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6 out of 7 people found the following review useful:

Best of Balachander

9/10
Author: smadhumitha from India
5 January 2007

One aspect of all Balachander films is the way he hits you with bis message..he does not convey the message..he hits you with them and hits you hard...but Azhakan is an exception.....He drives home the story in this film very subtly aided by great music and wonderful performances. Azhakan tells the story of a widowed father (Mamootty) and his 4 children and the twists in his life when 3 women fall for him while he falls for one of them. The movie is not a typical masala Tamil movie with women falling for the protagonist for his heroism. The reason behind each woman's desire is very rationally explained.

Mammooty gives a splendid performance and shows that a hero need not be a 20 something angry youngster wanting to take revenge or correct the society by taking on villains one on one. He is a loving father, a successful hotelier, a respectable citizen, an earnest lover and an understanding person. Geetha, Madhubala and Banupriya have played their roles excellently. Geetha as the Professor, Madhubala as the chirpy teenager are apt for their roles. Bhanupriya as the Dancer who is dedicated to her art gives a good performance with some great dance sequences. The song "Kozhi koovum" exploits her skill to the fullest. Each and every character has a touch of humour blended into it, while Suresh Chakkravarthy's character embodies humour.

The film is a good example for cinema that is not very serious but at the same time does not bore or irritate you with senseless twists and turns. The scenes where Mamootty interacts with his children are a delight to watch and hats off to the director for giving a great family story. A movie not to be missed if you are looking for a soft, simple and interesting movie with some good performances.

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0 out of 13 people found the following review useful:

Strange feeling in the stomach

Author: chembai
28 January 2002

K Balachander has mastered the art of giving you a headache and make you feel you want to puke at the same time. This is one of his masterpieces that succeeds in doing exactly that. Bhanupriya and her dances are unbearable, while Mamootty does a credible job. Madhubala and Geetha both test your patience. The only redeeming factor is the fine music of Maragathamani, especially Sangeetha swarangal. Please do yourself a favour. Skip it.

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