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Witness to the Mob (1998)

Sammy 'The Bull' Gravano was mafiosi. He started out as a soldier, but his talent for murder, including the slayings of his best friends, his wife's brother and his own boss, Paul ... See full summary »

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Cast

Cast overview, first billed only:
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Deborah Gravano
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Toddo Aurello
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The sign painter
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Frankie DeCicco
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Sal DiMaggio
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Frank LoCascio
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Louie Milito
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Mikey De Batt
Michael Ryan Segal ...
Nicky Cowboy
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Joe (Old Man) Paruta
Chris Cenatiempo ...
Jimmy Falcona
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Storyline

Sammy 'The Bull' Gravano was mafiosi. He started out as a soldier, but his talent for murder, including the slayings of his best friends, his wife's brother and his own boss, Paul Castellano, saw him rise to under-boss in the Gambino crime family. However, betrayals within the family saw him break the code of silence and became the highest ranking member of the mob to turn into a rat - 'a rat in a suit,- assisting the government to finally put away the Teflon Don, John Gotti. Written by johnno.r[at]xtra.co.nz

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Crime | Drama

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Release Date:

10 May 1998 (USA)  »

Also Known As:

The Mob  »

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1.33 : 1
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Did You Know?

Trivia

Vincent Pastore who plays Mikey De Batt is introduced to Angelo Ruggiero played by Johnny Williams. In the 1996 HBO film Gotti Pastore plays Angelo Ruggiero. In the film Gotti Debatt is only mentioned not ever seen. See more »

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User Reviews

 
The best Gotti portrayal yet
30 November 2006 | by (Germany) – See all my reviews

All in all Witness to the Mob is superior to the HBO fairy tale called Gotti - but the former fails at what the latter did right: the portrayal of Sammy Gravano. Strangely, it seems that most filmmakers think they need a hero or at least a resemblance thereof. In HBO's Gotti it was Gotti, a charismatic, smart leader with comprehensible morals, whose downfall was the egoism of his underlings. In WttM, Sammy the Bull is portrayed as a misunderstood, dutiful voice of reason and overall goody two-shoes. Both portrayals are as far from the truth as it gets.

WttM shows Gotti the way he was: an egomaniacal braggart with delusions of grandeur. (I am at a loss as to how some folks can criticize Sizemore's take on Gotti which unlike Assante's is very close to the original.) A blend of these two movies would yield *the* authoritative adaptation of the subject. In direct comparison, though, WttM takes less liberties with the story, which is why I vastly prefer it over HBO's version.

On its own WttM is a very enjoyable LCN movie - even more so for those who are interested in the subject, provided they can generously overlook the factual inaccuracies.


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