The story follows an underground weapons manufacturer in Belgrade during WWII and evolves into fairly surreal situations. A black marketeer who smuggles the weapons to partisans doesn't ... See full summary »
A teacher lives a lonely life, all the while struggling over his son's custody. His life slowly gets better as he finds love and receives good news from his son, but his new luck is about to be brutally shattered by an innocent little lie.
Thomas Bo Larsen,
In 1986, in the province of Gyunggi, in South Korea, a second young and beautiful woman is found dead, raped and tied and gagged with her underwear. Detective Park Doo-Man and Detective Cho... See full summary »
After a prison riot, former-Captain Nascimento, now a high ranking security officer in Rio de Janeiro, is swept into a bloody political dispute that involves government officials and paramilitary groups.
The Father turns 60. His family, which is a big one of the kind, gathers to celebrate him on a castle. Everybody likes and respects the father deeply...or do they? The Youngest Son is trying to live up to The Father's expectations. He is running a grill-bar in a dirty part of Copenhagen. The oldest son runs a restaurant in France, while the sister is a anthropologist. The older sister has recently committed suicide and the father asks the oldest son to say a few words about her, because he is afraid he will break into tears if he does it himself. The oldest son agrees without arguments. Actually he has already written two speeches. A yellow and a green one. By the table, he asks the father to pick a speech. The father chooses green. The oldest son announces that this is the Speech of Truth. Everybody laughs, except for the father who gets a nervous look on his face. For he knows that the oldest son is about to reveal the secret of why the oldest sister killed herself. Written by
Thomas Vinterberg "confessed" to having covered a window during the shooting of one scene, which is a breaking of two Dogme rules - no bringing props onto the set, and no use of special lighting. See more »
As the guests dance through the house, a boom mic can clearly be seen in the bottom left corner of the screen as they enter one of the rooms. See more »
[on his cellphone]
Christian speaking... Hi, I'm here now. I landed this morning. What? Er... Washed? I shaved at the airport if you must know. I shaved at the airport if you must know! I'm fine... right now I'm looking across the fields. At the land of my father. It's beautiful. It makes me want to move back for good, but that'd be problematical. I'll make it. Yes, I suppose it will be... shocking. What?... You're dropping out. O.K. Bye.
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So many critics seem to have missed the point of "The Celebration," which is almost unbelievable because it actually does have a point, and I feel like I got it between the eyes with a sledgehammer. This is a movie about, among other things, the power of social conventions, how we depend on them to deal with unpleasantness, and just how stubborn and difficult they can be to circumvent, even when your life depends on it.
What knocks me out is how much I'm convinced by the whole thing. Every sad detail makes perfect sense. There is so much wisdom here that it never overreaches, no matter how deep in the storytellers get.
In particular, the medium of digital video is used in an outstanding way that adds authenticity to the experience. Think about it- most of the hand-held video work we've seen is of our own family events. When we watch the only scene in which Christian weeps, with Gbatokai leaning over and giving moral support, it could almost pass for a candid moment in a homemade documentary.
I've seen a lot of good family dramas, but rarely have I had such an urge to hug the main character and unleash profanity at several of the others.
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