A woman trapped in a twisted body from her bouts with the debilitating cerebral palsy communicates with the world via her computer with a voice box. Her caretaker is a short-tempered woman ...
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In this sci-fi adventure a gorgeous alien woman is sent to Earth by mistake from the planet Epsilon. Landing in the Australian outback she meets a surveyor and they cross the continent ... See full summary »
Ex-con Eddie Cleary gets a job working on his older brother's isolated farm. It's not long before bizarre things start happening--dead birds falling out of the sky, family pets attacking ... See full summary »
Rolf de Heer
A story within a story. In Australia's Northern Territory, a man tells us one of the stories of his people and his land. It's a story of an older man, Minygululu, who has three wives and ... See full summary »
Rolf de Heer,
It's 1922; somewhere in Australia. When a Native Australian man is accused of murdering a white woman, three white men (The Fanatic, The Follower and The Veteran) are given the mission of ... See full summary »
Traces the pilgrimage of John Anderson, an average guy with a passion for jazz, from his home in outback Western Australia to the jazz clubs of Paris, to meet his idol, jazz trumpeter Billy... See full summary »
A woman trapped in a twisted body from her bouts with the debilitating cerebral palsy communicates with the world via her computer with a voice box. Her caretaker is a short-tempered woman who begrudges the woman the care she needs. Things change when Rose bumps into a young man who starts giving her attention. This leads her to start fantasizing about a real sexual relationship. However, the caretaker takes an interest in the man, as well, which leads to the dramatic conclusion. Written by
John Sacksteder <email@example.com>
The title comes from a poem written by scriptwriter Frederick Stahl. He was a friend of Heather Rose and the poem appeared in an early draft of the script. It reads: "Whatever fate may thrust at me. I'll never be the same. I've had less fear of times to be. Since first I heard your name. I need to feel secure from harm. I will not keep you long. Please hold me tight within your arm. And dance me to my song." See more »
I commonly feel that too much attention is paid to the semantics of what I consider to be "convenient designations" for complex conceptions (i.e. handicapped, disabled) but after reading various journal articles regarding the power of metaphorical language, I have come to pay much closer attention to the use of language. In the summary, the reviewer refers to Julia as being trapped inside of a twisted body. This opening statement struck me nearly as much as the opening scene of the movie. For someone to label a body as 'twisted' not only idealizes a certain conception of the physical body, but also disempowers any person with any type of physical disability or difference from the 'normal.' This metaphor devalues and insults human beings and at the same time sets up inescapable prison bars on the other side of which lie acceptance. This language is in fact powerful, and some metaphors are more than simply, "convenient designations."
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