In 1895, women were not expected to work - or even know about - medicine. Women were expected to work as house-wives, mothers, teachers and nurses. One woman was determined to change that. ... See full summary »
Following the death of her father George VI princess Margaret hopes to marry the war hero Peter Townsend but is told that if she does she will be cut out of the Civil List and receive no ... See full summary »
Based on the controversial novel by Philippa Gregory, "The Other Boleyn Girl" is a fictionalised account of the life of Lady Mary Boleyn who becomes mistress to England's King Henry VIII, ... See full summary »
King Henry VIII doesn't wear his heart on his sleeve, he carries it with him in the emblem of the Tudor Dynasty a red rose. Love for him is a seasonal cycle. His first wife Katherine of ... See full summary »
Lillie Langtry, trapped in a loveless marriage, takes full advantage of her beauty, attracting many lovers and admirers including the Prince of Wales and Oscar Wilde. As her husband slowly ... See full summary »
Peggy Ann Wood
Set in 1870s England, the story tells of Annabella Lagrange and the terrible secret her wealthy parents have kept from her. When she finally learns the truth, she runs away and eventually ... See full summary »
Seperated from her prostitute mother as the woman flees on foot down the filthy mid-19th century streets of Newcastle from the police, ten year old Millie is taken under the wing of rag ... See full summary »
Wealthy estate owner sir Michael Audley willingly marries a gold-digger, his only daughter Alicia's governess Lucy née Gray. Sir Michael's dashing, in-living orphaned nephew Robert 'Bob' ... See full summary »
Betsan Morris Evans
In the 1830's in northern England, Riah Millican, a widow with three children, takes a job as housekeeper to a reclusive former teacher, Percival Miller. Miller makes Riah the gift of a ... See full summary »
18th-century England and Ireland viewed through the eyes of four beautiful high-born sisters - Caroline, Emily, Louisa, and Sarah Lennox, great-granddaughters of a king, daughters of a cabinet minister, and wives of politicians and peers.
Outstanding script, superb direction and Emma Fielding
This is not the typical bodice-ripping, 18th century romance, with all of the cliched lurking, thwarted passions. No, the central themes here are beautifully woven into a single strand, with the characters displaying a range and depth rarely seen in American cinema. Anna Massey, Warren Clarke (remember him as "Dim", the slow-witted droog in "A Clockwork Orange") and Aariyon Bakare present powerful and memorable performances. But Emma Fielding as Frances Scott absolutely steals this movie. This enormously talented London stage and RSC actress brings the whole package: extraordinary beauty, emotional range, presence, and a wondrous voice that is itself "sheer theatrical viagra" (forget about the recent overrated displays on the London stage in "The Blue Room" and "The Graduate"). Ms. Fielding richly deserves to be cast in the lead of full-length feature films, and in roles that require intelligence, imagination and her megawatt star-power.
14 of 16 people found this review helpful.
Was this review helpful to you?