A self-styled New York hipster is paid a surprise visit by his younger cousin from Budapest. From initial hostility and indifference a small degree of affection grows between the two. Along... See full summary »
Elisabeth leaves her abusive and drunken husband Rolf, she packs her bags, takes the kids and goes to her brother Göran. The year is 1975 and Göran lives in a commune called Together. ... See full summary »
A film poem inspired by the Peruvian poet César Vallejo. A story about our need for love, our confusion, greatness and smallness and, most of all, our vulnerability. It is a story with many... See full summary »
Bengt C.W. Carlsson
A group of perfectly intelligent young people decide to react to society's cult of an aimless, non-creative and non-responsible form of intelligence by living together in a community of "idiots". Their main activity becomes going out into the world of "normal" people and pretending to be mentally retarded. They take advantage of this situation to create anarchy everywhere they go and try by every possible means to make people annoyed, disturbed, miserable, ridiculous, angered, and shocked. The films start as they recruit a new lost soul and introduced her to their megalomaniac leader. Written by
Written in four days as part of the Dogma 95 Manifesto. See more »
This is a film that adheres to the 'Dogme 95' manifesto, so the usual goof rules do not necessarily apply. This includes shots of the crew, microphones and other equipment, as well as continuity errors. See more »
[at Stoffer's birthday party]
I think Stoffer should choose what we do next. Because it's his party.
No, listen, we've got picture lotto, spin the bottle...
Count me in. Gang bang! Gang bang!
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A group of retarded guys & girls grabs on to Karen, a bystander to their moronic behavior in a restaurant, and they try to teach her and themselves how to bring out the idiot that's inside you (and me). In documentary style, derived from the Dogma95 rules for the film maker, Von Trier reaches into our guts, twisting a knife slightly sharper than the one he used to "Break The Waves". A similar style was used in "Epidemic", one of his first films, which shocks us with the reality of death from a plague, slowly crawling into the diagetic / real world.
It's a social problem he addresses. Is being normal normal? Try thinking of this small society, a micro cosmos, as a way out from the problems of the daily life - trying to escape instead of coping, trying to hide behind social masks and hypocrisy instead of facing the society with our real self, our real power. Notice who's the real idiot at the end of the film - who's the one who REALLY needs to escape and who ends up facing society fearlessly ? (I'll hint that these are two characters)
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