A woman on the run from the mob is reluctantly accepted in a small Colorado town. In exchange, she agrees to work for them. As a search visits town, she finds out that their support has a price. Yet her dangerous secret is never far away...
A film director and a script writer (performed by Lars von Trier and Niels Vørsel themselves) write a screenplay, in which an epidemic spreads about the whole world. Like the protagonist ... See full summary »
Medea is in Corinth with Jason and their two young sons. King Kreon wants to reward Jason for his exploits: he gives the hand of his daughter, Glauce, to Jason as well as the promise of the... See full summary »
A group of perfectly intelligent young people decide to react to society's cult of an aimless, non-creative and non-responsible form of intelligence by living together in a community of "idiots". Their main activity becomes going out into the world of "normal" people and pretending to be mentally retarded. They take advantage of this situation to create anarchy everywhere they go and try by every possible means to make people annoyed, disturbed, miserable, ridiculous, angered, and shocked. The films start as they recruit a new lost soul and introduced her to their megalomaniac leader. Written by
Written in four days as part of the Dogma 95 Manifesto. See more »
This is a film that adheres to the 'Dogme 95' manifesto, so the usual goof rules do not necessarily apply. This includes shots of the crew, microphones and other equipment, as well as continuity errors. See more »
[at Stoffer's birthday party]
I think Stoffer should choose what we do next. Because it's his party.
No, listen, we've got picture lotto, spin the bottle...
Count me in. Gang bang! Gang bang!
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A group of retarded guys & girls grabs on to Karen, a bystander to their moronic behavior in a restaurant, and they try to teach her and themselves how to bring out the idiot that's inside you (and me). In documentary style, derived from the Dogma95 rules for the film maker, Von Trier reaches into our guts, twisting a knife slightly sharper than the one he used to "Break The Waves". A similar style was used in "Epidemic", one of his first films, which shocks us with the reality of death from a plague, slowly crawling into the diagetic / real world.
It's a social problem he addresses. Is being normal normal? Try thinking of this small society, a micro cosmos, as a way out from the problems of the daily life - trying to escape instead of coping, trying to hide behind social masks and hypocrisy instead of facing the society with our real self, our real power. Notice who's the real idiot at the end of the film - who's the one who REALLY needs to escape and who ends up facing society fearlessly ? (I'll hint that these are two characters)
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