Based on the controversial novel by Philippa Gregory, "The Other Boleyn Girl" is a fictionalised account of the life of Lady Mary Boleyn who becomes mistress to England's King Henry VIII, ... See full summary »
Welcome to eighteenth century London - a world filled with prostitutes, pimps, gamblers and villains. In a time before the invention of modern policing procedures, Henry Fielding (Star Wars... See full summary »
King Henry VIII doesn't wear his heart on his sleeve, he carries it with him in the emblem of the Tudor Dynasty a red rose. Love for him is a seasonal cycle. His first wife Katherine of ... See full summary »
When the fabulous Moonstone diamond is stolen, all the suspects appear to have alibis. Even the young girl who owns the diamond won't say whom she saw took it. Her fiancee calls in the ... See full summary »
In 1895, women were not expected to work - or even know about - medicine. Women were expected to work as house-wives, mothers, teachers and nurses. One woman was determined to change that. ... See full summary »
Wealthy estate owner sir Michael Audley willingly marries a gold-digger, his only daughter Alicia's governess Lucy née Gray. Sir Michael's dashing, in-living orphaned nephew Robert 'Bob' ... See full summary »
Betsan Morris Evans
Outstanding script, superb direction and Emma Fielding
This is not the typical bodice-ripping, 18th century romance, with all of the cliched lurking, thwarted passions. No, the central themes here are beautifully woven into a single strand, with the characters displaying a range and depth rarely seen in American cinema. Anna Massey, Warren Clarke (remember him as "Dim", the slow-witted droog in "A Clockwork Orange") and Aariyon Bakare present powerful and memorable performances. But Emma Fielding as Frances Scott absolutely steals this movie. This enormously talented London stage and RSC actress brings the whole package: extraordinary beauty, emotional range, presence, and a wondrous voice that is itself "sheer theatrical viagra" (forget about the recent overrated displays on the London stage in "The Blue Room" and "The Graduate"). Ms. Fielding richly deserves to be cast in the lead of full-length feature films, and in roles that require intelligence, imagination and her megawatt star-power.
14 of 16 people found this review helpful.
Was this review helpful to you?