorship rectangles slapped over the print clearly not by von Trier the film-maker, over penises of actors or over some other frontal nudity or gasp actual sex. In the context of this work, this nudity was about as offensive or noticable as in a medical context, that is to say, not at all. The censorship was not only ridiculously unnecessary but offensive in the extreme. I feel ashamed of living in the US when things like this happen. To me, this was the true humiliation -- and Lars von Trier is to be congratulated for evoking that out of our sad country.

"The Humiliated" was not edited, which, ironically, gives one the missing glimpse of anatomy, here and there. How pointless to even care to censor -- but also, how revealing. The two movies claw at the dishonesty of our culture and our hangups even in this wounded capacity as object of futile censorship.

At first I was annoyed by the clipped faces in von Trier's framing at the beginning, but then I understood (this was not my first Dogme95; I just forgot about this aspect of it). Once I understood, I got so absorbed in what was shown that I did not notice the passage of time and regretted when the movie ended.

The Idiots could do well a TV serial. It presaged the so-called reality TV and preempted it in one fell swoop. I think it will age very well as important fingerprint of our times. Maybe one day someday Americans will grow up enough to let it see the light of the projector or even TV without the silly black rectangles marring the print.

All involved should feel very excellent about making this movie. It does a great job approximating the complexity of real life, a little delicious, thoughtful corner of it, and an uncomfortable one, at that. It defies criticism.


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