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IMDb > Voleur de vie (1998)

Voleur de vie (1998) More at IMDbPro »

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Overview

User Rating:
6.5/10   94 votes
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Director:
Yves Angelo
Writers:
Yves Angelo (writer)
Nancy Huston (writer)
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Contact:
View company contact information for Stolen Life on IMDbPro.
Release Date:
9 September 1998 (France) more
Genre:
Drama more
Plot:
Alda, her sister Olga, and the latter's daughter Sigga live together in an old house facing a cemetery by the sea... more | add synopsis
Plot Keywords:
Awards:
2 nominations more
User Comments:
The presence of death always more

Cast

  (Cast overview, first billed only)

Emmanuelle Béart ... Alda
Sandrine Bonnaire ... Olga
André Dussollier ... Jakob
Vahina Giocante ... Sigga
Eric Ruf ... Yann
André Marcon ... Steindor
Bulle Ogier ... Dame cimetière
François Chattot ... Le père
Rudi Rosenberg ... Peter
Nathalie Richard ... La femme de Yann
Françoise Le Treut ... La laborantine
Geneviève Robin-Treguer ... Femme de Steindor
Julien Simon ... Le recteur
Erika Vandelet ... Professeur blonde
Émile Morel ... L'élève de Beckett
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Additional Details

Also Known As:
Stolen Life (USA)
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Runtime:
105 min
Country:
France
Language:
French
Sound Mix:
Dolby
Certification:
Iceland:L | Argentina:13 | Finland:K-12 | France:U | Sweden:7 | Switzerland:12 (canton of Geneva) | Switzerland:12 (canton of Vaud)
Company:
Film Par Film more

FAQ

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3 out of 3 people found the following comment useful:-
The presence of death always, 6 September 2002

I haven't read the novel by Steinunn Sigurdardottir, but the film version that transports the story from Iceland to the rocky isle of Ouessant off the coast of Brittany has many moments of beauty amid the slow unfolding of the plot. Emmanuelle Beart and Sandrine Bonnaire represent two opposites: Alda is impulsive, a sexual tease, unsatisfied with her surroundings; while Olga is steady, motherly, devoted to her family (which includes the dead members, who are constantly referred to). It's hard not to see the skull beneath the skin when you live next to a cemetery.

Bonnaire has a wonderful scene at Christmas time where she watches her sister and daughter dancing to a sensual song and must accept that her life is coming to a close. She is so much the anchor and compass of this movie. Vahina Giocante is wonderful as the daughter, who has to steer a course between the extremes of the two older women. Emmanuel Beart does a fair job as the pixie Alda, but has been better for Sautet (Un coeur en hiver). This isn't Yves Angelo's best picture--that would be Colonel Chabert--but he gets the emotional tone right.

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